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Television

She-Hulk: Attorney at Law Quotes on Disney+

May 18, 2022 by MovieQuotesandMore.com

Our list of the best quotes from Disney+ MCU action adventure TV series She-Hulk: Attorney at Law, which centers on Jennifer Walters (Tatiana Maslany), cousin of Bruce Banner/Hulk (Mark Ruffalo) who’s life becomes complicated as a single attorney in her 30s after she acquires Hulk-like qualities.

1. A Normal Amount of Rage

'When people start seeing you as a monster, that never goes away.' - Bruce Banner (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: What is the responsibility of those with power? Do they merely have an obligation to refrain from the misuse of that power? Or do they have a duty to protect those without it?

 

'Those with the most power have the most to answer for.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: It’s true. I am a Hulk. And I’m guessing you won’t be able to focus on this fun lawyer show until you know all about that. So, let me get you up to speed. A few months ago, I went on a road trip with my cousin Bruce.


 

Jennifer Walters: That was the longest answer to “what have you been up to” I’ve ever heard.
Bruce Banner: Well, you asked me, so I answered.

 

'The triggers are anger and fear.' - Bruce Banner 'Those are like the baseline of any woman just existing.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Bruce Banner: What’s up with this? Cheetos and chopsticks?
Jennifer Walters: Yes. So you don’t get Cheetos fingers.
Bruce Banner: My God. That’s really smart.
Jennifer Walters: You’re not the only genius in the family.
Bruce Banner: No, there’s also Ched.

 

'Let your thoughts drift away. Relax your neck. Bend your knees if that's comfortable. Hold in your farts. Namaste, all day.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: My theory. Steve Rogers did not have a girlfriend before he went into the service.
Bruce Banner: Says who?
Jennifer Walters: The History Channel.


 

Jennifer Walters: So, he becomes Captain America. And from that moment on, a symbol of America. He is rushed to the front lines. He becomes a war hero. Then he is frozen in ice. So, based on everything you’ve told me, after he gets unfrozen, he goes from world-threatening disaster to world-threatening disaster. That’s when he’s not a fugitive from the law, right? So it seems like he was pretty, pretty busy.
Bruce Banner: All you’re doing is repeating everything that I’ve already told you about my friend and colleague.
Jennifer Walters: Obviously, Captain America was a virgin.

'Denying half of your being is no way to live, trust me.' - Bruce Banner (She-Hulk: Attorney at Law) Share on X


 

Bruce Banner: [after their car accident] The inhibitor. Jen, get away from me. I’m bleeding. Get away.


 

Bathroom Girl #1: [when they see Jennifer in a disheveled state] Okay, no judgments, but whoever did this to you, does not care about you.
Bathroom Girl #2: You do not need him. Or her. Or them.


 

Jennifer Walters: You’re Hulk again.
Bruce Banner: Smart Hulk.
Jennifer Walters: Wow.
Bruce Banner: Yeah. I didn’t come up with it. You never have a choice with these names.


 

Bruce Banner: You know, weird stuff just kind of finds you when you’re a Hulk. But first, we got to deal with you.
Jennifer Walters: Me? What happened to me? I changed.


 

Bruce Banner: My blood got into your system, and after the wreck, and you got a lethal dose of gamma radiation.
Jennifer Walters: Lethal? As in I’m going to die?
Bruce Banner: No. There is more to it that I’m going to explain.
Jennifer Walters: That is not the sentence to take a pause on, Bruce!


 

Bruce Banner: You and I, we share a rare combination of genetic factors that allow us to synthesize gamma radiation into something else.
Jennifer Walters: So I turn into a Hulk now too.


 

Bruce Banner: I’ve been analyzing your blood. And the way it synthesized gamma, I was able to use it to completely heal my arm.
Jennifer Walters: Oh. Because I’m better than you?
Bruce Banner: It’s basically different.
Jennifer Walters: In a better way.


 

Jennifer Walters: Smug Hulk.
Bruce Banner: Smart Hulk.
Jennifer Walters: Well, it’s pretty smug to call yourself smart.
Bruce Banner: I didn’t come up with it.
Jennifer Walters: You use it. Implied endorsement.
Bruce Banner: Don’t lawyer me.


 

Jennifer Walters: You’ve analyzed everything. Now fix me. Get me back to normal.
Bruce Banner: Jen, this is not going away.
Jennifer Walters: What do you mean?


 

Bruce Banner: Jen, I have been struggling with this for years. The best that I could do was merge my two halves. Give it time in the lab, we could possibly do the same for you.
Jennifer Walters: No. No. I don’t want to be a Hulk. God. I just got my own office. I have business cards.
Bruce Banner: Jen, this is it. There is no going back to what you were before.


 

Bruce Banner: [to Jennifer] This is a multi-year journey you’re about to embark on, on coming to terms with being the Hulk. I traced all of my steps through my evolution. I never thought that it would end up being a syllabus, but here we are. Now, with my help, hopefully, your progress will go a little bit faster than mine.


 

Jennifer Walters: You said “multi-year”?
Bruce Banner: About fifteen years, give or take.
Jennifer Walters: Fifteen years?


 

Bruce Banner: These transformations are triggered by distressed emotional states, so we need to know the exact threshold that causes it for you.
Jennifer Walters: Ooh! Put on a Pixar movie. When Bing Bong jumps out of the wagon in Inside Out.
Bruce Banner: No! Oh, Bing Bong. No. Stop. I need to focus.


 

Bruce Banner: The triggers are anger and fear.
Jennifer Walters: Those are like the baseline of any woman just existing.


 

Jennifer Walters: It kind of feels like if I don’t transform, I’m going to die. Do you have a plan B for that?
Bruce Banner: No.
Jennifer Walters: No? Ha-ha. Not funny, Bruce. What, you’re just going to kill me?


 

Jennifer Walters: [to Bruce] What do you normally use this chamber for, you psychopath?


 

Bruce Banner: [as Jeniffer transforms into She-Hulk] Easy, girl. Easy. Easy.
Jennifer Walters: Why are you talking to me like I’m a stray horse?


 

Bruce Banner: This is incredible. You don’t have an alter ego. You’re the only one in there?
Jennifer Walters: As far as I can tell.
Bruce Banner: This is huge, Jen. I think I’m jealous. Is that what I’m feeling? You don’t have another guy to wrestle with for ten years.


 

Bruce Banner: You still can’t control when you transform.
Jennifer Walters: Okay, so how do I turn back into Jen? How did you do it?
Bruce Banner: Usually, I fall out of a jet, or I get knocked out by a robot, and I’d wake up as Banner. Or Natasha, for a little while, would tell me a lullaby.
Jennifer Walters: Walk me through how that worked, again.
Bruce Banner: I don’t have a great explanation for it.


 

Bruce Banner: One time, I was stuck as the other guy for over two years. That was in outer space.
Jennifer Walters: No, I can’t stay like this for two years.
Bruce Banner: I said “one time”.


 

Bruce Banner: [to Jennifer] You have so much more to learn about being a Hulk. I don’t think you have thought through how dangerous this level of power is. Do you know the damage you can cause? I mean, one mistake, one freak-out is literally life or death.


 

Bruce Banner: [to Jennifer] You can’t be emotional. Forget Hulk rage. Just regular anger means death and destruction for everything and everyone around you. And I’m telling you, when people start seeing you as a monster, that never goes away.


 

Jennifer Walters: Let your thoughts drift away. Relax your neck. Bend your knees if that’s comfortable. Hold in your farts. Namaste, all day.
Bruce Banner: It’s more about presence. About accepting the situation you’re in.
Jennifer Walters: Oh, I thought it was about getting my butt tight as hell. Up top.
Bruce Banner: Gross, Jen. I’m your cousin.


 

Jennifer Walters: [waking and transforms into She-Hulk after hearing air horn sound] Woh, Jesus! What the hell, man?
Bruce Banner: Still in control? No overwhelming feelings of rage?
Jennifer Walters: No! A normal amount of rage!
Bruce Banner: You do revert back to Jen-form when you sleep.
Jennifer Walters: Was the air horn really necessary?
Bruce Banner: For comedy, absolutely.


 

Bruce Banner: [to Jennifer] So, you’re going to need to reinforce all your furniture. Don’t even think about moving to a place with less than ten-foot ceilings. Trust me.


 

Bruce Banner: Who’s your best friend?
Jennifer Walters: Nikki.
Bruce Banner: Spandex. Spandex is your best friend.


 

Bruce Banner: [after he tosses a boulder] Just trying to show you how it’s done.
Jennifer Walters: Well, I’m shown.


 

Bruce Banner: Being a Hulk asks for balance.


 

Bruce Banner: [pushes her off the edge of the cliff] Little punk!
Jennifer Walters: D**k move.
Bruce Banner: Completely.


 

Jennifer Walters: [referring to her Hulk training] So I’m clearly nailing it at all of these things. When am I ever going to use this as a lawyer?
Bruce Banner: Jen, when you have powers like this, it’s like putting a target on your back and the backs of all the people you care about.
Jennifer Walters: Oh. Cool. Yet another way my life is ruined. Thanks, Bruce.


 

Bruce Banner: [to Jennifer] Our bodies metabolize alcohol at an incredibly fast rate. Which means that we can drink so much and not get drunk. All buzz, no barf.


 

Bruce Banner: [referring to when he and Tony built the bar] It was a good time during a hard time.


 

Jennifer Walters: Bruce, you failed to mention that I’d still have to deal with a Hulk-sized hangover.
Bruce Banner: Ah, I’ll have to put it in the binder.


 

Bruce Banner: I know I’ve been pushing you through a lot, but being a superhero is a trial by fire.
Jennifer Walters: Bruce, I’m not going to be a superhero.
Bruce Banner: What else you going to do as a Hulk?
Jennifer Walters: Return to my career that I have spent years building, use my law degree that I’m still paying off a fortune in student loans for.


 

Bruce Banner: It’s not one or the other, Jen. I am trying to show you that we can live between what we want and what is. But we can’t pretend like we aren’t two of the few people on Earth that can actually protect her. Which is why we have to make sure of your ability to tolerate the stress, and regulate your emotions, especially your anger.


 

Jennifer Walters: Here’s the thing, Bruce. I’m great at controlling my anger. I do it all the time. When I’m catcalled in the street. When incompetent men explain my own area of expertise to me. I do it pretty much every day, because if I don’t, I will get called emotional, or difficult, or I might just literally get murdered. So I’m an expert at controlling my anger, because I do it infinitely more than you. So all of this just feels like projecting a lot of s**t onto me.


 

Jennifer Walters: I guess I’ve outgrown your binder, cuz. Love you, Bruce, but I’m going home.


 

Bruce Banner: I know you didn’t ask for this, but whether you like it or not, you’re now a superhero. And who’s going to protect the world if it isn’t people like us?
Jennifer Walters: Are you quoting a comic right now?


 

Jennifer Walters: I’m sorry. The idea of being a superhero is not appealing to me. I’m not you. And I’m not going to become you. I don’t need to join some secret government contractor squad and have my entire life taken away from me.


 

Bruce Banner: My life wasn’t taken away.
Jennifer Walters: Really? Oh, so you didn’t wind up alone, hiding away on some remote beach with no friends, no relationships, never seeing your family, and definitely not dealing with a decade’s worth of trauma? Why would you want that for me, Bruce? You’re a cautionary tale.


 

Bruce Banner: I spent a lifetime running from this aspect of myself. Denying half of your being is no way to live, trust me.


 

Bruce Banner: What, you think you can just say a bunch of mean things like that, and then take off?!
Jennifer Walters: Yes!


 

Bruce Banner: See, Jen, you’re doing the best you can, and you can do better.
Jennifer Walters: Enough dialectical behavioral bulls**t!


 

Bruce Banner: For the record, I really didn’t want to do this. Okay, I wanted to do it a little. Why wouldn’t you listen to someone who’s been through all of this before?!
Jennifer Walters: Because we’re different people!
Bruce Banner: Lunkhead!
Jennifer Walters: Dummy!


 

Bruce Banner: [after they’ve fought it out] So, if you want to go back to your life as a lawyer, I respect that.
Jennifer Walters: Thanks.
Jennifer Walters: [breaking the fourth wall] He doesn’t mean that.


 

Jennifer Walters: And I’m sorry that I said a bunch of harsh but very true things.
Bruce Banner: Wow, an apology that still doubles down on a thing you’re apologizing for. That’s very lawyerly.
Jennifer Walters: Yeah, I’m a much better lawyer than I am a Hulk.
Bruce Banner: Now who’s smug?


 

Jennifer Walters: So that’s how it all happened. And no crazy Hulk stuff since. So, now my family knows, and Nikki knows, and you know. Basically, I was right, and Bruce was wrong, and I never have to be a Hulk.


 

Nikki Ramos: [after Titania breaks into the law building] You need to do your thing.
Jennifer Walters: Right now, in front of everybody?
Nikki Ramos: Yes. Yes. Come on. Civic duty. Jen, come on.
Jennifer Walters: Oh, God. I really like this outfit.


 

Titania: [as Jennifer transforms into She-Hulk] Who the hell are you?
Jennifer Walters: Jennifer Walters, attorney at law.


 

Jennifer Walters: [after transforming back into herself] I’m ready to give my closing argument now.


 

Jennifer Walters: [mid-credits lines, drinking with Bruce at his bar] It’s just so sad. Steve Rogers did so much for his country and he never got to experience sex. Did you see that a**? Like that a** did not deserve to die a virgin. It’s like so sad.
Bruce Banner: Steve Rogers is not a virgin. He lost his virginity to a girl in 1943 on the USO tour.
Jennifer Walters: Yes. I knew it.
Bruce Banner: You’re not drunk?
Jennifer Walters: Captain America fu…!

 

2. Superhuman Law

'I did not go to law school and rack up six figures in student loans to become a vigilante. That is for billionaires and narcissists. And adult orphans, for some reason.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Local News Reporter: Can you tell us about what you saw today?
Eyewitness: Yeah, yeah, yeah. So this chick, pretty decent, turned into a Hulk, like a chick-Hulk.
Local News Reporter: A She-Hulk?
Eyewitness: Exactly.


 

Nikki Ramos: [referring to the chanting in the bar] That’s for you.
Jennifer Walters: No. No. That’s for somebody called She-Hulk, which can’t be what they’re calling me.
Nikki Ramos: Lady-Hulk. Girl-Hulk. She-Hulk. Come on, just give them what they want.

 

'I can't even exist without being a derivative of the Hulk.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: That name better not stick. It’s so dumb. I can’t even exist without being a derivative of the Hulk.
Nikki Ramos: That’s a pretty dumb name too.


 

Dennis Bukowski: Seriously, how did you get powers?
Jennifer Walters: I really don’t feel like talking about it.
Dennis Bukowski: Nepotism. I knew it.

 

'I just want to move on with my life, live in peace on a large piece of property purchased for me by my seven soul mates.' - Emil Blonsky (She-Hulk: Attorney at Law) Share on X

 

Nikki Ramos: Some guy gave me both of these drinks for free because you’re a superhero.
Jennifer Walters: Ugh! I’m not. No, I did not go to law school and rack up six figures in student loans to become a vigilante. That is for billionaires and narcissists. And adult orphans, for some reason.


 

Nikki Ramos: You could be an Avenger.
Jennifer Walters: Do the Avengers offer healthcare? Maternity leave. A pension. Are they even paid?
Nikki Ramos: Here’s the thing though. Hulk Jen is a total snack. Right?


 

Bruce Banner: [voice message] Hey, Fuzzball, just checking in on you. I’m here if you want to talk a little bit more. No gloating this time, I promise. Maybe a little.


 

Morris Walters: Jen, you don’t have to worry about getting fired. I already told everyone, so it won’t be awkward. No one is going to bring it up.
Jennifer Walters: Hi, everybody.
Cousin Ched: You got fired.
Morris Walters: Ched!
Cousin Ched: You said to bring it up.
Morris Walters: I said don’t bring it up! Why would I tell you to bring it up?


 

Morris Walters: Jen, that Hawkeye guy, what happens to those arrows of his? I mean, does he go around and collect them when he’s done?


 

Morris Walters: So back to Hawkeye. It’s pretty hazardous to leave those things lying around.


 

Jennifer Walters: I’m not okay. But I’m okay with not being okay. Because it just sucks. You know, like I thought I could keep this at bay, for I don’t know how long. Eternity?


 

Jennifer Walters: Now I feel like I’m being punished for doing the right thing. Like I get fired for saving people, and now I can’t get another job because of it.
Morris Walters: You didn’t tell me.
Jennifer Walters: What were those years of law school even for? Maybe I should’ve just let those people get smooshed by that desk.


 

Morris Walters: [to Jennifer] This isn’t even the first time we’ve had to deal with a Hulk in the family. And you didn’t destroy a city.


 

Morris Walters: [to Jennifer] The thing that you were dreading happened. But look, you’re still standing. And now you get to keep moving on.


 

Holden Holliway: So, I would like you to come work for us.
Jennifer Walters: You got me fired, and now you want to hire me?


