Inception
quotes are a masterclass in originality. The is a perplexing and
complex narrative and to start you off on this wonderfully
captivating story
here are some Inception
quotes and lines, it may not answer your questions about the plot or
make the story any clearer but I
bet it will draw you into wanting to watch it. Warning
there
are lots of spoilers here! Take note that these are only quotes taken
from the movie, this is not the script.
Directed
by: Christopher Nolan Written by:
Christopher Nolan Starring: Leonardo DiCaprio -
Cobb
Joseph Gordon-Levitt - Arthur
Ellen Page - Ariadne
Tom Hardy - Eames
Ken Watanabe - Saito
Dileep Rao - Yusuf
Cillian Murphy - Robert Fischer, Jr.
Tom Berenger - Browning
Marion Cotillard - Mal
Pete Postlethwaite - Maurice Fischer
Michael Caine - Miles
Lukas Haas - Nash Earl Cameron -
Elderly Man
[an old
looking Saito is
sitting
oppsosite Cobb, after
his men have found him washed ashore] Saito:[to
Cobb] Are
you here to kill me? I know what this is. [he picks up a small
object from
the table] Saito: I've
seen one before
many, many years ago. It belonged to a man I met in a half-remembered
dream. A man possessed of some radical notions.
Dom
Cobb: What is the most resilient parasite? A bacteria? A
virus?
An intenstinal worm? Arthur: Uh,
what Mr. Cobb is
trying to... Dom Cobb: An
idea. Resilient,
highly contagious. Once an idea has taken hold of the brain it's almost
impossible to iradicate. An idea that is fully formed, fully
understood. That sticks, right in there somewhere. [he points to his head] Saito: For
someone like you to
steel? Arthur: Yes,
in dream state
your conscious defences are lowered and it makes your thoughts
vulnrable to theft. It's called extraction.
[to Saito] Dom
Cobb: I
know how to search your mind and find your secrets. I know the tricks
and I could teach them to you so that even when you're asleep your
defence is never down. Look if you want my help, you're gonna have to
be completely open with me. I need to know my way around your thoughts
better than your wife, better than your therapist, better than anyone.
This is a dream and you have a safe full of secrets and I need to know
what's in that safe. In order for this all to work, you need to
completely let me in.
[to Cobb] Mal:
If I jump would I survive?
Dom
Cobb: Mal, what are you doing here? Mal: I
thought you might be
missing me. Dom Cobb: You
know that I am.
I...I can't trust you anymore.
Mal:
Tell me, do the children miss me? Dom Cobb: I
can't imagine.
[refering
to Mal] Dom
Cobb: Did she tell you...or have you known all along? Saito:
Are
you here to steal
from me or do we actually sleep? I
want to know the name of your employer? [Mal hold a gun to
Arthurs head] Dom Cobb:
Ah, there's no use
threatning me. I'm in a dream, right Mal? Mal: That
depends on what
you're threatning. Killing him would just wake him up. But pain... [she shoots Arthur
in the knee] Mal: ...pain
is in the mind and judging by the decorum we're in your mind aren't we,
Arthur?
[Arthur
wakes up from his dream after he gets shot by Cobb] Nash: What
are you doing it's
too soon? Arthur: I
know. The dream is
collapsing. Try to keep Saito under a little bit longer, we're almost
done.
Arthur: This
isn't going to work.
Wake him up. [Nash goes to Cobb
trying to wake him
up] Nash: He
won't wake! Arthur: Give
him a kick.
Unplug him.
Arthur:
They're getting closer. Saito: You
got what you came
for. Dom Cobb:
Well, that's not
true. You left out a key piece of information, didn't you? You held
something back because you knew what we were up to. Question is, why
did you let us in at all? Saito: An
audition. Dom Cobb: An
audition for what? Saito:
Doesn't matter. You
failed. Dom Cobb: We
extracted every
bit of information you had in there. Saito: But
your deception was
obvious.
Dom
Cobb: You don't seem to understand, Mr. Saito. The
corporation
that hired us, they won't accept failure. We won't last two days. Arthur:
Cobb. [indicating to Cobb to
speed things
up] Dom Cobb:
Looks like I'm going
to have to do this a little more simply. [throws Saito onto the
floor
and hold a gun to his head]
Dom Cobb:
TELL
US WHAT YOU
KNOW? TELL US
WHAT
YOU
KNOW NOW? [Saito laughs to himself] Saito: I've
always hated this
carpet. [runs his fingers
through
the carpet]
Saito:
It's stained and
fraid in such distintive ways but it's very definitely
made out of
wool. And now...now it's polyester, which means that I'm not lying on
my carpet in my apartment. You have lived up to your reputation, Mr.
