By Ben Thumm (Chicago, IL, USA)
Pain. Loss. Death. These are all things that we endure throughout the duration of our lives. How we deal with each aspect is entirely different from person to person. Some people are able to handle it better than others. Some have a difficult time dealing with the grief and reality of the events that have taken place. Manchester by the Sea is a film that is tackles each of these elements which have been so taxing on its’ central characters and exuberates raw emotion as well as sincerity.
Written and directed by Keith Lonergan, he immediately introduces us to the film’s main character Lee Chandler (Casey Affleck). The opening scene take us back and forth between present day and a cherished memory on his brother Joe’s fishing boat along with his nephew Patrick (Lucas Hedges). Between this flashback and the present day, it is clear that Lee is a completely different man from who he was on the boat. Back then he seemed like a charismatic uncle compared to the present day quiet, emotionally reserved handyman/janitor in Boston. We get acquainted with Lee as we are taken through his various jobs on a day to day basis.
This includes anything from plumbing, taking out the trash or water leaks of apartment complexes. Right from the get-go, Lee is a very unsociable character in which the way he converses with the tenants. He may know what he is talking about to them but it’s very evident that he has no desire to talk to anyone or care about the work he’s doing. Affleck has been getting all sorts of praise since this debuted at the Sundance Film Festival earlier this year, so my personal expectations for his performance were very high. Probably too high. But he truly is phenomenal throughout the entire film. He really shines when he is able to fully embrace who his character really is. Characterized by his short facial expressions, body language and monotone delivery of dialogue. Out of the blue, Lee is forced to rush back to his hometown of Manchester, Massachusetts because of one life changing phone call.
After an hour and a half drive, Lee finally makes it to the hospital but it’s too late. Joe has passed away from a heart condition that has plagued him over the past few years. Lee does his best to control his emotions and not show too much but it’s obvious that he’s devastated. He’s able to recall the first time Joe had an episode and was diagnosed with this heart condition that nagged him with too many hospital visits to count. From here on out Lonergan paces the audience with flashbacks into the past life of Lee when he was a father of three and a husband to his then wife, Randi (Michelle Williams). The flashbacks aren’t obviously the most original storytelling device, but it allows us to go deep in to Lee’s tragic past to fully get us acquainted with who he was and who he has become.
Patrick comes into the picture as the popular high school hockey player that has a close group of friends as well as two girlfriends – of course. After his father’s death and no mother to be found due to her past alcoholism, he is left in the hands of his uncle Lee for an extended period of time. Joe’s will detailed that Lee be his legal guardian until he is of age. Lee doesn’t take the news too well and triggers the key flashback that led to the downward spiral of his life. It’s one of the most heartbreaking sequences of any film this year.
It’s hard to even process the chain of events because no one should ever have to experience what Lee went through as well as the anguish and guilt he has to live with for the rest of his life. Lee and Patrick are left with each other to deal with their losses and overcome their grief together. Lonergan is able to let both of these actors do their part and have it come natural to them. There is actually some light humor infused into their dialogue and relationship which really makes their character arcs much more enjoyable and relatable. Michelle Williams (Randi) doesn’t have a whole lot of screen time but it would be a travesty to not point out her brilliance. One scene in particular towards the end with Lee is Oscar worthy in itself.
Now that awards season is about to be in full swing, Manchester by the Sea is a film that is going to be talked about a lot for its’ performances as well as the volumes it speaks on grief and the raw emotions of dealing with that grief. A film that is very heavy on its’ characters can feel drawn out at times, but even with a run time of 137 minutes not one scene or conversation feels unnecessary. In the end, what we do feel is the emotional resonance for these characters and their journeys to overcome affliction.
Rating: 4/5
Best Quotes
Lee Chandler: If you could take one guy on an island with you and you knew you’d be safe because he was the best man, that he was going to keep you happy, if it was between me and your father who would take?
Young Patrick: My daddy.
Lee Chandler: I don’t think you’re wrong about that.
Lee Chandler: What happened to my brother?
Trailer:
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At least I understand the 46% for Trump. What disturbs me is the 92% for Manchester by the Sea. Have the critics watched so many movies that they are no longer qualified to comment?
I don’t ask much of a movie but do insist on three things: a beginning, a middle, and an end. Instead, we see a man’s life unfold pointlessly because that’s art, man.
Spoiler alert … I’m kidding. There’s nothing to spoil. No forward motion. Nothing learned. No one redeemed.
The movie ran 2.5 hours but felt like 7 because the director, keeping it real, used no discretion. The story unfolded in real time like a YouTube by @6thGradeAlex.
If in a book the principal spends five minutes reading about oatmeal, you can bet there’s a lesson. In Manchester by the Sea, you spend five minutes on Oatmeal because we’re just holding a mirror to life.