 

Holden Holliway: More and more eccentric superhumans are coming out of the woodwork. We just started a Superhuman Law Division, and I want you, well, the She-Hulk, to be the face of it. That means I’ll expect you to be at work, and in court, as the She-Hulk. Not as a normal person.
Jennifer Walters: Right now?


 

Jennifer Walters: Oh, my God. Is this why they hired me? Okay, this sucks. I am totally qualified, but now everyone around here is always going to think this is the only reason that I got the job. It’s so unfair. I should be able to enjoy the fact that I got an amazing new job, and I can’t. These dodos never had to deal with this on their first day at work.


 

Nikki Ramos: Why are you in Hulk form? That is a look.
Jennifer Walters: I just found out, the only reason they hired me is because they wanted a Hulk lawyer in the Superhuman Law Division.
Nikki Ramos: Yes, but look at everything it’s getting us. Are you kidding? Big-a** windows, yes. A fully stocked mini fridge. And a desk. I mean, this is normal. But this is a very fancy desk.
Jennifer Walters: I’m going to have to buy an entirely new wardrobe just to come to work.


 

Pug: [to Jennifer and Nikki] I made you guys a welcome basket. It’s got some office supplies to get you started. Snacks. And a map to the best bathroom for pooping.


 

Jennifer Walters: [referring to Blonsky] I’m sorry, but I can’t represent him, sir. I have a serious conflict of interest. This man tried to kill my cousin Bruce.
Holden Holliway: Yeah, that’s quite alright.


 

Supermax Guard: [as Jeniffer is going to visit Blonsky in prison] In the event of injury or death, please indicate who we should notify.
Jennifer Walters: It’s that bad, huh?
Supermax Guard: Never let your guard down. The prisoner is a very dangerous man.
Jennifer Walters: Is he going to serve me up with some fava beans and then a nice chian…
Supermax Guard: Ma’am, this is a prison.
Jennifer Walters: Of course.


 

Emil Blonsky: Jennifer Walters. Well, first off, namaste.


 

Emil Blonsky: I’m simply Emil now. Russian born, British raised, Royal Marines commando, on loan to the US government.
Jennifer Walters: Okay.
Emil Blonsky: With seven soul mates that I met through the prison pen pal program that I want to start a new life with.


 

Emil Blonsky: So, let’s talk about the elephant in the room, shall we? Your cousin. The Hulk.
Jennifer Walters: My cousin, Bruce.
Emil Blonsky: Semantics. He was the Hulk, wasn’t he? You know, I tried to kill him. You know, so let’s get that out of the way. It wasn’t personal or anything, so.


 

Emil Blonsky: You know, I was sent on a mission to take out a threat, and I thought I was the good guy, you know? I thought I was going to be, you know, Captain bloody America, or something, you know? And now, that very threat, your cousin, is held up as some kind of hero, and I’m locked up in here. Where’s the justice in that, Jen?


 

Emil Blonsky: Look, I just want to move on with my life, live in peace on a large piece of property purchased for me by my seven soul mates.


 

Bruce Banner: [to Jennifer, over phone] Actually, Blonsky wrote me a really nice letter a while back, and a really heartfelt haiku. So we put everything behind us. That fight was so many years ago, I’m a completely different person now. Literally.


 

Bruce Banner: [over phone] What did they end up naming you, anyway?
Jennifer Walters: She-Hulk. Don’t even.
Bruce Banner: No, I love that. That’s got a nice ring to it. She-Hulk, Attorney at Law.


 

Reporter: [as Jennifer watches the news] So far there have been no statements made by Emil Blonsky’s attorney after shocking footage leaked showing the Abomination participating in what appears to be an underground fight club after having somehow escaped from prison.
Jennifer Walters: Oh. That sucks.


 

Jennifer Walters: [mid-credits lines, carrying the water in She-Hulk form] I’m glad you’re staying hydrated, Dad, but this is a bit excessive.

 

3. The People vs. Emil Blonsky'You have to be in control of your own narrative.' - Nikki Ramos (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: Do you want to explain to me why you failed to mention that you not only escaped from prison, but you were also recorded doing so? You said to my face that you never turn into the Abomination anymore.
Emil Blonsky: No. I said I choose not to. You know, these were extenuating circumstances.


 

Emil Blonsky: I was forced to leave my cell, but I returned of my own free will.
Jennifer Walters: Who forced you to escape this insanely high-security prison undetected?
Emil Blonsky: A Sorcerer Supreme of the Mystic Arts, and his name is…


 

Nikki Ramos: [over phone] Wong. Just Wong. And his Internet presence is a little chaotic. He’s either a sorcerer who lives in New York, or a librarian who lives in Nepal.
Jennifer Walters: Can you get to him?
Nikki Ramos: Yes, Jen. It’s me. Of course I can get to him. I sent a thirst trap. It was a picture of me with a bunch of books.


 

Jennifer Walters: I know you can’t wait to see Wong. I get it. I just want to make sure that you don’t think this is one of those cameo every week type of shows. It’s not. Well, except Bruce. And Blonsky. And Wong. Just remember whose show this actually is.


 

Social Media Man: They took the Hulk’s manhood away, but then they gave it to a woman?


 

Nikki Ramos: [to Jennifer, referring to the media] You have to respond. You have to be in control of your own narrative.


 

Nikki Ramos: This case is huge. People want to know every single detail about your life. You’re a public figure now. And the office line has been flooded with calls and requests for interviews, so you should do one.
Jennifer Walters: People only care because I’m representing Emil Blonsky. Once that’s over, this whole media circus will die down.
Nikki Ramos: No, Jen, this is not going to go away just because you’re ignoring it.


 

Holden Holliway: The girlfriend in question is a shape shifting Light Elf from New Asgard.
Jennifer Walters: Wow, Dennis.
Dennis Bukowski: Okay. Well, to be fair, I thought I was dating Megan Thee Stallion.
Jennifer Walters: I’m sorry. What? Sorry. You thought you were dating Megan Thee Stallion? Multiple Grammy award-winner megastar Megan Thee Stallion?
Dennis Bukowski: What part of “shapeshifter” did you not get?


 

Wong: Everything Mr. Blonsky told you is factual. I extracted him from the prison against his own wishes, because I required a worthy opponent as part of my training to become Sorcerer Supreme. And as Sorcerer Supreme, I insist that he not be punished for my actions.
Jennifer Walters: Again, I am not the one who will be punishing him.


 

Wong: I know what you’re thinking, Ms. Walters, and I’m not erasing everyone’s memories. Not again.
Jennifer Walters: That is not what I was thinking. That is highly unethical.
Wong: Yeah, it’s also very messy, believe me.


 

Wong: We’ll send him to the Mirror Dimension.
Jennifer Walters: I don’t know what that is, but no.
Wong: Shadow Dimension?
Jennifer Walters: What you can do to help is show up at the hearing and explain everything.
Wong: Very well. We’ll reserve sorcery for strategy B.
Jennifer Walters: Don’t tap your nose.


 

Reporter: She-Hulk, can we get a word? Is it true you were rejected by the Avengers?


 

Emil Blonsky: Is Wong about?
Jennifer Walters: No. I don’t understand how a guy with zero commute time is late.


 

Emil Blonsky: [during his parole hearing] Let’s start by saying that I feel great remorse, great shame to those that I’ve harmed. So, to answer your question, yes, I feel I have been rehabilitated. I’ve spent every day of my incarceration focused solely on redemption. I have changed. Emotionally, physically, metaphysically, spiritually, karmically, cosmically, inter-dimensionally…
Jennifer Walters: Et cetera.


 

Jennifer Walters: Mr. Blonsky is currently in a long-term committed relationship with several pen pals. All of whom have pledged to financially support him.
Emil Blonsky: Excuse me. If I could. May I clarify?
Jennifer Walters: No.
Emil Blonsky: Blair, Ruth, Marta, Sheila, Alejandra, Yvonne, and Nicolette are my soul mates. We met through the prison pen pal program. They are my better eighths.


 

Literacy Program Guy: [referring to Blonsky’s contributions] Now the library is more than just a quiet place to shiv someone.


 

Prison Counselor: [referring to Blonsky] Instead of toilet wine, prisoners make toilet kombucha.


 

Judge Price: She may have diplomatic immunity in New Asgard, but we are not in New Asgard.
Runa: Excuse me, Your Honor, but Asgard is not a place, it is a people. Therefore, I…
Judge Price: Thor’s inspirational speeches are not admissible in court.


 

Dennis Bukowski: And when this is over, I’m canceling my Hollywood Hookups subscription. There’s clearly no vetting process.


 

Wong: [at the parole hearing] In regard to Mr. Blonsky vacating his cell, I gave him no choice. But it was absolutely his choice to return. I offered him asylum at the Kamar-Taj, which is truly lovely this time of the year. But he was quite adamant he be returned to serve out his sentence, and repay his debt to society.


 

Parole Officer: And as for Mr. Wong…
Wong: Just “Wong”. The Sorcerer Supreme. Master of the Mystic Arts. Leader and former librarian of Kamar-Taj.
Parole Officer: Yeah. You realize that you’ve just admitted to facilitating a prisoner escape, which is a crime.
Wong: I must depart.


 

Jennifer Walters: And then I get to my car, and some protester has written on it, “Monster defending a monster.”
Nikki Ramos: This can go away, you know, with one little interview.


 

Jennifer Walters: I cannot wait for this to be over so I can go back to being a normal anonymous lawyer. Who also happens to be a Hulk.
Nikki Ramos: What are you talking about? Jen, the genie is out of the bottle, girl. You are a story now.


 

Pug: [referring to Dennis] How did you two work with him for so long?
Nikki Ramos: Oh, I killed him in my head several times, in many different ways.
Jennifer Walters: And yet he was convinced that she had a crush on him. The man is almost terminally deluded.
Nikki Ramos: I’d call him gross.


 

Pug: How would you characterize Mr. Bukowski in relation to his romantic life?
Jennifer Walters: Self-absorbed, chauvinistic, conceited. He once described himself as a New York ten, and an LA eleven. He nicknamed his office the Dennisphere…
Dennis Bukowski: Objection. Relevance.
Judge Price: Mr. Bukowski, need I remind you that you’re not representing yourself here? And this is your witness.


 

Pug: In your opinion, Ms. Walters, do you think that Dennis Bukowski would believe that he could actually pull Megan Thee Stallion?
Jennifer Walters: Yes. Dennis Bukowski is an almost pathologically entitled man. He would absolutely believe that he’s dating the real Megan Thee Stallion, because he is truly that delusional.


 

Megan Thee Stallion: That’s right. There’s only one Megan Thee Stallion.


 

Emil Blonsky: [after he’s released on parole, but forbidden from transforming] Thank you, Jen. I’m in your debt, you know. Spiritually, of course.
Jennifer Walters: Just stay out of the news. That’s all I ask. I don’t want to read any more stories about either of us.
Emil Blonsky: You might want to reconsider that. I mean, they’re going to write a story about you one way or the other, you know. Better to be a part of it really.


 

News Interview Anchor: So, tell us, how did you come up with the name She-Hulk?
Jennifer Walters: Oh. Funny story, I didn’t. Some random guy on the news came up with it after thinking about it for like two seconds. But it stuck. So, now whether I like it or not, I am forever She-Hulk.
News Interview Anchor: Great. We have to take a break. When we come back, She-Hulk shares her diet and exercise secrets.
Jennifer Walters: I’m sorry. What?


 

Wrecker: If you’re going to strut around showing off your powers, you better be able to back it up.
Jennifer Walters: When did I ever strut around and show off my powers?


 

Jennifer Walters: Did you guys rob an Asgardian construction worker?
Wrecker: Yeah.


 

Megan Thee Stallion: Oh, you are way more fun than my last lawyer.
Jennifer Walters: I will kill for you, Megan Thee Stallion.
Megan Thee Stallion: Dial it back.

 

4. Is This Not Real Magic?

'Is there anything worse than dating in your thirties?' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Donny Blaze: And what is your name, young lady?
Madisynn: Madisynn, with two N’s, one Y, but it’s not where you think.


 

Madisynn: [after Blaze transports her to Wong’s home in Kamar-Taj] Where am I? What happened to all the goblins? Who are you? Are you the goblin king?
Wong: No, I’m not.

 

'It's a numbers game, alright? After five hundred swipes, you're going to get about a third of those as matches. And that's when the real filtering happens. Oof. Hetero life is grim.' - Nikki Ramos (She-Hulk: Attorney at Law) Share on X

 

Wong: Did a cut-rate magician send you here?
Madisynn: Not exactly. He sent me to a diff dimensh, and a talking goat helped me escape a lava pit in exchange for six drops of my blood. Then I kind of like browned out, and now I’m here.


 

Jennifer Walters: I guess you saw that Wong is back. God, everybody loves Wong. It’s like giving the show Twitter armor for a week.

 

'At first it was fun. Then scary, then fun again. Then spooky, but in a fun way.' - Madisynn (She-Hulk: Attorney at Law) Share on X

 

Morris Walters: Dad, what are you doing here?
Jennifer Walters: Well, after that scare you had, I am here to beef up security. I’ve got new locks, cameras, an alarm system, and pepper spray.
Jennifer Walters: What’s the shovel for?
Morris Walters: Digging holes. Let’s just leave it at that.

 

'I made a pact with a demon that I cannot discuss. Otherwise he said he would “reap my soul and the souls of all I love”, which, honestly, is so dramatic. And I hate drama.' - Madisynn (She-Hulk: Attorney at Law) Share on X

 

Morris Walters: My daughter gets attacked by four men, and I’m supposed to do nothing?
Jennifer Walters: Your daughter’s a Hulk. I’m going to be fine.


 

Morris Walters: [referring to the thugs] Well, what if they come back?
Jennifer Walters: I will kick their a** again. And you can use the shovel.


 

Nikki Ramos: [as they’re watching Jennifer’s interview on TV] Okay. We have got to get you some new clothes.
Jennifer Walters: There’s a very limited selection of clothing that fits my body.
Nikki Ramos: Clearly.
News Interview Anchor: How did you come up with the name She-Hulk?
Jennifer Walters: You ding-dongs dubbed me that.


 

Wong: I’m having an issue with a “magician”. Notice how I used the word “magician” in quotes.
Jennifer Walters: I did, yes.
Wong: It’s because he’s not an actual magician. This charlatan goes by the name of Donny Blaze.


 

Wong: Practicing the Mystic Arts without proper training not only endangers people, it risks untangling the material and astral planes.
Jennifer Walters: Completely.


 

Wong: Students pledge themselves to be loyal servants of the Mystic Arts.
Jennifer Walters: And did you get that in writing?
Wong: No. Ms. Walters, we answer to a higher power that abides by the metaphysical laws of the time-space continuum.
Jennifer Walters: Sure. But this is the American legal system. No judge is going to take this seriously unless we do things by the book.
Wong: Oh, The Book of Vishanti.
Jennifer Walters: No, the book of American laws.


 

Jennifer Walters: Onto the last bit of the Blonsky parole brief. Whoo-whoo!
Nikki Ramos: Did you just “whoo-whoo” a parole brief?
Jennifer Walters: I hated it as soon as it came out of my mouth.


 

Married Guy: Excuse me, ladies. I hate to see two stunning women sitting all alone.
Nikki Ramos: Okay, well, there’s two of us. So by definition, not alone.


 

Jennifer Walters: See, that guy is exactly why I don’t date.
Nikki Ramos: Oh, my God. You don’t have to date that guy. Jesus. There are plenty of non-gross people out there for you to date.


 

Nikki Ramos: [looking at Jennifer’s dating profile] We’re not using your corporate head shot as your profile photo. What’s your first date going to be? Webinar?
Jennifer Walters: This is exactly why I didn’t want to show you.
Nikki Ramos: Okay, there’s no judgment. But that was a really bad choice.


 

Jennifer Walters: Oh, my God. Are you swiping?
Nikki Ramos: Yes, of course. Come on. It’s a numbers game, alright? After five hundred swipes, you’re going to get about a third of those as matches. And that’s when the real filtering happens. Oof. Hetero life is grim.
Jennifer Walters: Nikki, you’re not helping.


 

Nikki Ramos: What if you made a profile, hear me out, as She-Hulk?
Jennifer Walters: I thought you hated the name She-Hulk.
Nikki Ramos: I do. But I don’t know. I can’t stop saying it. It’s really catchy.


 

Donny Blaze: Absurd. You can’t own magic.
Cornelius P. Willows: Yeah, you can’t own magic.
Donny Blaze: And you can’t trademark a spirit, register a soul, copyright art.
Jennifer Walters: You can copyright art. Yes.
Donny Blaze: This is a farce.
Cornelius P. Willows: This is a farce.
Jennifer Walters: Are you just like hype-manning him?
Cornelius P. Willows: Maybe.


 

Donny Blaze: What’s the matter, Wong? Are you scared I’ll become more mystical than you?
Wong: The Sorcerer Supreme doesn’t engage in competition, but I am more mystical in my sleep.


 

Alan: I decided I couldn’t just be a yes-man to some stiff boss, you know? That’s why I’m an entrepreneur.
Jennifer Walters: Oh. In what field?
Alan: TBD.