Cobb,
I'm still dreaming!
Saito:
Dream within a dream, ha? I'm impressed. But in my dream
you
play by my rules. Dom Cobb: Ah
yes. But you, see
Mr. Saito, it's not your dream. Nash: We're
in mine.
Arthur:
Asshole! How'd you mess up the carpet? Nash: It
wasn't my fault. Arthur:
You're the architect! Nash: I
didn't know he was
going to rub his damn cheek on it!
Dom
Cobb: I have it under control. Arthur: I'd
hate to see you out
of control.
[Cobb's
on the phone talking to his children] James: When
are you coming
home dad? Dom Cobb:
Well, I can't
sweetheart. I can't. Not for a while, remember? James: Why? Dom Cobb: I
told you. I'm...I'm
away because I'm working. Right? Phillipa:
Grandma says you're
never coming back. Dom Cobb:
Phillipa, is that you?
Well, put grandma on the phone for me will you? Phillipa:
She's shaking her
head. Dom Cobb: Well,
let's just
hope she's wrong about that.
Arthur:
Hey, are you okay?
Dom Cobb: Yeah...yeah,
I'm
fine. Why? Arthur: Well
down at the dream,
Mal showing up Dom Cobb:
Uh,
come on. I'm sorry
about your leg. It won't happen again. Arthur: It's
getting worse
isn't it? Dom Cobb:
One apology is all
you're getting. Alright, Arthur?
[referring
to Nash] Saito: He
sold you out. Failed
the company and bargained for his life. So I offer you the
satisfaction. [Saito's attendant
offers a gun to
Cobb] Dom Cobb: It's
not the way I
deal with things.
Dom
Cobb: What do you want from us? Saito:
Inception. Is it
possible? Arthur: Of
course not. Saito: If
you can steal an idea
from someones mind, why can't you plant one there instead? Arthur: Okay,
here's me
planting an idea in your head. I say to you, don't think about
elephants. What are you thinking about? Saito:
Elephants. Arthur:
Right, but it's not
your idea because you know I gave it to you. The subjects mind can
always trace the genesis of the idea. True inspiration is impossible to
fake. Dom Cobb:
That's not true. Saito: Can
you do it? Dom Cobb:
Are you offering me a
choice? Cause I can find my own way to square things with Cobalt. Saito: Then
you do have a
choice. Dom Cobb:
Then I choose to
leave sir.
Saito:
How would you like to go home? To America. To your Children. Dom Cobb:
Can't fix that. No
one can. Saito: Just
like inception. Arthur:
Cobb, come on. Dom Cobb:
How complex is the
idea? Saito: It's
simple enough. Dom Cobb: No
idea is simple
when you need to plant it in somebody elses mind.
Dom
Cobb: If I were do this, if...if I even could do it, I'd
need a
guarantee. How do I know you can deliver? Saito: You
don't! But I can. So
do you want to take a leap of faith or become an old man filled with
regret waiting to die alone? [Cobb nods his head] Dom Cobb:
Assemble your team, Mr.
Cobb and choose your people more wisely.
Arthur:
Look I know how much you want to go home. This can't be done. Dom Cobb: Yes
it can. You just
have to go deep enough. Arthur: You
don't know that. Dom Cobb:
I've done it before. Arthur:
Who'd you do it to? [Cobb doesn't answer]
Miles:
Is it safe for you to be here? Dom Cobb:
Extradition between
France and the United States is a bureaucratic nightmare. You know
that. Miles: I
think they might find
a way to make it work in your case.
Dom
Cobb: I'm just doing what I know. I'm doing what you
taught me. Miles: I
never taught you to be
a thief. Dom Cobb:
No. You taught me to
navigate people's minds. But after what happend, there weren't a whole
lot
of legitimate ways to use that skill. Miles: What
are you doing
here, Dom? Dom Cobb: I
think I found a way
home. It's a job for some very, very powerful people. People who I
believe can fix my charges permanently. But I need your help. Miles:
You're here to corrupt
one of my brightest and best. Dom Cobb:
What I'm offering,
you have to decide for themselves. Miles: Money. Dom Cobb: Not
just money. You
remember, it's the chance to build cathedrals, entire cities,
things that never existed. Things that couldn't exist in the real
world.