I don’t want my money back; I want back my time. My wife and I hung in there, assuming that One-Note Casey would finally do the right thing and justify all the mumbling.
Nope. He “just can’t.” He goes back to drinking and fighting and possibly killing himself.
How about this? Why not hold our mirror to a life worth watching—to someone who transforms, someone around whom we can huddle and warm our hands? Art doesn’t just reflect; it gives perspective, sheds light. That’s the talent.
The director owes us all $200 because that’s how much it would cost for him to sit in therapy for 2.5 hours like everyone else. I didn’t even realize this movie was a comedy until the very end when the credits rolled and my wife and I turned to each and laughed.
Rating: 1
My comments are about the 4 movies I have seen in the last few weeks. I’ll begin with the Arrival. I found it dull. Giant space squids talk in circles. There wasn’t much to the plot. I found myself nodding off. I don’t need a lot of action, but I do need to kept interested and entertained. May I suggest My Name is Doris, if you want to see a movie with powerful female characters.
Next, I Manchester by the Sea. It is very overrated. I get that he is in a lot of pain, but where is the dialogue. Movies are built on actions and words, this is lacking in verbal discourse. Casey Affleck’s character needs to articulate his feelings more than the limited amount they give to him in this film.
Next is La La land. I am not a huge fan of musicals or a return of someone’s idea of Hollywood but I did enjoy parts of this film. I like the score and the acting was good but there was something missing. I can’t put my finger on it, but there was a spark missing and it was a little lackluster. I really enjoyed Ryan’s performance in the Nice Guys but thought they needed to put more soul into his character in this movie.
Finally, I come to the Passengers. What is the difference between this movie and the previous 3. Nothing if you look at it closely. None of the movies have big surprises, there are no huge plot twist and they all have predictable endings. I enjoyed Passengers and thought it progressed well and finished as it should. So why are critics bashing it? I think the critics have movies they like (any new Star Wars picture) and actors they love to hate (Jennifer Lawrence as of now). Finally it is just my opinion based on the fact I see a lot of movies and am entitled to it. If you disagree that’s okay.
Rating: 3/5
What is the difference between you and an idiot? Nothing, if you look at it closely.
Worst movie I have ever seen. Over rated and over hyped by the critics. Slow moving and depressing. If you are on anti-depressants I highly recommend you stay away. Acting was good but it did not make up for the plot which moved at a snails pace. When I left the movie I wanted and needed a drink of heavy liquor. Wait till it comes to demand and then think twice before you spend the money to watch it.
Rating: 1/5
I went in knowing practically nothing about ‘Manchester By The Sea’ when I saw it. Word of mouth drew me to it, and I’m so glad I took up an opportunity to see it. There has never been a film to capture the subject matter within its heartbreaking context so brilliantly since (dare I say it) ‘Ordinary People’ from 1980, which this film closely resembles.
I will say that it is not in one’s best interest for myself or anyone else to reveal a majority of the film’s plot before seeing it, as one should best view it for the first time with an open mind and an understanding that it may require multiple viewings for the effect of the film to fully sink in. The film is told in real time, with a number of flashbacks to tell the backstory behind its central character and the reasons for certain obstacles that come into play.
In the year’s best performance, an unbelievably effective Casey Affleck plays Lee Chandler, a janitor out of Quincy, Massachusetts, who has become somewhat of a reclusive workaholic when compared to the film’s more uplifting opening scene. Lee is extremely introverted, for reasons we aren’t quite sure of until the contents of the story unfold, beginning (for us) with the death of his brother Joe (Kyle Chandler). Once, Lee receives word of Joe’s death, he is somewhat torn between what should happen to his nephew (played with surprising conviction by young Lucas Hedges).There is plenty more to come from the story and nothing I’m willing to elaborate on further.
Written and directed with subtle masterwork by Kenneth Lonergan, whose previous directorial efforts have included ‘You Can Count On Me’ and ‘Margaret,’ ‘Manchester By The Sea’ is a film that takes its time to tell its story. It is neither told too quickly or slowly, putting us in place of the situations as they unfold and are brought to light. A tremendous supporting cast which includes Michelle Williams, Gretchen Mol and Matthew Broderick only propels the film to greatness.
But the winner here is Affleck. His subtle approach to a highly complicated character is simple, yet brilliant at the same time all the while, bringing a less-is-more performance to compete with much of the year’s fierce competition. We ache for his character. We feel for him. We never want him to give up and never want the past to cloud his form of judgment, all of which are essential to the plot up until the film’s heartbreaking climax, which I won’t dare give away.
‘Manchester By The Sea’ is the best film of the year, and one that will stay in my memory for many more to come.
Rating: 5/5
Quincy is the town where Lee works – pronounced “Quin-Zee” – not Queenzie as written in the comments above.