 

Madisynn: [as Wong brings her to court as his witness] Oh, did you get a ticket for texting? Just say you were texting 9-1-1. They can’t prosecute.
Jennifer Walters: That isn’t what this is, and that’s not true.


 

Jennifer Walters: Could you tell us about the night you participated in Donny Blaze’s show?
Madisynn: Oh, sure. So, first he gave me roses that didn’t smell like anything. And then he pushed me into a fire land.
Jennifer Walters: That must have been terrifying. How did you escape?
Madisynn: I made a pact with a demon that I cannot discuss. Otherwise he said he would “reap my soul and the souls of all I love”, which, honestly, is so dramatic. And I hate drama.
Jennifer Walters: [to Wong] Okay. This was a mistake.


 

Jennifer Walters: And how would you describe your emotional state during this saga?
Madisynn: Great question. At first it was fun. Then scary, then fun again. Then spooky, but in a fun way.


 

Wong: This case travels beyond these courtroom walls. The men you see are seeking to wield the power of gods. And that places us on the edge of a precipice. One man in the mortal realm has the ability to cause a ripple so great, it reverberates through every dimension. And that ripple through galaxies has the ability to destroy all life within the known and unknown universe.
Madisynn: Case closed!
Judge Hanna: Okay. No. This case is far from closed.


 

Wong: Can we send Donny to the Mirror Dimension? He probably won’t even die.
Jennifer Walters: I would love that, but that will ruin our case.


 

Madisynn: Wongers, can we get froyo?
Wong: No.
Madisynn: We can talk about The Sopranos.
Wong: Fine. No more spoilers.
Madisynn: Whatever. I was over it after Tony killed Christopher anyway.
Wong: Madisynn!
Madisynn: What? I mean, he was like a son to him. It was so sad.


 

Jennifer Walters: [as she’s getting a lot of dating matches as the She-Hulk] Well, that is demoralizing for Jen.


 

Derek: How much can you dead lift?
Jennifer Walters: A literal ton?
Derek: Well, I just did six hundred. I’m not even a superhero.


 

Noah: God, you’re just so powerful. What a specimen.
Jennifer Walters: Did you just call me a specimen?
Noah: As a compliment.


 

Jennifer Walters: Is there anything worse than dating in your thirties?


 

Jennifer Walters: So what’s your story, buddy?
Arthur: I’m in medicine.
Jennifer Walters: Oh, what’s that like code for selling Adderall?
Arthur: I’m a pediatric oncologist.
Jennifer Walters: Oh.


 

Arthur: I’ve been on so many first dates, and I hate talking about myself Tell me about you.
Jennifer Walters: Oh.
Arthur: Also, should we split some fries?
Jennifer Walters: Yeah. Let’s get those to go.


 

Amberleigh: You did the same trick in a show last week, and my friend Kaylah ended up stranded in a parking garage in Pomona.
Donny Blaze: Come on. Just close your eyes.
Amberleigh: No. I’m not going to get into your weird fire hole.


 

Arthur: You know, I got to say, this is the best date I’ve had in a while. I mean, swipe-dating is so dehumanizing.
Jennifer Walters: Yes.
Arthur: Everyone treats you like some soulless avatar on their phone.


 

Wong: Ms. Walters, why aren’t you answering your mobile phone?
Wong: [sees Jennifer as She-Hulk about to kiss Arthur] Never mind. I see.


 

Wong: [as Jennifer leaves her date] Come on. I feel like your dad.


 

Jennifer Walters: I’m not sure exactly what I’m supposed to be doing here.
Wong: Be a Hulk!


 

Jennifer Walters: [as she’s helping Wong get rid of the demons] After so many bad dates, I finally meet a guy who’s sweet, and listens.
Wong: Focus, Ms. Walters!
Jennifer Walters: And he’s very, very hot. Not that that matters. But it does. And instead of kissing his very hot face right now… Oh, God. They’re growing. And now I’m covered in demon goo, at a magic show, which is the worst part of this whole thing.


 

Arthur: [the next morning after spending the night together] Who are you?
Jennifer Walters: Jen. Just not in Hulk form. Just Jen.
Arthur: Oh. Cool. Cool.
Jennifer Walters: Yeah.
Arthur: That’s cool. Unexpected.


 

Jennifer Walters: [after Arthur leaves] Whatever. Hot doctor’s a cliche anyway.


 

Delivery Person: [referring to Titania] She’s suing you for misuse of a trademark.
Jennifer Walters: Misuse of a trademark? What trademark? She’s suing me over the name “She-Hulk”? But that’s my name.
Delivery Person: Not if she trademarked it first, right?
Jennifer Walters: Oh, is that how it works, Your Honor? Get out of here.


 

Jennifer Walters: Kind of a bummer way to end this episode. I bet there’s a fun tag.


 

Wong: [mid-credits lines] What’s blue curacao?
Madisynn: I don’t know. It’s blue.


 

Wong: I’ve had vodka and yak milk. Never again
Madisynn: Do you have any of that here?
Wong: Actually, we still have some left from the wedding, yeah.
Madisynn: I would love to try some yak milk.


 

Madisynn: What’s your favorite drink?
Wong: Well, gin and tonic.
Madisynn: Wongers! Okay. I don’t know if they do bottomless gin and tonic, but we will find it.

 

5. Mean, Green, and Straight Poured into These Jeans

Titania: What makes you beautiful? She-Hulk by Titania. Be strong, be beautiful. Own who you are. She-Hulk by Titania. I am strength. I am beauty. I own who I am. She-Hulk by Titania, a luxurious new line of skin care, beauty, and wellness products created by Titania exclusively for you.


 

Cousin Ched: You know, Jen, the way trademark works is, whoever gets there first, gets it. You know, so if you would’ve done yours first, then she wouldn’t have been able to do that.


 

Jennifer Walters: “Snake venom lip plumper.” She’s literally selling snake oil. “Beauty serum.” “Beauty oil.” “Beauty tonic.” How are these not all exactly the same thing?
Nikki Ramos: Are you kidding? They’re completely different.


 

Jennifer Walters: I can’t believe she just stole my name like that. This is egregious.
Nikki Ramos: But you said you didn’t like the name She-Hulk anyway.
Jennifer Walters: I don’t! It is just what people decided to call me. It’s not who I am. I’m still Jennifer Walters. She-Hulk is just a thing that happened to me.


 

Jennifer Walters: I do admit though there are parts of it that I enjoy.
Nikki Ramos: Okay, you’re not done.
Jennifer Walters: Like the amazing hair. No hangover. Being able to walk home at night with headphones on without being afraid.
Nikki Ramos: Every woman’s dream.
Jennifer Walters: But I’m not a different person who needs a different name.


 

Nikki Ramos: So you’re not mad at the name She-Hulk?
Jennifer Walters: No. No, I don’t care about it.
Nikki Ramos: Okay. So you’re totally over it?
Jennifer Walters: Yeah, like the most over it.
Nikki Ramos: You’re crushing your stapler.
Jennifer Walters: What?


 

Nikki Ramos: [to herself, referring to Titania] Why does she have to charge her fans so much for everything? Because that’s smart, Nikki. That’s why she is rich and you’re broke.


 

Pug: Alright, I can’t pretend like I’m here for a friendly visit. I need a favor.
Nikki Ramos: Oh. well, you know my price. Return favor. Plus interest.
Pug: Done.


 

Pug: The Iron Man Threes are coming out, and they’re limited to one pair per customer.
Nikki Ramos: Why do you need two pairs?
Pug: One to rock and one to stock.
Nikki Ramos: Okay, so you’re telling me that you collect shoes to look at that you’re never going to wear? I respect that.


 

Nikki Ramos: Okay. I’m going to need to call in my favor right now.
Pug: But you haven’t even done the original favor.
Nikki Ramos: But I am letting you slide on the interest, aren’t I?
Pug: You’re right.


 

Barista: What do you need? I got everything. Captain America shield, Thor hammer. Avengers T-shirt.
Nikki Ramos: This says, “Avongers.”
Barista: You don’t like Avongers? I got Avingers.


 

Mallory Book: Why didn’t you trademark your pseudonym?
Jennifer Walters: I never even thought about it, you know? Why would I? Did Doctor Strange have to trademark his name? Did Thor?
Mallory Book: You chose two examples of people who use their real names.


 

Mallory Book: If you’re going to be my client, you’re going to dress like you respect yourself, and not like a football player pleading no contest to a DUI. Nikki?
Nikki Ramos: Yes? Wasn’t lurking. I was close by.
Mallory Book: You obviously spend a lot of time thinking about what you wear. Why don’t you help Walters with her look?
Nikki Ramos: I’m actually already on top of that. I got you a consultation with the guy who makes clothing for superheroes.
Jennifer Walters: Oh, I don’t think I really need that.
Mallory, Nikki: You do, yeah.


 

Titania: [to Jennifer] Nice suit, Shrek.


 

Jennifer Walters: I will not answer to that name. You know why? Because it’s not my name. My name never has been, and never will be She-Hulk. It’s lazy, it’s reductive, and it’s straight-up garbage.


 

Luke Jacobson: [as he sees Jennifer in her She-Hulk form] Oh, my God! Is the hag convention in town?


 

Jennifer Walters: Well, like I told you before, She-Hulk is going to be one of the Avengers.
Luke Jacobson: You said she was one.
Jennifer Walters: It hasn’t been announced yet, because they’re still working out the deal. But basically she is an Avenger. The Hulk is her cousin.
Luke Jacobson: By blood?
Jennifer Walters: Yeah. And she is going to be a megastar.
Luke Jacobson: Her?


 

Jennifer Walters: [referring to Jacobson] Why did he have to be so mean?
Nikki Ramos: In fashion, it’s cool to be mean.


 

Jennifer Walters: [referring to Book] She’s so impeccable. Where does she shop?
Nikki Ramos: I don’t know. Somewhere with valet parking.


 

Nikki Ramos: [referring to Todd] You rolled over so quickly.
Jennifer Walters: So quickly.
Nikki Ramos: But the drinks are on him, girl.


 

Jennifer Walters: I made a dating profile as She-Hulk, and went on several dates as She-Hulk, showing a clear pattern of using the name. Every single one of those dates is a corroborating witness. This is how I win this case.
Nikki Ramos: By parading all the questionable men that you dated in front of a courtroom. Oh, Jen, that’s going to be embarrassing.
Jennifer Walters: Yeah.


 

Mallory Book: My client used She-Hulk, not as a name to exploit in order to sell product, but as a genuine part of her identity. As you can see in the “About Me” section, my client wrote, and I quote, “Mean, green and straight-poured into these jeans.”
Titania: Ew.
Mallory Book: And to answer the question, “What are you looking for in a partner?” My client wrote, “A sturdy back and reinforced king-size bed. JK. JK. JK.”


 

Noah: I specifically remember her referring to herself as She-Hulk, in the third person, and as a writer myself, I found that grating.


 

Mallory Book: So you would say you really connected with She-Hulk?
Arthur: She-Hulk and I had an intense connection. We had a great date. She battled demons, I mean, come on.
Mallory Book: Would you have gone on the date if She-Hulk had instead presented as Jennifer Walters?
Arthur: Look, I don’t mean to be rude, but, no. She’s not really my type. But She-Hulk. She-Hulk’s incredible. She’s amazing.


 

Titania: [after Jennifer wins the case] This isn’t over, hater.


 

Derek: I’m so sorry that happened to you. What you getting into later?
Titania: Fine. You can buy me things. Let’s go.


 

Jennifer Walters: I mean, I might need to schedule several sessions of therapy, but we won.
Mallory Book: Look, Walters, what that extremely attractive man said in there, you can do better. You deserve better.


 

Mallory Book: Quite a strategy. I don’t know any other lawyer who would humiliate themselves that way to win a case.
Jennifer Walters: Yeah. I mean, you can always count on me to throw myself under the bus. It’s why Holliway pays me the medium bucks.
Mallory Book: Holliway could never have gone through that. He’s never had to prove his value to a parade of underwhelming men.


 

Jennifer Walters: Think about everything that She-Hulk brings to the table, and those guys were my best option.
Mallory Book: You can have literal superpowers, and some guy with an Internet connection will still think he can do better.
Jennifer Walters: Yes! Oh, my God! The things we put up with.


 

Luke Jacobson: [as we see Daredevil’s golden helmet] Hello, this shouldn’t be left out in the open. Tinsley, does client confidentiality mean nothing to you?

 

6. Just Jen

Nikki Ramos: Jen, you don’t need to bring a Luke Jacobson business suit to the wedding. I want to see the super suit that he made you.
Jennifer Walters: Why? I’m never going to wear it.
Nikki Ramos: Come on. You’re killing me! It’s twice as much a sin to kill a fun person.


 

Nikki Ramos: You’re going to look hot as Shulky. Yes. That is a reason to go to the wedding.
Jennifer Walters: Yes! Because that’s actually the reason I’m really excited to go.
Nikki Ramos: Real talk. Why does anyone have a wedding on a Thursday?


 

Nikki Ramos: Why are you a bridesmaid?
Jennifer Walters: Because she, I think she just felt obligated to ask me. And I felt obligated to say yes because how do you say no to being a bridesmaid?
Nikki Ramos: You just say no.


 

Jennifer Walters: Yes, it’s a self-contained wedding episode. And if you think this is happening at an inconvenient time in this season, you’re right. Because that’s how weddings always are. But I’m going to look great, so let’s go.


 

Heather: [to Jennifer in her She-Hulk form] Girl, your a** looks crazy right now. Incredible!
Lulu: Everybody has an a**.


 

Jennifer Walters: Obviously, this is the one time I didn’t want to show up as just Jen.


 

Mallory Book: Alright, Mr. Hollis.
Mr. Immortal: Mr. Immortal.
Mallory Book: I’m sorry. Didn’t you say your name was Craig Hollis?
Mr. Immortal: It is. But I go by Mr. Immortal. It’s pithier.
Mallory Book: Sure.


 

Mr. Immortal: It’s not like I didn’t try marriage out. I did. Several times. In fact, it could be said that no one has tried more than me. Probably literally. I’m a good guy. I don’t want to hurt anybody’s feelings. But you know, inevitably, things go stale. But that is a tough conversation. “I don’t want to be married to you anymore. I find that you are emotionally suffocating me. And you wear weird pajamas.” Can you blame me for walking out into traffic during rush hour, and putting an end to the whole issue right there?
Nikki Ramos: Wait. What?


 

Mallory Book: Let me get this straight. Are you saying that instead of having a conversation with your wife, you kill yourself to get out of the relationship?
Mr. Immortal: Woh. Woh. Woh. I don’t kill myself. I’m immortal. So, I can’t die.
Nikki Ramos: I’m sorry. And you think that this woman, who has a law degree, doesn’t know what immortal means?


 

Mr. Immortal: In my case, I do die. But only in the legal sense.
Nikki Ramos: So you die.
Mr. Immortal: I do. I die, but only for a… “Kind of die” for… But I do die.


 

Mr. Immortal: If you have the opportunity, I think this is the most considerate way to end a marriage.
Mallory Book: “Considerate”. That’s not the word you’re looking for.
Nikki Ramos: No. You just don’t know how to have any sort of confrontation whatsoever.
Mr. Immortal: Oh, I thought that lawyers were supposed to not be judgmental.
Nikki Ramos: No, they just have to represent you.
Mallory Book: I’m tapping out.


 

Lulu: Are you dating a guy? Is there a boy in your life?
Jennifer Walters: Oh. No. No. No. No.
Lulu: Oh, no! I’m sorry. You’ll find someone. Don’t feel bad.
Jennifer Walters: Oh, I don’t feel bad.
Lulu: That’s right! You know what, you still have a little time.


 

Heather: Lulu! Team Edward or Jacob?
Lulu: Let it rest! You know I dated both those actors.


 

Jennifer Walters: [referring to Titania] She has weaseled her way into this wedding to mess with me. That is so obvious. Why does nobody else see that?
Titania: Okay, you’re being very loud.
Lulu: Jen, I hear you. Again. I do. But you sound insane right now. Like Titania wouldn’t just show up to my wedding, you know, trying to kill you, or something, I don’t know.


 

Jennifer Walters: Did they give you a plus one for this? Because I don not understand the metrics they used to decide.
Josh Miller: Yeah, they didn’t. But I don’t mind. See, my plan was to strike up a very normal conversation with a beautiful woman stuffing her face with candied nuts. I’m very good at sticking to my plans.


 

Mallory Book: This is what I was worried about. Not only did you fake your own death multiple times, but you also forged multiple fake identities. Frankly, all of these spouses should be filing criminal charges. You are lucky you’re not in prison.
Mr. Immortal: I will never understand women if I lived to be a… And I will.


 

Heather: So, the groomsmen were playing Mario Kart, and their shirts got all wrinkled.
Jennifer Walters: Oh, my God. From a video game?
Heather: Yeah. Video games are sports now. They’re on ESPN and everything.
Jennifer Walters: Yeah.
Heather: So you’re on ironing duty, right?
Jennifer Walters: I am?
Heather: Yeah. Go bride squad!


 

Cousin Ched: What’s going on, my party people? It’s your boy, DJ In-ch-ch-chedible Hulk!