Miles:
Come back to reality, Dom. Please. Dom Cobb: Reality?
Those kids,
your grandchildren, they're waiting for their father to come back home.
That's their reality. And this job, this last job, that's how I get
there. I would not be standing here if I knew any other way. I need an
architect who is as good as I was. Miles: I've
got somebody better.
Miles:
If you have a few moments, Mr. Cobb has a job offer he
would like
to discuss with you.
Ariadne: A work placement? Dom Cobb:
Not exactly.
Dom
Cobb: They
say we only use a fraction of our brain's true potential. Now, that's
when
we're awake. When we're asleep, our mind can build almost anything.
Ariadne: Such as? Dom Cobb: Well,
imagine you're
designing a building, all right? You consciously create each aspect,
but sometimes it feels like it's almost creating itself, if you know
what
I mean.
Ariadne: Yeah. Like I'm discovering it. Dom Cobb: Genuine
inspiration,
right? Now in a dream, our mind continually does this. We creat and
percieve our world simultaneoulsy and our mind does this so well that
we don't even know it's happening. That allows us to get right in the
middle of that process.
Ariadne: How? Dom Cobb: By
taking over the
creative part. Now this is where I need you. You create the world of
the dream. You bring the subject into that dream and they fill it with
their subconscious.
Dom
Cobb: Well
dreams, they feel real while we're in them, right? It's only when we
wake up that we realize that something was actually strange. Let me ask
you a question, you...you never really remember the beginning of a
dream,
do you? You always wind up right in the middle of what's going on. Ariadne: I
guess, yeah. Dom Cobb: So
how did we end up
here? Ariadne: Well,
we just came
from the...uh... Dom Cobb:
Think about it,
Ariadne. How did you get here? Where are you right now? Ariadne:
We're dreaming?!
[waking
up as her dream is collapsing] Ariadne: If
it's just a dream then why can you... Dom Cobb: Cause
it's never
just a dream is it? And a face full of glass hurts like hell. When
you're in it, it feels real.
Ariadne:
Five minutes? What...we were talking like for at least an hour. Dom Cobb: In
a dream your mind
functions more quickly. Therefore, time seems to feel more slow. Arthur: Five
minutes in the
real world gives you an hour in the dream world.
[walking
in what seems like a parisian street] Ariadne: Who
are the people? Dom Cobb: They
are projections
of my subconscious. Ariadne:
Yours? Dom Cobb: Yes.
Remember you
are
the dreamer you build this world. I am the subject my mind populates
it. You can literally talk to my subconscious, that's one of the ways
extract information from the subject. Ariadne:
What else do you do? Dom Cobb: By
creating
something
secure like a...lika a bank vault or a jail. The mind automatically
fills it with information it's trying to protect.
Ariadne:
My questions is what happens when you start messing with
the
physics of it? [we then see another
street folding
on top of the street they are standing in] Ariadne: Something
isn't it? Dom Cobb: Yes
it is.
[refering
to the people they are passing whilst walking in the street] Ariadne: Why
are they all looking at me? Dom Cobb:
Cause my subconscious
feels that someone else is creating this world. The more you change
things, the quicker the projections start to converge on you. Ariadne: Converge? Dom Cobb: They
sense the
foreing nature of the dreamer. They attack like white blood cells
fighting an infection. Ariadne:
They're going to
attack us? Dom Cobb: No.
Just you.
[somone
walks deliberatly into Ariadne] Ariadne:
Mind telling your
subconscious to take it easy. Dom Cobb: It's
my
subconscious. Remember, I can't control it.
Dom
Cobb: I know this bridge. This place is real isn't it? Ariadne:
Yeah. I cross it
everday to get to the college. Dom Cobb:
Never recreate places
from your memory. Always imagine new places. Ariadne: You
gotta draw from
stuff you know, right? Dom Cobb: Only
use details.
A...a...a street lamp or a phone booth. Never entire areas. Ariadne: Why
not? Dom Cobb: Because
building a
dream from your memory is the easiest way to lose your grasp on what's
real and what isn't real. Ariadne: Is
that what happend
to you?
[Ariadne
wakes up all shaken after getting stabbed by Mal in the dream she was
sharing with Cobb] Ariadne: Why...why
wouldn't I
wake up? Arthur: Cause
there was still
some time on the clock and you can't wake up from within a dream unless
you die. Dom Cobb: She'll
need a totum.