 

Nikki Ramos: [to Mr. Immortal’s ex-wives] Amy. You are going to receive a sincere apology with meaningful eye contact. Lasting at least fifteen seconds. Okay? And remember, everyone. What’s our mantra? Never again! Yes!


 

Mr. Immortal: [quietly to Nikki] Is that the absolute best you can do on eye contact?
Nikki Ramos: And so, Amy, that’s twenty seconds of eye contact.
Mr. Immortal: That seems interminable.


 

Jennifer Walters: [leaving a message] Bruce, where are you? I’ve been trying to get a hold of you for weeks, or months, or days, or whatever. Call me back, you ding dong.


 

Jennifer Walters: [drunk at the wedding reception] You know, everyone is always so, saying about how She-Hulk is amazing. They’re always saying it. I just wanted to be amazing tonight.
Josh Miller: I don’t know. I think you’re pretty great.
Jennifer Walters: You do?
Josh Miller: I do.


 

Titania: [as Jennifer tries to hit her and misses] This is just sad. It’s no fun unless you’re She-Hulk. Come on!
Jennifer Walters: Why are you so obsessed with me?
Titania: I am not obsessed with you. Although it seems like everyone else is. You don not get to ruin everything for me for something that you don’t even want. Something you don’t even deserve. So now I am forced to prove it. So green up!


 

Jennifer Walters: Okay, just this one time I turn She-Hulk. Oh, no, I forgot how to do it.
Titania: This is pathetic.
Jennifer Walters: Give me a second!


 

Titania: My veneers! Oh, you think this is funny? Are you showing your eleven followers on Instagram? Where are you going? And I’m taking this! This wedding sucks!


 

Jennifer Walters: [referring to Titania] Oh, Lulu. I know I promised. She sucker-punched me when I was throwing up. Like, who does that?


 

Lulu: [drunk] She-Hulk is at my wedding? I love you so much. I’m a fan.
Lulu: [as she’s hugging Jennifer] Woh! Huge boobs!
Jennifer Walters: Yes, they’re big.
Lulu: Okay, huge boobs. Congrats. Whatever.


 

Mallory Book: I mean, I just don’t understand why anyone that afraid of conflict keeps getting married. And I just can’t believe that guy got eight different people to marry him.
Nikki Ramos: You must not be single in Los Angeles.

 

7. The Retreat

'Sometimes life presents a teacher when there's a lesson to be learned.' - Emil Blonsky (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: I don’t care what a bunch of losers say about me online. Can’t even say it to my face because they know they’d get Hulk-smashed.


 

Jennifer Walters: I’m waiting for a text from Josh.
Nikki Ramos: What? Okay. That’s enough for you. You need to set a limit so that you don’t keep checking that during work hours.
Jennifer Walters: What about just hourly?
Nikki Ramos: No. It’s just the first twelve hours after you sleep with someone for the first time. It just kind of feels icky. You just got to coast through it without doing anything stupid.

 

'It hurts when someone rejects us, because it reminds us of the times we reject ourselves.' - El Aguila (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: [referring to Josh] Why can’t he just text me back? Why is that so hard? There’s no reason in this day and age to not respond to a text.
Nikki Ramos: He could be in a meeting, or at the movies. There’s weddings, funerals, job interviews, silent retreats.
Jennifer Walters: I hope he’s at all of those today.

 

'I'm hurting for a yurting.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Chuck Donelan: [referring to Blonsky] You’re honking your horn at a ten-foot-tall lizard monster. So, maybe, put on your green suit.
Jennifer Walters: Put on my green suit?
Chuck Donelan: Yeah. Get big, Jolly Green yourself? I don’t know what do you call it?
Jennifer Walters: Hulking out.

 

'Remember everyone we meet, no matter how much they hurt you, is a lesson learned.' - Emil Blonsky (She-Hulk: Attorney at Law) Share on X

 

Chuck Donelan: [referring to his inhibitor] Do you think maybe you might’ve jostled it, or…
Emil Blonsky: Come to think of it, I did get a jolt from an electric fence earlier. But it was worth it because my favorite chicken, Princess Silk Feather, was stuck.
Jennifer Walters: Your favorite chicken?
Emil Blonsky: Yeah.


 

Jennifer Walters: What the hell is going on?
Emil Blonsky: It’s just two men working through their resentments in a safe environment, Jen.
Man-Bull: Sorry. It’s my fault.
Jennifer Walters: You know what? Apologize to my Prius Prime with money.


 

Man-Bull: [introducing himself] Man-Bull. It was a weird lab experiment. Don’t ask.
El Aguila: And I am El Aguila. And before you make assumptions, no, I am not a matador. That’d make the two of us fighting pretty cliché, no?


 

El Aguila: I know exactly who I am. I am a swashbuckler.
Man-Bull: You’re saying that like it’s an actual occupation. Waving a sword around in here is not a job, unless you’re a matador.


 

Emil Blonsky: You see, to Man-Bull, El Aguila represents every person who’s tried to, you know, stab him in the, you know, for being an affront to nature.
El Aguila: Of which there are many.
Man-Bull: So many.
Jennifer Walters: This is so much unnecessary back story to tell to someone whose car you just destroyed.


 

Jennifer Walters: I can’t drive this. How am I supposed to go home now?
Emil Blonsky: You know, sometimes life presents a teacher when there’s a lesson to be learned. Jen, think of this totally knackered Prius Prime as your teacher.
Jennifer Walters: That was nothing. You just said nothing in response to a very straightforward question.


 

Emil Blonsky: Man-Bull? Give us a push to the garage, would you?
Man-Bull: Do I look like a mechanic? My name is Man-Bull. Not Mechanical-Bull.
El Aguila: Wow. How long have you been waiting to say that?
Jennifer Walters: Yeah. That felt very forced.
Man-Bull: You too?


 

Emil Blonsky: Jen. You remember El Aguila and Man-Bull? This is Porcupine. He’s a porcupine. And Saracen thinks he’s a vampire.
Jennifer Walters: Wow. This is quite a group.
Emil Blonsky: You’re welcome to join.
Jennifer Walters: I’ll pass.


 

El Aguila: Just because I am Spanish, and I have a flair for the style, people constantly assume that I am a matador. It’s dehumanizing.
Porcupine: Spanish is a language, not a nationality, so.
El Aguila: You’ve never heard of Spain?


 

Man-Bull: Look, I know it’s not your fault, but those attributes make me see you as a matador. And, well, that’s triggering for me.
El Aguila: I did do some light matadoring in college.
Man-Bull: Oh, my God! Dude, what?


 

Wrecker: Sorry, I’m late. I lost track of time in the yurt.
Jennifer Walters: No way.
Emil Blonsky: Jen. Please.
Wrecker: I really needed it though. I was hurting for a yurting.


 

Jennifer Walters: [referring to Wrecker] That guy is here? You probably don’t even remember who he is. Tell me they previously on’d him. No. I don’t care. We’re doing it again. Previously on this guy!


 

Wrecker: I was visited by a lot of feminine energy in there. I think I was talking to my dead grandmother, Rose. Hard to tell when you’re surfing the yurt though. Right?


 

Wrecker: So, I realized real strength comes from facing yourself in the mirror and saying, “Hey, man. I’m going to work on me.” I didn’t need a magic crowbar to give me a false sense of power. All it did was make me and my boys act like idiots. Rolling up on you like we were some supervillains or something.
Jennifer Walters: Oh, you attacked a woman four to one. You absolutely were supervillains.


 

Porcupine: [referring to Josh] When was the last time you talked to him?
Jennifer Walters: Three nights ago when we…
Man-Bull: Made love?
Jennifer Walters: First off, ew. No. When we’d slept together for the first time.


 

Porcupine: So how many dates?
Jennifer Walters: Three.
Man-Bull: What was the last thing you texted him?
Jennifer Walters: “That was fun. I can’t stop smiling.”
El Aguila: Yikes.
Jennifer Walters: What?
Porcupine: “I can’t stop smiling”? It is thirsty and a cliché.
Jennifer Walters: You’re thirsty and a cliché.


 

Wrecker: [to Jennifer, referring to Josh] I think that we have to start considering the very real possibility that you were ghosted.
Saracen: Or he wanted your blood.
Wrecker: No. Not that.


 

Jennifer Walters: You know in high school that friend that you have that’s like cooler than you are? Like more attractive and athletic. And they get all the attention from everyone.
Jennifer Walters: [points to her She-Hulk form] Hello! Like, you think life would be so much easier if I were that person. And I can turn into that person anytime I want to. And everyone pays attention when I’m this.


 

Jennifer Walters: But it feels like cheating, because would they like me if I didn’t have all of this? Like, if I was just Jen, would the same guys who like She-Hulk stick around for Jen? Because some of them don’t. And that sucks for Jen, because Jen is great, and no one cares when they’re She-Hulk. So, like I meet this guy who actually likes Jen, and that just felt good to know that, you know? And then, he ghosts me, and it sucks.


 

Porcupine: Well, for one thing, I’d say you can’t control what others people do.
El Aguila: It hurts when someone rejects us, because it reminds us of the times we reject ourselves.
Wrecker: Maybe this Josh thing hurts so much because you haven’t been spending enough time with Jen.
Saracen: And that’s a shame, because I bet Jen is pretty damn great and tasty. Dammit. Went off the rails. Somebody bail me out.


 

Man-Bull: [after Porcupine takes off his mask] Oh, my God!
Wrecker: It smells like a fart.
Emil Blonsky: Too much.
Porcupine: It feels good. Feels really good.


 

El Aguila: Oh, man. How many hours a day have you been wearing that mask, Papa?
Porcupine: Why? Am I ashy?
El Aguila: No. No, no.
Emil Blonsky: Could you just leave the suit on until we can get it dry cleaned?


 

Emil Blonsky: [after Jennifer deletes Josh’s number] How do you feel?
Jennifer Walters: I can’t believe I’m going to say this, but I’m hurting for a yurting.


 

Wrecker: Well, we made this for you.
Jennifer Walters: [as she reads the card] Aw. “Bye, Jen. We love Jen and She-Hulk.”
Wrecker: We do.
Jennifer Walters: “The gang.” That’s nice.
Emil Blonsky: But it says “gang”, it’s not a literal gang. Just make sure you make that clear to the parole board.


 

Emil Blonsky: And Jen, next time you think of Josh, remember everyone we meet, no matter how much they hurt you, is a lesson learned.
[flashback, three days earlier, Josh secretly steals a sample of her blood for HulkKing]

 

8. Ribbit and Rip it

'I'm Daredevil.' - Matt Murdock, 'Well, it is very daring to use ketchup and mustard as your color scheme.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Leapfrog: The store might be closed, but you forgot about the Guard Frog.
Robber #1: What the hell is a Guard Frog?
Robber #2: I think it’s his name.
Leapfrog: My name is Leapfrog. I’m just acting like I’m the Guard Frog in this particular instance.


 

Leapfrog: Right. So, I was surrounded by these huge guys. Although I was outnumbered, I could tell they were afraid of me. So, in order to de-escalate the situation, I shouted my signature catchphrase. And then next thing I know, my inflammable suit with a nine hundred degree threshold is on fire. And, you guessed it, I have third-degree burns all over my legs. I mean, I deserve justice. And compensation for all of my pain, mental anguish, and stuff.

 

'Look, I know you're just being mean because I kidnapped you, but words hurt, man.' - Leapfrog (She-Hulk: Attorney at Law) Share on X

 

Holden Holliway: Mr. Patilio is one of our biggest clients.
Jennifer Walters: The guy dressed as a frog?


 

Jennifer Walters: Ribbit and rip it.
Holden Holliway: Yes, ribbit and rip it indeed.


 

Luke Jacobson: Excuse me? How dare you. I have never made a defective suit in all my life. My work is impeccable.
Jennifer Walters: Oh. Obviously, I know that firsthand. And Trust me, I’m not happy to be doing this.
Luke Jacobson: I’m not trusting you after you just lumbered in here and stabbed me in the back.


 

Jennifer Walters: [as Jacobson rips her gala gown] Oh! Hey, I pre-paid for that!
Luke Jacobson: Then you shouldn’t have betrayed me, you greasy old buffalo. You are blocked, blacklisted, and reported!
Jennifer Walters: Now, I am going to take you down.
Luke Jacobson: Well, I hope it’s not down to wherever it is you get your ugly clothes from!
Jennifer Walters: See you in court!
Luke Jacobson: Goodbye, tragedy.


 

Judge Price: [to Jacobson] Where is your counsel?
Matt Murdock: I’m here. Apologies for the tardiness, Your Honor. I had trouble finding parking. I’m just kidding. My driver got lost. My name is Matthew Murdock.


 

Jennifer Walters: [referring to Murdock] Who’s this a**hole?


 

Judge Price: I’m dismissing this case.
Leapfrog: Am I going to go to jail?
Jennifer Walters: No, but I would like you to.


 

Jennifer Walters: Luke.
Luke Jacobson: Yes, clown?
Jennifer Walters: I just wanted to apologize for…
Luke Jacobson: For daring to question my craftsmanship?
Jennifer Walters: Is there any way that we could go back to you being my tailor?
Luke Jacobson: Jennifer. Jenny. Jen. No. Because I hate you now.


 

Matt Murdock: I wanted to extend a peace offering.
Jennifer Walters: Ugh! I hate it when people take the high road.


 

Matt Murdock: Luke Jacobson made a couple of new suits for me, so I owed him one.
Jennifer Walters: Doesn’t really look like it.
Matt Murdock: That’s a low blow insulting a blind man’s clothes. I’m wearing pants, right?


 

Matt Murdock: Ms. Walters, have you been checking up on me?
Jennifer Walters: Yeah. Can you blame me? You came out of nowhere, and you made my dumb client admit to being even dumber than I thought he was in court.


 

Matt Murdock: Well, you know the expression, “One for them, one for us”? Well, I run my practice in Hell’s Kitchen, and we mostly do pro bono work. The “us” part. But I do on occasion take a job with a bigger client when the bills start piling up. The “them” part.
Jennifer Walters: Wow. Secret double lives of Matt Murdock. How does he do it? As someone who works for “them” full-time, I really don’t have any gas in the tank for anything else.


 

Matt Murdock: I think you’re in a unique position to do some real good. You see, the way I see it, Jen Walters can use the law to help people when society fails them. And She-Hulk can help people when the law fails them. So, you can, if you choose…
Jennifer Walters: Be the best of both worlds.


 

Jennifer Walters: [referring to her chemistry with Murdock] We’re all feeling this, right? It’s not just me?


 

Todd: God, no one is collecting African s**t on my level. I love it. I love Wakanda. You know, I actually studied abroad there.
Jennifer Walters: Really?
Todd: Wakanda Forever!
Jennifer Walters: Ooh! That makes me uncomfortable.


 

Leapfrog: [over phone] Listen, you got to help me. I think I’m being attacked!
Jennifer Walters: Legally or physically?
Leapfrog: Definitely physically! But, I mean, maybe legally too.


 

Jennifer Walters: Where are you?
Leapfrog: I’m on my way to the Lily Pad.
Jennifer Walters: Is that a place I’m supposed to know?
Leapfrog: Yeah. It’s my famous secret lair.


 

Matt Murdock: [as Daredevil] You need to back off.
Jennifer Walters: And waste this outfit?


 

Matt Murdock: You’re making a mistake.
Jennifer Walters: You made a mistake when you messed with my client! Because now I’m going to whoop your a**.
Matt Murdock: My a** remains unwhooped.
Jennifer Walters: Yeah? Let’s fix that.


 

Jennifer Walters: [as she takes off his mask] Matt? Wait. Do you pretend to be blind, man? Because that is really problematic.
Matt Murdock: No. No, no. I’m blind. I’m blind. Relax. I have a spatial method that I use to see.
Jennifer Walters: Oh, like echolocation?
Matt Murdock: Yeah, kind of. Basically I have really good hearing. Or at least I did.


 

Jennifer Walters: [after telling her Leapfrog kidnapped Jacobson] Why didn’t you tell me that before we fought?
Matt Murdock: Why didn’t you ask me before trying to whoop my a**?
Jennifer Walters: I’m sorry that I assumed the guy dressed as the devil was the bad one.
Matt Murdock: Yeah, that’s a fair point.


 

Jennifer Walters: So, are you like a superhero? Like the Gold Devil?
Matt Murdock: I’m Daredevil.
Jennifer Walters: Well, it is very daring to use ketchup and mustard as your color scheme.
Matt Murdock: How about I tell Luke you said that?
Jennifer Walters: No! No, please don’t.


 

Matt Murdock: You ever destroy a parking lot before?
Jennifer Walters: Oh. Crap. I’ll go leave a note.


 

Luke Jacobson: I don’t know who told you that you could pull off this color, but you should go back to them and shoot them.
Leapfrog: Look, I know you’re just being mean because I kidnapped you, but words hurt, man.


 

Jennifer Walters: I can’t believe this dodo has henchmen. Actually, I can. I bet these goons work for his dad.
Matt Murdock: No. See, that’s where you’re wrong. Goons and henchmen are two completely different animals. Henchmen believe in the cause, whereas, goons are just there for the paycheck.
Jennifer Walters: Henchmen, goons, whatever.


 

Jennifer Walters: You can hear their heartbeats? Come on. That’s a little far-fetched.
Matt Murdock: I can hear yours too. Your heart’s beating pretty fast.
Jennifer Walters: What? What? No, it’s not. I’m healthy.


 

Jennifer Walters: I’m a Hulk. How about I just smash our way in?
Matt Murdock: Because they have weapons, Jennifer.
Jennifer Walters: Yeah, good thing She-Hulk is indestructible, Matthew.


 

Matt Murdock: Stealth’s the way to go. Okay? Trust me, I’ve done this a million times. Remind me again, how many times you’ve broken into a warehouse full of goons?
Jennifer Walters: Remind me again who has the superpowers here? I’m pointing at myself.
Matt Murdock: Oh, yeah. I know. I have echolocation, remember?


 

Matt Murdock: Just let me do my thing.
Jennifer Walters: Yeah, and I will do my thing.
Matt Murdock: You don’t have a thing. You don’t ever do this. Just follow my lead.
Jennifer Walters: [as Murdock leaps off the building] Okay. I guess that’s pretty cool.


 

Leapfrog: So, the devil ninja guy, he’s a lawyer?
Matt Murdock: No. I’m just a big fan of legal dramas.


 

Jennifer Walters: [as Murdock is beating up the goons] This guy’s really kind of doing it for me.


 

Leapfrog: [as he jumps out the window] No shame in retreat.


 

Jennifer Walters: So, you’ll make my gala dress?
Luke Jacobson: Yes, of course. I’m not a monster. Try not to get too bloated between now and then.
Jennifer Walters: Great to be strained professional acquaintances again.


 

Jennifer Walters: Are you going to give a statement to the cops?
Matt Murdock: I’m not really a stick around and talk to the cops kind of guy.
Jennifer Walters: Oh, so brooding.
Matt Murdock: More of a secret identity thing. You wouldn’t understand.


 

Matt Murdock: I was the lead superhero on this.
Jennifer Walters: You were they guy who wanted to spend half an hour picking off each goon, one by one.
Matt Murdock: You were the woman who caused excessive property damage. And you still can’t get that math right.


 

Matt Murdock: Hey, maybe next time I’m in town, I can take you out to dinner.
Jennifer Walters: Yeah, or maybe we can skip all of that and just…
[we see them entering Jennifer’s apartment kissing]


 

Jennifer Walters: [the next morning, after sleeping with Murdock] It’s weird you guys are still here. Doesn’t it feel like this episode should be over?


 

Nikki Ramos: By the way, there’s some guy outside dressed in a devil costume, and he’s doing the walk of shame because he’s… Oh. You did. With the…
Jennifer Walters: Yes.
Nikki Ramos: Oh, alright. And we’re happy?
Jennifer Walters: Oh, we’re happy.
Nikki Ramos: Okay. Alright. You’re the devil.


 

Jennifer Walters: Seriously, what is this scene? This episode already came to a very satisfying conclusion. Trust me.


 

Jennifer Walters: Wait, we’re doing the gala? That doesn’t feel right. Is next episode the finale?


 

Jennifer Walters: Just like a tacked-on set piece near the end of the season. This is the big twist, isn’t it? But the question is, is it the kind of twist that’s like, “Ooh, there’s another Hulk, but this one’s red,” or like, “I’m getting fridged?” Whatever. I’m game.

 

9. Whose Show Is This?'That's what Hulks do. We smash things. Bruce smashes buildings. I smash fourth walls and bad endings. And sometimes, Matt Murdock.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: Did you manage to get a hold of Bruce?
Pug: We left multiple messages. I managed to sound very calm, considering I was calling the freaking Hulk himself.

 

'This can't possibly be where this season was going.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Jennifer Walters: This was a targeted attack. They need to be held responsible for this.
Mallory Book: They baited you and you took their bait.
Jennifer Walters: I was angry! Which is how anyone would respond in that situation.
Mallory Book: Yes. But you are not just anyone. You are an out-of-control Hulk. That’s what all the witnesses saw.

 

'The bad guy steals my blood in order to give himself superpowers. Where did you come up with that original idea? Was that from every other superhero story ever?' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Morris Walters: Jen, if no one ever hires you again, you can always move back here with us.
Jennifer Walters: Thanks, Dad.
Elaine Walters: Of course. But my gym stuff is in your room now, and I work out every day at 7:00 AM. You should join me. Workout buddies. Oh, this will be fun.

 

'Are we done here?' - KEVIN, 'Oh, would not mind seeing Daredevil again. A woman has needs.' - Jennifer Walters (She-Hulk: Attorney at Law) Share on X

 

Morris Walters: [to the reporters] Hey! Get off my damn lawn! I don’t care if there is a drought. I got water pressure for days.


 

Nikki Ramos: Okay, look. Intelligencia is made up of exclusively dumb dudes. One of these guys is going to slip up, and they’re going to give us enough information so that we can track them down. And then we will find them, and we will destroy them, by any and all means.
Jennifer Walters: Legally.
Nikki Ramos: I said, “By any and all means.”
Jennifer Walters: No. I am going to sue them for defamation and invasion of privacy, and get them charged with unauthorized access to a protected computer.
Nikki Ramos: Ugh. Boring. Alright. If you want to be all Jen Walters about it. Yeah, that’s cool.


 

Elaine Walters: Jennifer! Can you move the big bookcase for me? I think I want it closer to the window.
Jennifer Walters: No!
Elaine Walters: Oh, that’s right. You can’t be Girl-Hulk anymore.
Jennifer Walters: It’s She-Hulk, Mom. Or was. But never again. Which I know is what I said I wanted, but this doesn’t feel right. This isn’t even a reluctant superhero story. I’m just getting screwed over. Is this what you guys want?


 

Jennifer Walters: [reading from Blonsky’s Haikus book] “Our hearts beat the same. If you say I’m the monster, what does that make you?” This book sucks.


 

Todd: Dude, I created Intelligencia. I’m Hulk King.


 

Wrecker: Hey, Jen. You look like you could use a cup of tea and a friend’s ear.
Jennifer Walters: Yeah.
Wrecker: Saracen got me into this Pu’er tea, but you got to watch him when he makes it, because he likes to slip in chicken blood.


 

Wrecker: [as he takes a sip of the tea] Kind of miss the chicken blood.


 

Emil Blonsky: Emil, you’ve been transforming into the Abomination?
Jennifer Walters: Yeah. I do speaking engagements. Nothing bad. Strictly for profit.
Emil Blonsky: I vouched for you.
Jennifer Walters: Jen, I’m sorry that you’re upset.
Emil Blonsky: Was there a real apology in there somewhere that I missed?


 

Jennifer Walters: [as Todd is transforming into the Hulk King] This can’t possibly be where this season was going.


 

Jennifer Walters: This is a mess. None of these storylines make any sense. Is this working for you?


 

Writer Zeb: Guys, what do we get if the entirety of the second season is one extended dream sequence?


 

Jennifer Walters: What the hell, you guys? What kind of stupid finale is this?
Writer Jessica: We thought it’d be really cool, and like unexpected.
Writer Zeb: Yeah. Like fun, kind of with a twist.
Jennifer Walters: A twist? The bad guy steals my blood in order to give himself superpowers. Where did you come up with that original idea? Was that from every other superhero story ever?
Writer Zeb: Okay. There are certain things that are supposed to happen in a superhero story.


 

Jennifer Walters: Kevin?
KEVIN: It stands for Knowledge Enhanced Visual Interconnectivity Nexus. Were you expecting a man?
Jennifer Walters: Yeah. Why would I expect a giant AI brain and not a man?


 

KEVIN: I will answer your questions, but you must transform back to Jennifer.
Jennifer Walters: Why?
KEVINL You are very expensive.
Jennifer Walters: Oh, sure.
KEVIN: But wait until the camera is off you. The visual effects team has moved on to another project.


 

KEVIN: I possess the most advanced entertainment algorithm in the world, and it produces near-perfect products.
Jennifer Walters: Near-perfect?
KEVIN: Some are better than others, but I leave that debate up to the Internet.


 

Jennifer Walters: The Marvel Cinematic Universe is known for its big spectacles and high-stakes plotlines, but it’s often said that Marvel movies all end the same way.
KEVIN: Wait. Who is saying that?
Jennifer Walters: Perhaps, this is a result of following some unwritten rule that you have to throw a bunch of plot, and flash, and a whole blood thing that seems super suspiciously close to Super Soldier Serum at the audience in the climax. I propose we don’t have to do that. It distracts from the story, which is that my life fell apart right when I was learning to be both Jen and She-Hulk.


 

KEVIN: But Bruce is supposed to return to explain what he was doing on…
Jennifer Walters: No. We don’t need to hear any of that.
KEVIN: But we were going to introduce…
Jennifer Walters: Save it for the movie.


 

KEVIN: Are we done here?
Jennifer Walters: Oh, would not mind seeing Daredevil again. A woman has needs.
KEVIN: Historically, we’ve been light in that department.


 

Jennifer Walters: What’s with all the daddy issues? We got Tony Stark. Daddy issues.
KEVIN: Jen.
Jennifer Walters: Thor. Daddy issues. Loki. Same daddy, same issues.
KEVIN: Oh, boy.
Jennifer Walters: Star-Lord. Two daddies, two issues.
KEVIN: Jen, please stop.
Jennifer Walters: Oh, and when are we getting the X-Men?
KEVIN: I cannot tell you that.


 

KEVIN: You obliterated the thrilling ending KEVIN formulated.
Jennifer Walters: Well, yeah. That’s what Hulks do. We smash things. Bruce smashes buildings. I smash fourth walls and bad endings. And sometimes, Matt Murdock.
KEVIN: Okay, now get back to the show. See you on the big screen.
Jennifer Walters: Really?
KEVIN: No.


 

Matt Murdock: Jen, I’m here to help.
Jennifer Walters: Hey, Daredevil! You missed it. We’re done. I’m sorry.
Matt Murdock: Everything? Oh, man.
Jennifer Walters: It was great though. And I’m happy to see you.


 

Jennifer Walters: As your legal counsel, do you understand that if you sign this, you go back to prison for ten years for violating your parole?
Emil Blonsky: Yep. It’s the karmic price I pay for my actions.
Jennifer Walters: Well, maybe you can write some haikus about it.
Emil Blonsky: Sarcasm?
Jennifer Walters: Can’t wait to read them.


 

Jennifer Walters: Aunt Rebecca, you don’t ask people how much money they make.
Matt Murdock: It’s fine. I don’t do it for the money.
Morris Walters: But you do make some money, right?
Jennifer Walters: Dad!
Morris Walters: It’s very expensive raising kids in LA.
Jennifer Walters: He’s staying for a week!
Matt Murdock: I did not think the conversation would go in that way.
Morris Walters: Matt, I’m going to tell you right now, every conversation is going in that direction, so buckle up.


 

Bruce Banner: I know I’ve been away on Sakaar for a while. I’ll tell you all about it. But first, I have someone here that I’d like you all to meet. This is my son, Skaar.
Matt Murdock: [to Jennifer] Wow, your family.


 

Jennifer Walters: The message we’re sending is that if you attack, harm, or harass innocent people, I’m coming for you.
Reporter: Do you mean in a courtroom or as a superhero?
Jennifer Walters: Both.
Reporter: And tell our viewers, who are you wearing to court today?
Jennifer Walters: Okay.
Reporter: The Difficult Diva of Law herself.


 

Wong: [mid-credits lines, after he breaks Blonsky out of prison] Emil, my apologies for the delay.
Emil Blonsky: You got sucked in another show, didn’t you?
Wong: We’re really in an era of Peak TV. Do you have all your things?
Emil Blonsky: Yeah. What’s the guest policy at Kamar-Taj? Shared fridge?
Wong: We’re kind of all one with everything.
Emil Blonsky: What about Wi-Fi?
Wong: We have Wi-Fi.

 

Trailer:

Filed Under: Comic Book, Television

The Sandman Quotes on Netflix (TV Series)

May 16, 2022 by MovieQuotesandMore.com

Our list of the best quotes from Netflix’s dark fantasy TV series created by Allan Heinberg, based on DC comic book series written by Neil Gaiman. The Sandman centers on Dream (Tom Sturridge), the king of stories and one of the seven Endless, who is accidentally summoned and captured by mortal wizard, Roderick Burgess (Charles Dance), instead of Death (Kirby Howell-Baptiste). Upon escaping after decades of imprisonment, Dream sets out to find his lost objects of power and restore order to his kingdom of the Dreaming.

1. Sleep of the Just

'When the waking world leaves you wanting and weary, sleep brings you here to find freedom and adventure. To face your fears and fantasies.' - Dream (The Sandman) Share on X

 

Dream: We begin, in the waking world, which humanity insists on calling the real world. As if your dreams have no effect upon the choices you make. You mortals go about your work, your loves, your wars, as if your waking lives are all that matter. But there is another life which awaits you when you close your eyes, and enter my realm. For I am the King of Dreams and Nightmares.


 

Dream: When the waking world leaves you wanting and weary, sleep brings you here to find freedom and adventure. To face your fears and fantasies in Dreams and Nightmares that I create. And which I must control, lest they consume and destroy you. That is my purpose and my function. Or it was, until I left my kingdom to pursue a rogue Nightmare.

 

'You mortals go about your work, your loves, your wars, as if your waking lives are all that matter. But there is another life which awaits you when you close your eyes, and enter my realm. For I am the King of Dreams.' Share on X

 

Lucienne: My Lord, you are coming back, aren’t you?
Dream: Why would I not return, Lucienne?
Lucienne: I don’t know, a presentiment. As powerful as you are here in your realm, Dreams rarely survive in the waking world. Nightmares, on the other hand, seem to thrive there.


 

Roderick Burgess: Tonight, we will achieve what no one before us has even attempted. We will summon and imprison Death. Here in the darkness.

 

'As powerful as you are here in your realm, Dreams rarely survive in the waking world. Nightmares, on the other hand, seem to thrive there.' - Lucienne (The Sandman) Share on X

 

Dream: Corinthian. My creations stay in The Dreaming. They do not walk amongst the living, killing mortals for pleasure.
The Corinthian: Isn’t this why you created me? Why should we confine ourselves to their sleeping minds? Here, in the waking world, we’re unstoppable. There is nothing preventing us from taking whoever, whatever we want.
Dream: There is though.


 

Roderick Burgess: I give you a coin made from a stone. I give you a knife from under the hills. And I give you the blood from out of my vein. I give you a song I stole from the dirt. And I give you a feather pulled from an angel’s wing, for you to lift up into the heavens.


 

Roderick Burgess: I summon you with poison! I summon you with pain! I open the way. I open the gates. I summon you in the names of the old lords. Namtar, Allatu, Morax, Maborym calls you. Horvendile calls you. We summon you together! Come!


 

Dream: I was powerless, trapped by a spell cast by an amateur, with no concern for the damage he had done to my realm, and to his own. For the following morning, there were some sleepers who could not wake up.


 

Dream: The sleepy sickness, as it was called, affected nearly one million men, women and children, in every city, town and village in the world.


 

The Corinthian: Did you think Death was the only one in charge? The Reaper has family, you know. Desire, Destiny, Despair.
Roderick Burgess: Which one have I got then?
The Corinthian: Dream.


 

Roderick Burgess: What’s the good of a god who governs dreams?
The Corinthian: Not a god. More than a god. And are men not governed by their dreams?


 

The Corinthian: No one must be allowed to fall asleep in his presence. No one. Or he will escape into your dreams. And you don’t want that.


 

Roderick Burgess: [referring to Dream] Why are you helping me? What is he to you?
The Corinthian: Well, you could say that he made me what I am today. And if he ever gets free, he could take it all back.


 

Roderick Burgess: Will I see you again?
The Corinthian: You should hope not.


 

Roderick Burgess: I know who you are, Dream of The Endless. I captured you according to the laws of magic. But it wasn’t you I wanted. I wanted Death to return my son Randall, who died in the Gallipoli Campaign. If you give him back to me, alive and well, I’ll release you. Is that in your power, Lord of Dreams? No, I suppose not.


 

Dream: Day after day, he pleaded for gifts that are not mankind’s to receive nor mine to give. So I remained silent. And ten years later, though my presence there remained a secret, my ruby, sand, and helm brought youth and prosperity to Roderick Burgess and his followers. But for the rest of the world, the suffering continued.


 

Dream: The savagery of my captors bespoke a world whose dreams in my absence turned darker still. A world which would soon be at war again. A world still ravaged by the disease which doctors named Encephalitis lethargica. Some begged for sleep that would not come. Others lived as perpetual sleepwalkers. Most slept without waking.


 

Roderick Burgess: [to Dream] The woman who lives with me has gone, and robbed me of my fortune. She’s also robbed you. She’s taken your helm, your sand, and your ruby. Now, I can unlock this, you can go after her, if you give me what I’ve been asking for. Wealth, youth, immortality. Oh, you’re a god. These things are nothing to you. Don’t you want your weapons, and your freedom? Speak to me!


 

Roderick Burgess: [to Dream, as he’s dying] You’re never getting out of there. Never.


 

Dream: Out of loss, new love was born, as was new life.


 

Young Ethel Cripps: My mum used to say that if I was good, when I went to sleep, a man would come, sprinkle sand in my eyes, and make all of my dreams come true. But the Sandman’s not coming. From now on, Johnny, you and I are going to have to make our own dreams come true. And nothing, and no one, is going to stand in our way.


 

Alex Burgess: Just promise that you won’t harm me or Paul, and I will let you out.
Dream: Should I have believed him this time? Should I have forgiven him for murdering my raven? Perhaps. But in the end, I could not.


 

Alex Burgess (70): [to Dream] I could have asked you for wealth, or power, like my father did. But all I ever wanted was to be free of you. Surely you want that too.


 

Guard #1: [referring to Dream] Old Dracula here’s not giving an inch.
Guard #2: Why do you call it Dracula?
Guard #1: Because I think it’s one of them Draculas. What do you think it is?
Guard #2: I try not to.


 

Alex Burgess: It’s you. You’re free.
Dream: I am. And you have any idea what it was like? Confined in a cage for over a century? Do you understand the damage you’ve done to your world?
Alex Burgess: I’m sorry. I didn’t know. Please.
Dream: Your punishment then shall be a gift. I give you this, the gift of eternal sleep.


 

Dream: More than a century of tortured sleep, of Dreams and Nightmares running riot was coming to an end.


 

The Corinthian: He’s free. He’s out of his cage. So, I’m afraid I’m going to have to run. And I’m not going to stop until I’ve reshaped this world to look just like me.


 

Lucienne: My Lord, you are The Dreaming, The Dreaming is you. With you gone as long as you were, the realm began to decay and crumble.


 

Dream: I will not have Dreams and Nightmares preying on the waking world. I will bring them all back. I made this realm once, Lucienne. I will make it again.

 

2. Imperfect Hosts

Dream: And yet you remained while others fled, the royal librarian of an abandoned kingdom.
Lucienne: I never felt abandoned. I knew you would return.


 

The Corinthian: You’ve done a very good job of convincing people Ethel Cripps doesn’t exist.
Ethel Cripps: Apparently not good enough.
The Corinthian: Well, I’m not exactly “people”.

 

'You don't listen, do you? Attractive men seldom do. I suppose they don't have to.' - Ethel Cripps (The Sandman) Share on X

 

Dream: There is only one sure way for me to find my tools. I must summon the Three In One.
Lucienne: Surely it hasn’t come to that.
Dream: The Fates see past, present and future, and they know all.
Lucienne: Yes, but they speak in riddles. They never tell you what you want to know, only things you should never know.


 

Dream: My siblings have their own realms to attend to, I have mine. We do not interfere in each other’s affairs.

 

'Supernatural and sexist. You really are a Nightmare, aren't you?' - Ethel Cripps (The Sandman) Share on X

 

Lucienne: The Fates aren’t cheap, you know. They cost a bloody fortune.
Dream: And at present, I cannot muster power enough to summon them, let alone pay that cost.


 

Cain: Blasted, bulbous, bilge-bubbling bollocks.


 

Dream: You forget yourself, Cain.
Cain: No, my Lord, you forgot us. Do you have any idea what we’ve already lost waiting for you to come back after all these years?
Dream: What you have lost?
Cain: The answer is no.


 

Dream: I can only reabsorb that which I have created, and Gregory began as a Nightmare.
Cain: Yes, but he’s one of us now. It’s not fair.
Dream: No, it’s not.


 

Abel: [to Dream] Good luck, my Lord.
Cain: Simpering suck-up.
[stabs Abel with his pitchfork]


 

Ethel Cripps: You want me to kill the King of Dreams?
The Corinthian: Right. You can do it. I know you can. You just have to listen and trust me.
Ethel Cripps: Then I’m afraid we’re both dead, because I don’t have them.


 

Dream: You were right, Lucienne. The Dreams and Nightmares no longer seem to recognize their master. I will remind them, and take from them what I require.


 

Fate Maiden: Morpheus, it’s been a while.
Fate Mother: You look thin, love. Are you eating? Are you hungry?
Fate Crone: He is, but not for food. Look at him. He wants something.
Dream: You’ve found me out. I do want something. I need your help.


 

Lucienne: [referring to the Gargoyle egg] My Lord, you didn’t give it to The Fates.
Dream: Because it was not meant for them.


 

Ethel Cripps: You don’t listen, do you? Attractive men seldom do. I suppose they don’t have to.
The Corinthian: Ethel, are you flirting with me?


 

Ethel Cripps: You asked me where the tools are, I told you I don’t have them.
The Corinthian: I find that difficult to believe, given your extraordinary success.
Ethel Cripps: Do you think that the only way a woman can be successful is by using magic? Supernatural and sexist. You really are a Nightmare, aren’t you?


 

The Corinthian: Oh, come on, you can’t deny the tools have helped you. They’ve certainly kept you from looking your age.
Ethel Cripps: Now who’s flirting?


 

The Corinthian: You don’t have to lie. In fact, you don’t have to say a word. Your eyes will tell me everything, every thought, every feeling.
Ethel Cripps: You will regret this. I promise you.
The Corinthian: What makes you think that?
Ethel Cripps: I don’t need Dream’s tools. I have my own.


 

Cain: Who gave you an egg?
Abel: You did.
Cain: I didn’t give you an egg. Why would I give you an egg?
Abel: As an apology for murdering me.
Cain: When have I ever apologized for murdering you?


 

Abel: I think I’ll call him Irving.
Cain: Irving? You can’t name a gargoyle Irving, you gully-guts.
Abel: I like Irving.
Cain: Gargoyle names always begin with a G. “Gormogon. Gladstone. Ganymede.”
Abel: Alright then. Girving.
Cain: Girving?
Abel: It starts with a G.


 

Ethel Cripps: How are you, Johnny? Are you well?
John Dee: Same as ever. Slightly bored. Highly medicated. The days are all the same in prison.
Ethel Cripps: Hospital, John, not prison.
John Dee: If it pleases you to think so.


 

Abel: I’ll call you Goldie for Cain’s sake, but I think of you as Irving really. In my heart.


 

Abel: [referring to Cain] He can’t help it. It’s not his fault. It’s who he is. It’s who we are. The first murderer, the first victim.


 

Dream: If this Constantine is anything like her ancestor, she will serve me well enough. She is only human.
Lucienne: As was Roderick Burgess. What could possibly go wrong?


 

Lucienne: Dreams and Nightmares do not belong in the waking world.
The Corinthian: Oh, turns out I fit right in.


 

The Corinthian: [referring to Dream] Oh, no. I see him for what he is. He doesn’t give a f*** about you or me. He only cares about himself. His kingdom. Well, he can have it. Because I am leaving, and I am never coming back.
Lucienne: He will come after you.
The Corinthian: Well, then, if he does, he won’t be coming back either.


 

The Corinthian: [referring to Dream] You can’t change him. You can’t save him either.

 

3. Dream a Little Dream of Me

'I say this as someone who was recently human. Human beings cannot be trusted.' - Matthew the Raven (The Sandman) Share on X

 

Johanna Constantine: What the f*** did you do?
Alex Logue: We was just having a bit of fun.
Johanna Constantine: Bit of fun? Summoning demons for fun?


 

Mad Hettie: Morpheus. The Oneiromancer. You know, the Sandman. He’s back.
Johanna Constantine: The Sandman? The one who puts the kids to sleep? He’s a fairy story, Hettie.
Mad Hettie: He’s no fairy story, missy. He’s back, and he wants his sand.
Johanna Constantine: Good to know. I’m off to work.
Mad Hettie: You’ll see. I know. I’m two hundred and eighty years-old, and I know.

 

'Just because a Goldsmiths-educated princess wants to marry some naff winger, does not mean that she needs an exorcist.' - Johanna Constantine (The Sandman) Share on X

 

Johanna Constantine: Just because a Goldsmiths-educated princess wants to marry some naff winger, does not mean that she needs an exorcist.


 

Johanna Constantine: It’s too risky with the royals. Look, if our chat goes wrong, I’ve a dead princess on my hand, a demon on the loose, and no one to pay my fee.

 

'Love f***s you up.' - Johanna Constantine (The Sandman) Share on X

 

Johanna Constantine: I can’t just barge in there spouting Latin at her. Has she even been restrained, or is that why she sounds like that?
Erica: She sounds like that because she’s possessed by a f***ing demon.
Johanna Constantine: Can we at least drug her first? Get her drunk, tie her up a little bit?
Erica: She’s British royalty.
Johanna Constantine: They love that s**t.


 

The Princess: Are you going to be sick? Kevin? Are you going to be sick during our wedding?


 

Johanna Constantine: [to Erica] You were right about the demon, wrong about the host.


 

Johanna Constantine: [to Agilieth] Run along and f*** off back to Hell.
Dream: You have no idea what you’ve done.
Johanna Constantine: I do though. I’ve just tripled my fee.


 

Ethel Cripps: Look, let’s just say that I have it on good authority that the ruby’s owner is coming for it, and for the people who stole it from him.
John Dee: Then he’s coming for you. You’re the one who stole it from him.
Ethel Cripps: And you’re the one who stole it from me. You’re the only one who knows where it is.


 

John Dee: Every time, every time you moved us to a new town, and changed our last name, it wasn’t because your boyfriend of the time was beating the s**t out of us, it was because the f***ing Sandman was coming.
Ethel Cripps: I was trying to protect you.


 

Erica: [referring the Princess] Poor thing. She did seem possessed.
Johanna Constantine: She was. Love f***s you up.


 

Erica: Your new man is not unfit.
Johanna Constantine: He’s not my man. He’s not even a man.
Erica: What is he then?
Johanna Constantine: He’s Endless.


 

Mad Hettie: I said the Sandman, and I meant the bleeding Sandman.


 

Dream: [referring to his sand] Without it, my realm will cease to exist. And if dreams disappear, then so will humanity.
Johanna Constantine: No offense, but I could do without dreams for a while. Haven’t had a decent night’s sleep in ages.
Dream: Nor will you. Until we find the sand.


 

Dream: We must go, now.
Johanna Constantine: Does this approach generally work for you? You just turn up and order people about?
Dream: Yes.


 

Ethel Cripps: [referring to the ruby] I want us to give it back to him. Maybe he’ll forgive us.
John Dee: Maybe. But maybe we shouldn’t give away a jewel that makes dreams come true, when we could use it to dream of a world without the Sandman. We could start again.


 

Dream: Do you know who I am?
Matthew the Raven: Not entirely, but I don’t even know who I am anymore. A couple hours ago, I apparently died in my sleep, and now I’m a bird. I used to have thumbs. Now, I have these things.


 

Johanna Constantine: How did you find me?
Dream: You were dreaming. But it wasn’t only a dream, was it? It’s a memory. No wonder you do not sleep.
Johanna Constantine: Maybe I don’t deserve to.
Dream: Perhaps not. But I could make it go away.
Johanna Constantine: Only if I help you find your sand.


 

Dream: Why do you humans love objects so much?
Johanna Constantine: They do come in handy sometimes. You seem pretty attached to your sand.
Dream: It’s not just an object, it’s a part of me.


 

Dream: [referring to the photos] Is this you?
Johanna Constantine: Why? Do I look that different? Or younger?
Dream: No. Happy.


 

Johanna Constantine: [referring to the sand] I did not leave it with her. I sort of left it. And her. I was staying at her place for a few months. She interpreted that as us living together, which we weren’t. So, one night, I just went on a job and I never went back.
Dream: Why?
Johanna Constantine: Because it never ends well, does it?
Dream: What? Love? No. I suppose it doesn’t.


 

Dream: I’m coming with you.
Johanna Constantine: No, you’re not. Do you have any idea how much she probably hates me? Do you have any ex-girlfriends?
Dream: I will not wait long.
Johanna Constantine: You won’t have to. She’s going to slam the door in my face, like I’m about to do with you, right now.


 

Matthew the Raven: I say this as someone who was recently human. Human beings cannot be trusted.
Dream: No.
Matthew the Raven: If I were Johanna Constantine, I’d be up there cutting a deal with Rachel to keep the sand, then cut the dream sand with real sand, and sell it to the highest bidder. But then, I wasn’t the best person when I was a person. We can’t all be Jessamy, who was apparently perfect in every way.


 

Johanna Constantine: [to Dream, referring to Rachel] What is wrong with you? You want your sand back so that you can save all of humanity, well, here she is! But we’re all just Roderick Burgess to you. All you care about is your sand. Your power. What is the point of you? Well, you got your sand back. Why are you still here if you won’t help?


 

Ethel Cripps: [referring to her amulet] I am trying to save you, not hurt you. Here. This kept me alive for a hundred and sixteen years so far. I hope it keeps you alive forever. It’s all a mother wants, really. Take it. One last thing. I’m sorry I was such a s**t mum.
John Dee: [as she’s ageing and dying] No. Mother. Take it back.
Ethel Cripps: It’s too late now, love.


 

Johanna Constantine: [referring to Rachel, after Dream helps her to die] You know, she was actually a good person. There are a few of them out there, you know. They’re not all like me and Roderick Burgess.
Dream: You are not Roderick Burgess.


 

Matthew the Raven: Don’t ever spy on me again.
Dream: I wasn’t spying. If I were spying on you, you’d never know it.


 

Matthew the Raven: Where are we going?
Dream: Hell.
Matthew the Raven: Hell. As in Hell-Hell, or were you being metaphorical? Because either way, we should probably check in with Lucienne first, right? See how she’s feeling about it. I’m going to go out on a limb, which is something birds actually do, and say she will not be in favor of Hell-going. But I don’t get a sense that you’re listening. So, f*** it, let’s go to Hell!

 

4. A Hope in Hell'Dreams don't die. Not if you believe in them.' - Matthew the Raven (The Sandman) Share on X

 

Matthew the Raven: So, Hell does exist?
Dream: It does. For some.
Matthew the Raven: Does that mean it doesn’t exist if you don’t believe in it?
Dream: Did you believe in it? When you were a man?
Matthew the Raven: Yeah. I just didn’t expect Hell to be cold.


 

Matthew the Raven: They make you bring your own fire to Hell?

 

'Lying is maybe the worst thing you can do to another person.' - Rosemary (The Sandman) Share on X

 

Dream: A king may not enter another monarch’s realm uninvited. There are rules,
protocols which must be followed.


 

Squatterbloat: There’s one at the door. At the gate of damnation. Is it thief, thug or whore? There’s one at the door. And there’s room for one more. Till the end of creation.

 

'Tools are the subtlest of traps. We become reliant upon them, and in their absence we are vulnerable, weak, defenseless.' - Lucifer (The Sandman) Share on X

 

Dream: I am the King of Dreams. Ruler of the Nightmare Realms.
Squatterbloat: Yes, my clown. So, where’s your crown?
Dream: Guard your tongue, demon. The Ruler of Hell will not be kind to one who insults an honored guest. And I am a guest in this realm as I am monarch of my own.


 

Rosemary: I think lying is maybe the worst thing you can do to another person.

 

'The secret to having compassion for people is knowing that they are fundamentally selfish. It's how human beings are built. It's how we're made.' John Dee (The Sandman) Share on X

 

John Dee: You see, the problem with having this ruby was that everyone was always trying to take it from me. And so, I just did what I had to do.
Rosemary: You murdered people?
John Dee: They weren’t good people. Not like you and Susie.


 

Dream: When we first met, Lucifer was the angel Samael.
Matthew the Raven: I forgot the Devil used to be an angel.
Dream: Not just any angel. The most beautiful, wisest, and most powerful of all angels. Saving only the Creator, Lucifer is, perhaps, the most powerful being there is.
Matthew the Raven: More powerful than you?
Dream: By far. Especially now.


 

Dream: A demon has a hundred motives for anything he does. All of them malevolent.


 

John Dee: This is going to sound rather odd, but the secret to having compassion for people is knowing that they are fundamentally selfish. And I say this without judgement. It’s how human beings are built. It’s how we’re made. But if you know that going in, if you understand that we are operating out of the biological congenital selfishness, then life begins to make a lot more sense.


 

John Dee: I was saying, knowing that people are selfish sets you free from having to take their actions, their lies, personally. People lie because they are selfish. They lie because they are human.
Rosemary: They lie because they’re scared. People will say anything. Do anything to keep from being hurt. That’s what I think, anyway.


 

Lucifer: You look well, Dream. Are you well? And your family, Destiny, Death, Despair, and the others?
Dream: I presume the Ruler of Hell knows this is no social call.


 

Lucifer: Have you come to join forces then? To ally your realm to ours? To acknowledge the sovereignty of Hell?
Dream: You know my feelings on that, Lightbringer.
Lucifer: Feelings change. Especially when one has been caught and imprisoned by mortals. We expected better of you, sweet Morpheus.


 

Lucifer: It surprises us how easily you would give up, Dream. We know how you relied upon your tools. But tools are the subtlest of traps. We become reliant upon them, and in their absence we are vulnerable, weak, defenseless.


 

John Dee: I could use a drink, if you don’t mind.
Rosemary: Sure. What would you like?
John Dee: I don’t know. I haven’t been out in the world for thirty years.
Rosemary: You’ve been in prison for thirty years?
John Dee: No, psychiatric hospital. The beverage options were extremely limited to say the least.


 

Choronzon: As the challenged, I’ve selected my champion, Ruler of Hell, Lucifer Morning star to represent me in a contest of skill, confidence, and transformation. The oldest game.


 

Dream: I am a universe. All things encompassing, all life embracing.
Lucifer: I am anti-life. The Beast of Judgement. The dark at the end of everything. What will you be then, Dream Lord?


 

Lucifer: There are no more moves. What can survive the anti-life?
Matthew the Raven: Hey, boss. Listen to me. You know what can survive the anti-life? You. Dreams don’t f***ing die. Not if you believe in them. And I believe Dream of the Endless would never leave his raven here alone, in Hell with Lucifer.
Dream: I am hope.


 

Dream: Well, Lightbringer? It’s your move. What is it that kills hope?
Lucifer: Choronzon, give him his helm.


 

Lucifer: Why should we let you leave? Helmet or no, you have no power here. After all, what power have dreams in Hell?
Dream: You say I have no power here. Perhaps you speak truly. But to say dreams have no power in Hell, tell me, Lucifer Morning star, what power would Hell have if those here imprisoned were not able to dream of Heaven?
Lucifer: One day, Morpheus we shall destroy you.
Dream: Until that day, Lightbringer.


 

Matthew the Raven: You think Lucifer will come after you?
Dream: Why?
Matthew the Raven: Because you just publicly humiliated the Ruler of Hell.


 

John Dee: You’re a good person, Rosemary. Unfortunately, good people seldom survive in this world.


 

John Dee: [referring to the amulet] Here. Take it. Wear it. From now on, no one will be able to hurt you. Not even me. There’s no need to be afraid or tell a lie ever again.
Rosemary: Don’t you need it?
John Dee: No. I have my ruby. The ruby makes dreams come true. And I’m going to use it to save the world.

 

5. 24/7

'The truth is a cleansing fire, which burns away the lies we've told each other, and the lies we've told ourselves. So that love and hate, pleasure and pain, can all be expressed without shame.' - John Dee (The Sandman) Share on X

 

Bette Munroe: Well, honesty is the best policy.
John Dee: That’s what they say, isn’t it? Well, I hope it’s true.


 

John Dee: [referring to the ruby] This is my secret.
Bette Munroe: It’s gorgeous.
John Dee: It makes dreams come true.
Bette Munroe: I bet it does. And what are you dreaming about? New house? New job?
John Dee: A new world. A more honest one.
Bette Munroe: That is the dream, isn’t it?

 

'Their dreams inspired them. Their dreams kept them alive. But if you rob them of their dreams, if you take away their hope, then, yes, this is the truth of mankind.' - Dream (The Sandman) Share on X

 

Bette Munroe: I think some people are just afraid to be happy, you know?


 

John Dee: The trouble with stories is, if you keep them going long enough, they all end in death, don’t they?

 

'Some people are just afraid to be happy.' - Bette Munroe (The Sandman) Share on X

 

John Dee: Isn’t it a relief to tell the truth for once? Don’t you wish we could live in a world where we could say what we actually think?
Bette Munroe: I do.
John Dee: Well, it starts with us, Bette, you and I. We’re going to change the world. Make a more honest one.

'Where there is no good or bad. There is only the truth.' - John Dee (The Sandman) Share on X


 

Bette Munroe: You said you were going to change the world. I didn’t believe you.
John Dee: All I did was take away the lies. You all did the rest. You did what you wanted to.
Bette Munroe: I never wanted this.
John Dee: You didn’t want to be seen, or touched, or loved?
Mark Brewer: I didn’t want to kill anyone.
John Dee: Yes, you did. Or you wouldn’t have done it.


 

John Dee: I offered you a world where you could be yourselves without having to suffer for it, but it seems you enjoy your suffering. And if that is your truth, then perhaps your suffering will set you free. The truth is a cleansing fire, which burns away the lies we’ve told each other, and the lies we’ve told ourselves. So that love and hate, pleasure and pain, can all be expressed without shame. Where there is no good or bad. There is only the truth.


 

Bette Munroe: [after everyone in the diner is dead] How is this a better world?
John Dee: You’re still seeing it with your eyes. You need to close them. Embrace the darkness.
[Bette then stabs herself in the eyes]


 

Bette Munroe: I see the future.
John Dee: Then tell me. Tell me my future.
Bette Munroe: You come from dust. You walk the dust. You go back to dust.
John Dee: That’s everyone’s future. Tell me my future.
Kate Fletcher: There is no future for you, John Dee. It is bound by walls, and guards, and the sour smell of madness.
Bette Munroe: And then the skein of your life is cut, son of your mother.


 

Dream: What is it you think you’re doing?
John Dee: Saving the world from its lies.
Dream: The ruby wasn’t made for that.


 

John Dee: They’re lying to themselves. It’s all lies.
Dream: Not lies, John. Dreams.


 

Dream: Kate dreams of running away, where no one will find her. Garry dreams of proving his father was wrong about him. Bette dreams of creating something that matters to people. Their dreams inspired them. Their dreams kept them alive. But if you rob them of their dreams, if you take away their hope, then, yes, this is the truth of mankind.


 

Dream: You must stop. It is not too late to save yourself.
John Dee: Oh, you think it’s me that needs saving?


 

John Dee: How does it feel to know I hold your life in my hands?
Dream: You’re hurting the dreamers.
John Dee: Well, it’s time they woke up! Your life and your lies end now.


 

Dream: Thank you, John.
John Dee: But I killed you.
Dream: You destroyed the ruby and released the power inside it. I would never have thought of that. I’d forgotten just how much of myself I had placed in the jewel.
John Dee: Are you going to kill me?
Dream: I could. Perhaps I will. But the dream stone was not made for mortals. And it came to you through no fault of your own. So, no, John. I will not kill you. Sleep well, John.


 

Dream: The ruby didn’t do this. John merely used it to reveal wounds that were hidden, but never healed. Tomorrow, the rebuilding will begin. In this realm and in mine. But tonight at least, humanity will sleep in peace.

 

6. The Sound of Her Wings

'At the end, each of us stands alone. The Sunless Lands are far away and the journey is hard. Most of us will be glad for the company of a friend.' - Death (The Sandman) Share on X

 

Dream: I’m now more powerful than I have been in eons. And yet…
Death: Here you are, feeding the pigeons.


 

Dream: I’d had a true quest. A purpose beyond my function, and then suddenly, it was over, and I felt disappointed. Let down. Empty. Does that make sense? I was so sure that once I got everything back, I’d feel good. But in some ways I feel worse than when I started. I feel like nothing.

 

'It's good to touch the Earth with your bare feet. It's grounding.' - Death (The Sandman) Share on X

 

Death: Let me tell you something, Dream. And I’m only going to say this once, so you better pay attention. You are utterly the stupidest, most self-centered, pathetic excuse for an anthropomorphic personification on this, or any other plane. Feeling sorry for yourself because your little game is over, and you haven’t got the balls to go out and find a new one. You’re as bad as Desire. No, worse.


 

Harry: [as Death has come for him] Hear, O Israel. The Lord is our God. The Lord is One. I’m glad I said the Shema. My old man always said it would guarantee you a place in Heaven. If you believe in Heaven.

 

'People feel as pleased to have been born as if they did it themselves. But they get upset and hurt and shaken when they die. But eventually, I learned that all they really need is a kind word and a friendly face.' - Death Share on X

 

Harry: [as he looks at his head body] I look so old. So empty. So, I’m dead. Now what?
Death: Now is when you find out, Harry.


 

Death: It’s good to touch the Earth with your bare feet. It’s grounding.

 

'The great stories will always return to their original forms.' - Dream (The Sandman) Share on X

 

Dream: How do you do it?
Death: Do what?
Dream: This. Be there, for all of them?
Death: I have a job to do. And I do it.


 

Death: When the first living thing existed, I was there. When the last living thing dies, I’ll put the chairs on the table, turn out the lights, and lock the universe behind me when I leave.

 

'People are almost always better than you think they are.' - Hob Gadling (The Sandman) Share on X

 

Death: They fear the Sunless Lands, yet they enter your realm every night without fear.
Dream: And yet I am far more terrible than you.


 

Death: People feel as pleased to have been born as if they did it themselves. But they get upset and hurt and shaken when they die. But eventually, I learned that all they really need is a kind word and a friendly face. Like they had in the beginning.

'It isn't about quests, or finding purpose outside our function. Our purpose is our function.' - Death (The Sandman) Share on X


 

Dream: I find myself wondering about humanity. Their attitude towards your gift is so strange. Why do they fear the Sunless Lands? It is as natural to die as it is to be born.
Death: People may not be ready for my gift. But they get it anyway. No matter what the circumstance. At the end, each of us stands alone. The Sunless Lands are far away and the journey is hard. Most of us will be glad for the company of a friend.


 

Death: At the end, I’m there with them. I’m holding their hand, and they’re holding mine. I’m not alone when I’m doing my job.


 

Death: [to Dream] The only reason we even exist, you and I, and Desire and Despair, the whole family, we’re here to serve them. It isn’t about quests, or finding purpose outside our function. Our purpose is our function. We’re here for them. Since I figured that out, I realized I need them as much as they need me.


 

Hob Gadling: It’s not like I don’t know what death is. Death is stupid.


 

Hob Gadling: [1389] Nobody has to die. The only reason people die is because everyone does it. You all just go along with it. But not me. I’ve made up my mind. I’m not going to die.
Man: Hobs, death comes for every man.
Hob Gadling: You don’t know that. I might get lucky. There’s always a first time. There’s so much to do, so many things to see.


 

Dream: Why would any sensible creature crave an eternity of this?
Death: You could find out.
Dream: How?
Death: I could grant him his wish.
Dream: Do that, and he will be begging for death within a century, I assure you.


 

Dream: [1489] You live your life as you choose. Then on this day, every hundred years, we will meet.
Hob Gadling: Because you want to know what it’s like. Alright. I’ll tell you what it’s like. It’s f***ing brilliant.


 

Dream: What will you people think of next?
Hob Gadling: With any luck, something to get rid of fleas.


 

Will Shakespeare: [1589] I would give anything to have your gifts. To give men dreams that would live on long after I’m dead. I would bargain like your Faustus for that boon.


 

Dream: Who is he?
Hob Gadling: His name’s Will Shaxberd. Acts a bit. Wrote a play.
Dream: Is he good?
Hob Gadling: No, he’s crap.


 

Will Shakespeare: Have we met?
Dream: We have. But men forget in waking hours. I heard you talk, Will. Would you write great plays? Create new dreams to spur the minds of men? Is that your will?
Will Shakespeare: It is.
Dream: Then let us talk.


 

Hob Gadling: Everything to live for. And nowhere to go but up.


 

Hob Gadling: [1689] I’ve hated every second of the last eighty years, every bloody second. Do you know that?
Dream: So do you still wish to live?
Hob Gadling: Are you crazy? Death is a mug’s game. I got so much to live for.


 

Dream: [1789] It’s a poor thing for one man to enslave another.
Hob Gadling: It’s just how it’s done.
Dream: I suggest you find yourself a different line of business, Robert Gadling.
Hob Gadling: You’re giving me advice? After four hundred years? What happened to “live your life as you choose”?
Dream: The choice is yours. But would you take that choice away from others?


 

Dream: The great stories will always return to their original forms.


 

Hob Gadling: That lad, Will Shakespeare. He turned out to be a half-decent playwright after all. You made some kind of deal with him, didn’t you?
Dream: Perhaps.
Hob Gadling: What kind of deal? His soul?
Dream: Nothing so crude.


 

Hob Gadling: [1889] Sorry about Lushing Lou.
Dream: Lushing Lou. Is that what they call her?
Hob Gadling: Well, in here, they call her “the Hospital”.
Dream: Why?
Hob Gadling: Because she’s in them a great deal, and because she’s sent so many men into them.


 

Hob Gadling: That might be the only thing I’ve learned after five hundred years. People are almost always better than you think they are. Not me though. Still the same as ever.


 

Hob Gadling: I think I know why we still meet here, century after century. It’s not because you want to see whether or not I’m ready to seek death. I don’t think I’ll ever seek death. By now, you know that about me. So, I think you’re here for something else.
Dream: And what might that be?
Hob Gadling: Friendship. I think you’re lonely.


 

Dream: You dare suggest one such as I might need your companionship.
Hob Gadling: Yes. Yes, I do.
Dream: Then I shall take my leave of you and prove you wrong.
Hob Gadling: I’ll tell you what, I’ll be here in a hundred years time. If you’re here then too, it’ll be because we’re friends. No other reason, right?


 

Bartender: [1989] You waiting for someone?
Hob Gadling: I think I’ve been stood up. We had a fight. Last time we were here. It was my fault. Wish I could say I was drunk at the time, but I was just an idiot.
Bartender: I’ve seen plenty of friends get in fights in pubs. Even more of them laugh about it together later.
Hob Gadling: Maybe in another hundred years.


 

Hob Gadling: [present day] You’re late.
Dream: It seems I owe you an apology. I’ve always heard it impolite to keep one’s friends waiting.

 

7. The Doll’s House

'Maybe that's what life is. Just a series of interruptions.' - Rose Walker (The Sandman) Share on X

 

Abel: Have you heard about the vortex? Everyone’s talking about it.
Lucienne: Everyone? Who’s everyone, exactly?
Abel: Well, Cain mostly. But…
Lucienne: Abel, if I wanted to hear silly hedge-gossip about swirling entities, I would’ve asked you for it.


 

Lyta Hall: When you lose your parents, you suddenly realize it wasn’t gravity keeping you on the ground all this time. It was knowing you were someone’s daughter. Or sister. Or wife, in my case.

 

'When you lose your parents, you suddenly realize it wasn't gravity keeping you on the ground all this time. It was knowing you were someone's daughter. Or sister.' - Lyta Hall (The Sandman) Share on X

 

Hector Hall: How are you? Are you okay?
Lyta Hall: Probably not, no.
Hector Hall: Why do you say that?
Lyta Hall: Because instead of being back at work, I’m on a plane to London, talking to my dead husband.


 

Rose Walker: I’m not that young. I’m actually twenty-one. No one ever believes me. And they always ask to see my ID, it’s annoying.
Lyta Hall: What’s annoying is when they stop asking. Trust me.


 

Unity Kincaid: In my dreams, I had the most glorious life. I took over my father’s business. And I met a man with golden eyes. And we had a baby. But it wasn’t until I woke up that I found out that none of it was real. Except for the baby. Apparently, while I was asleep in hospital, I had a baby girl. They hushed it up at the time, but Mr. Holdaway found out that she was adopted by a fine family. And that she grew up to have a daughter of her own. Called Miranda. Miranda Walker. Your mother. I’m your great-grandmother, Rose.


 

Fun Land: [referring to the Corinthian] What do you think he does with the eyes?
The Good Doctor: He’s a collector. Same as us.


 

The Good Doctor: If we want to get his attention, we have to think like him. Act like him.
Nimrod: Are you suggesting we…
Fun Land: Copycat the Corinthian?
The Good Doctor: Might be fun.
Nimrod: We do not plagiarize one another’s work. We have a code.
The Good Doctor: We also have over a hundrded serial killers coming to this thing.
Nimrod: “Collectors”. Please.


 

Fun Land: Do you think the Corinthian has a type?


 

Carl: And you are?
The Corinthian: I guess you could say I’m kind of a headhunter.


 

Fun Land: Why would the Corinthian even care about a copycat?
Nimrod: Well, I’d care. If someone was out there taking credit for my work, I’d find them, and I’d make sure they never did it again.
Fun Land: That’s another good reason not to do it.


 

Fate Crone: You are at a crossroads, Rose Walker.
Rose Walker: How do you know my name? Who are you?
Fate Crone: Names, names, names.
Fate Maiden: Each name is but a single aspect of the whole.
Fate Mother: Be satisfied with the trinity you have, love. You wouldn’t want to meet us as the Kindly Ones.


 

Unity Kincaid: But it’s never enough years though, is it? It seems we’ve all had our lives terribly interrupted, haven’t we?
Rose Walker: Maybe that’s what life is. Just a series of interruptions.
Unity Kincaid: And reconnections.


 

Unity Kincaid: [as she gives Rose a ring] It’s a gold annulet. What? What’s wrong?
Rose Walker: I had a dream in the car, on the way here, about an annulet.
Unity Kincaid: Did you? Well, then, may all our dreams come true.


 

Carl: You a big reader?
The Corinthian: I prefer people.
Carl: That’s good news for people.


 

Merv Pumpkinhead: You’ve been here for five minutes. Do you even know what to watch for?
Matthew the Raven: No. Do you want to go?
Merv Pumpkinhead: I do not.
Matthew the Raven: Then tell me what to watch for.
Merv Pumpkinhead: Oh. Any unusual behavior.
Matthew the Raven: Said the pumpkin to the talking bird.


 

Lucienne: So, look for any signs of shock or trauma.
Merv Pumpkinhead: [referring to Rose] Anything that could trigger her into killing us all.
Matthew the Raven: So, basically anything.
Lucienne: Basically, yes.


 

Ken: I’m Ken.
Barbie: I’m Barbie.
Ken: It’s terrible.
Barbie: We know.


 

Chantal: We possess the largest collection of stuffed spiders in private hands on the Eastern Seaboard.


 

Rose Walker: [referring to Chantal and Zelda] Are they…
Hal Carter: Sisters? Mother? Daughter? Lovers? Nobody knows. But I feel knowing would somehow ruin it.


 

Fun Land: [as he places eyes on the table] I figured if one copycat crime doesn’t get the Corinthian’s attention, two will.
Nimrod: Make that three. Though I consider mine to be more of an homage.
The Good Doctor: You both said this was a terrible idea.
Nimrod: In the absence of a better one.


 

Nimrod: I mean, why the eyes, or why only the eyes?
The Good Doctor: They are the window to the soul.
Fun Land: And they’re really hard to get out without popping them.
The Corinthian: [shows up at their table] The trick is to use your thumbs.


 

The Good Doctor: We hoped that since you are the current Corinthian, you might deliver the keynote speech.
The Corinthian: “The current Corinthian.”
The Good Doctor: Well, you don’t look a hundred and thirty years-old to me.
The Corinthian: Thank you.


 

Dream: All humans are connected to the Dreaming. They spend a third of their life here. Breaking that connection would require knowledge, and power.

 

8. Playing House'A Nightmare's purpose is to reveal a dreamer's fears, that they may face them.' - Dream (The Sandman) Share on X

 

Rose Walker: What’s a dream vortex?
Dream: You are. You see, once every few thousand years, a mortal is born with a dreaming ability so powerful, she can travel through the dreams of others. Apparently, all the way to my throne room.


 

Gault: [in Jed’s dream] This looks like a job for The Sandman.
Jed Walker: Time I put the Piper to bed.

 

'That is what most people seek when they dream.' - Dream 'Home?' - Rose Walker (The Sandman) Share on X

 

Lyta Hall: I just want to stay like this forever.
Hector Hall: I do too, but…
Lyta Hall: What?
Hector Hall: You should be out, living your actual life, not having ghost-sex with your dead husband.
Lyta Hall: You’re not a ghost. You’re a dream.


 

Hector Hall: If I were a dream, wouldn’t I disappear when you wake up?
Lyta Hall: Don’t you?
Hector Hall: No.
Lyta Hall: Then what do you do?
Hector Hall: I go to work. I cook. I work out.
Lyta Hall: You go to work?

 

'This is a dream. Anything is possible.' - Hector Hall (The Sandman) Share on X

 

Hector Hall: Because it was our dream. And now that we’re both here, maybe it can come true. You have to stay with me. Here. In our house, the way we planned.
Lyta Hall: Sweetie, you know eventually I have to wake up.


 

Dream: Vortexes are naturally occurring phenomena. No one knows why they happen. Not even I know. But I do know they are not caused, or created. They simply happen.

 

'We do not choose to be created. Nor do we choose how we are made.' - Dream 'That is true. But we can change.' - Gault (The Sandman) Share on X

 

Hal Carter: I mean, I tried to escape. I went directly to New York after college, to have a huge Broadway career, before moving on to film and television, of course.
Rose Walker: Of course.
Hal Carter: But, you know, these days, if you’re not already a film or television star, you can’t even get a job on Broadway.


 

Rose Walker: Matthew, is that you?
Matthew the Raven: No, that’s a crow. I’m a raven. Common mistake.
Rose Walker: You’re real?
Matthew the Raven: Technically I’m a dream, but sure.


 

Rose Walker: [as the Corinthian is watching them] And is Morpheus watching right now?
Matthew the Raven: He is. I can feel him in the back of my head. It’s the weirdest feeling.


 

Hal Carter: Rose, do you think I want to be here? Cleaning up after Barbie and Ken? Don’t get me wrong, I love them, they’re great. But if Broadway called tomorrow, I would sell this f***ing house. And I would never think about any of these people ever again. Go to grad school, write a novel, about me. But do it now while I’m still cute enough to play myself in the movie. Because this was never my dream.


 

Chantal: [in her dream] I am having a relationship with a sentence. It was just one of those things. It was a chance meeting that grew into something more important for both of us. Everybody knows about me and the sentence. And now, I have the pleasure of reading it into the Library of Congress.


 

Rose Walker: So, what is a dream vortex? What is it for? What does it do?
Dream: I confess, there are some questions to which even I do not have an answer. But I can tell you that a vortex has the power to dream entire worlds, or destroy them.


 

Child Zelda: [in her dream] Nobody understands me. Nobody cares. Nobody understands but Chantal. Chantal comes along, shows me she’s my soul sister. Me and her are gothic heroines, secret brides to the faceless slaves of the nameless night of the castle of dread desire.


 

Rose Walker: [referring to young Zelda in her dream] Is she lost?
Dream: She’s at home here. That is what most people seek when they dream.
Rose Walker: Home?


 

Hector Hall: You being here, in my dream, means something is different. Something has shifted. So, if you can choose to be here, maybe you can choose to stay. Think about it. We can have the life we always wanted. Have a baby. Start a family. Lyta. This is a dream. Anything is possible.


 

Dream: Humans cannot live in dreams. As long as he stayed there, the child had no life, nor the chance for one.
Gault: [referring to Jed] The boy is being abused. He’s suffering.
Dream: You abused that suffering to build a Dreaming you could rule.
Gault: I had no wish to rule. I merely wish to be a Dream and not a Nightmare. To inspire rather than to frighten.
Dream: The choice is not yours to make.


 

Dream: We do not choose to be created. Nor do we choose how we are made.
Gault: That is true. But we can change.
Dream: No. We are, each of us, born with responsibilities. Even I am not free to choose to be other than I am. Nor is anyone.


 

Gault: I’m not afraid.
Dream: You should be. A Nightmare’s purpose is to reveal a dreamer’s fears, that they may face them. Perhaps a few thousand years in the darkness will reveal your fears.
Gault: Better that than to make others afraid. Even a Nightmare can dream, my lord.


 

Lucienne: [to Dream] We all change, sir. Even you, perhaps. One day.

 

9. Collectors

'The object of travel is not to set foot in a foreign land, but at last to set foot in your own country as a foreign land.' - Gilbert (The Sandman) Share on X

 

Matthew the Raven: I don’t know how she did it, but Rose just got Lyta pregnant.
Lucienne: What?
Matthew the Raven: Apparently it happened in her dream, and when Lyta woke up…
Lucienne: She was still pregnant.


 

Matthew the Raven: [referring to Dream] But you should make up with him.
Lucienne: I should make up with him?
Matthew the Raven: Yes. Now is not the time to be fighting, not when there’s a vortex getting people pregnant, and runaway Nightmares doing God knows what.

 

'What fascinates me about humanity is that so many people are looking for reasons to be unhappy. It's only when they're mired in their self-made misery that they are truly content.' - Gilbert (The Sandman) Share on X

 

Jed Walker: What’s your name?
The Corinthian: Have you ever noticed how people only ever use your name when you’re in trouble, Jed?


 

The Corinthian: What you looking for?
Jed Walker: It’s a cereal convention. I thought there’d be cereal.

 

'No children at a cereal convention? That seems a bit of a missed opportunity. Or is it maybe sort of more of a porridge and muesli affair?' - Gilbert (The Sandman) Share on X

 

Gilbert: You must allow me to accompany you. I believe America is a very large and excitable place, and a young person traveling alone can get into all kind of scrapes. As witnessed the other night.
Rose Walker: That’s very generous of you, but…
Gilbert: If you’ll indulge me, I should rather enjoy the role of amateur knight errant. I have my swordstick, and an ancient but serviceable revolver.
Rose Walker: Alright. But where we’re going, we won’t need to defend ourselves.


 

Gilbert: You know, to me, the object of travel is not to set foot in a foreign land, but at last to set foot in your own country as a foreign land.
Rose Walker: So, it’s all about going home?
Gilbert: Yes. I suppose it must be, in the end.


 

Hector Hall: I guess if earthquakes happen in real life, they can happen in dreams too, right?
Lyta Hall: Yeah. We call those nightmares.


 

Rose Walker: [referring to Jed] What if he doesn’t like me? Or worse, what if I don’t like him? What?
Gilbert: I’m just so impressed. You allowed yourself to be happy for nearly a minute there before inventing some new problems for yourself.


 

The Corinthian: [referring to the cereal convention] It’s just a bunch of boring grown-ups down there.
Jed Walker: Then why are you going?
The Corinthian: I’m going to make it less boring.


 

Gilbert: What fascinates me about humanity is that so many people are looking for reasons to be unhappy. It’s only when they’re mired in their self-made misery that they are truly content.


 

Gilbert: I do love a paradox. Chesterton did too. Take charity for example. Charity usually means one of two things, pardoning an unpardonable act, or loving an unlovable person. Or take love. Love’s an even better one. To love means loving the unlovable. To forgive means pardoning the unpardonable. Faith means believing the unbelievable. And hope means hoping even when everything seems hopeless.


 

Dream: [to Hector and Lyta] A ghost cannot escape his fate by hiding in The Dreaming. Nor can a living human being escape her grief here.


 

Dream: Your husband died a long time ago. He was a ghost and this is a dream. The baby is yours, for now.
Lyta Hall: What do you mean?
Dream: The child was conceived in The Dreaming. It is mine.
Rose Walker: What?
Dream: And one day, I will come for it.


 

Grass Widow: I’m sorry, but you are too young and too hot to be The Corinthian.
The Corinthian: You’re too kind.
The Hammer of God: I’ve always been curious. Is the name biblical? A reference to Paul?
Adonai: Or to Corinth? The Roman city of vice?
Grass Widow: Or are you just into leather?
The Corinthian: You know, all of the above.


 

Gilbert: No children at a cereal convention? That seems a bit of a missed opportunity. Or is it maybe sort of more of a porridge and muesli affair?


 

Gilbert: [as he takes the name tag Dutch Uncle] How exciting! I’ve never been an uncle before.


 

The Good Doctor: The “Chaste” blog is written by an apparent fanboy named Philip Sitz. Who, as you can see, looks exactly like our Boogieman.
Nimrod: Since you’re our guest, would you care to collect Mr. Sitz?
The Corinthian: Oh, I thought we don’t s**t where we eat.
The Good Doctor: Except when we have to.
Nimrod: Needs must when the Devil drives.


 

Dream: Why? Why did you leave? I trusted you. You were the heart of The Dreaming.
Gilbert: No, sir. You were the heart of The Dreaming. And you were gone. I was curious. And it turns out that life as a human contains substance I never even imagined when I was here.


 

Philip Sitz: I want to understand, that’s why I had to get here. To see you all. To learn.
The Corinthian: Okay, then let us teach you. The Good Doctor. She likes to kill her victims by removing their organs, one by one. Nimrod is a hunter. He can skin, bone, joint, and gut just about any animal in minutes. And as for me, well, I like the eyes.


 

Gilbert: Lucienne, he came to you and told you he was wrong. It was very nearly an apology. The Morpheus I knew was incapable of that.
Lucienne: Then perhaps he will be merciful to you since you came back on your own.
Gilbert: Oh, it doesn’t matter what happens to me. What matters is that Dream stops The Corinthian, and saves Rose Walker.
Lucienne: There is no saving Rose Walker.


 

The Corinthian: [after he kills Fun Land in front of Rose and Jed] Hello, Rose. Don’t worry. You’re safe with me.

 

10. Lost Hearts'New Dreams. New Nightmares. A new age.' - Dream (The Sandman) Share on X

 

The Corinthian: [at the cereal convention] We are the American dreamers driving down the holy road of true knowledge that’s paved with blood and gold. And across the length and breadth of this fair country, we are killing people. We don’t do it to make a living, we don’t do it for revenge. We do not murder for profit. We kill to kill. We are entrepreneurs in an expanding field. But no one sees us, except for one weekend a year. Well, I see you. I see you for who you truly are.


 

The Corinthian: We are gladiators. Conquerors. We are explorers. Truth seekers. We are swashbucklers. We are hunters. Soldiers of fortune. And kings of the night.


 

Dream: You disappoint me, Corinthian. You and these humans, you’ve inspired and created, disappoint me.

 

'When a human is at the center of the Dreaming, is it not to remind us that we exist because humans dream, not the other way around? The miracle of humanity itself should always be more vivid to us than any marvels of power.' Share on X

 

The Corinthian: I’ve done my best to be what you made me.
Dream: No, you’ve done your worst, which was in so many ways what I had hoped. You were my masterpiece. A dark mirror made to reflect everything humanity will not confront.
The Corinthian: That’s what I am. That’s what I’ve done.


 

Dream: [to Corinthian] Look at you, walking this Earth for over a century infecting others with your joy of death. But what have you given them? What have you wrought? Nothing. Just something else for people to be afraid of. That is all.


 

Dream: A knife against a dream?
The Corinthian: Oh, you don’t think dreams can die? Let’s find out.


 

The Corinthian: He can’t kill you if you kill him first.
Dream: Killing me may save your life, but it won’t save the lives of those you love.
The Corinthian: I’m trying to keep you alive here.
Dream: I’m trying to keep your world alive.
The Corinthian: You have to choose one of us, Rose.


 

Dream: You’re not going back. I brought you into this world to serve humanity. Not to feed upon it.
The Corinthian: Do you know why I do it? So I can taste what it’s like to be human


 

The Corinthian: And you don’t care about humanity. You only care about yourself, and your realm, and your rules.
Dream: I contain the entire collective unconscious. Without my rules, it would consume me. Humanity would be consumed.
The Corinthian: Or you might actually feel something.


 

The Corinthian: I am not the problem, Dream.
Dream: You’re right. This was my fault. Not yours. I had so much hope for you. But I created you poorly then. So I must uncreate you now.


 

Dream: [after he destroys Corinthian] Next time I make you, you will not be so flawed and petty, little Dream.


 

Dream: And you, who call yourselves “collectors”, until now, you have sustained fantasies in which you are the victims, comforting daydreams in which you are always right. But no more. The dream is over. I have taken it away. For this is my judgment upon you, that you shall know from this moment on exactly how craven, and selfish, and monstrous you are. That you shall feel the pain of those you have slaughtered. And the grief of those that mourn them still, and you shall carry that pain, and grief, and guilt with you until the end of time.


 

Rose Walker: [over phone] I woke you up. I’m sorry.
Unity Kincaid: Oh, Rose, the one thing I do not need more of in my life is sleep.


 

Dream: [to Rose] Death is not always such a bad thing. You could stay here if you like.


 

Rose Walker: You? You’re a Dream?
Gilbert: I am. I left my post here to experience life as a human being. A life which I humbly offer in exchange for yours.
Dream: I’m afraid that’s not possible. For the Dreaming and the waking world to live, the vortex must die.
Rose Walker: Then what’s the point of a vortex? Why do we even exist?


 

Gilbert: When a human is at the center of the Dreaming, is it not to remind us that we exist because humans dream, not the other way around? The miracle of humanity itself should always be more vivid to us than any marvels of power.


 

Rose Walker: What was your role? Who were you?
Gilbert: Oh, my dear. Fiddler’s Green is not a “who”, it is a where. I was not a person. I was a place. And, after your death, if you stay in the Dreaming, visit me. Walk in my meadows and my green glades. Rest beneath my trees. Farewell, Rose Walker. It was a privilege being human with you.


 

Dream: I do not wish to take your life. But we all have responsibilities, and this is one of mine. I am sorry.
Rose Walker: Just do it. Whatever it takes to save my brother and my friends. I’m ready.


 

Unity Kincaid: [to Dream] You’re not very bright, are you?


 

Unity Kincaid: What happened?
Dream: You died. So that Rose might live.


 

Unity Kincaid: I was meant to have died a long time ago, Rose. But if I had, I would never have met my golden-eyed man, and we would never have had our beautiful baby girl, and you would not have been born.


 

Dream: [to Rose] You and your brother are children of the Endless. You have suffered enough. You may leave this place.


 

Jed Walker: You ever notice how people only ever use your name when you’re in trouble? Rose?
Rose Walker: That’s true, actually.
Jed Walker: See? So, as long as you don’t have a name, you can’t get in any trouble.


 

Dream: [to Desire] My sibling. We of the Endless are the servants of the living, not their masters. We exist only because they know deep in their hearts that we exist. We do not manipulate them. If anything, they manipulate us. And you, and Despair, and even poor Delirium would do well to remember that.


 

Dream: Mess with me or mine again, and I shall forget you are family. Do you believe yourself strong enough to stand against me? Against Death? Against Destiny?
Desire: No.
Dream: Remember that next time you’re inspired to interfere in my affairs.
Desire: Oh, poor Dream. I really got under your skin this time, didn’t I? Next time, I’ll draw blood.


 

Lucienne: Are you making new Nightmares to replace Gault and the Corinthian?
Dream: The world does not need a new Corinthian quite yet.


 

Gault: May I ask what made you change your mind about me, sir?
Dream: I had no right returning here after over a century expecting everything to be just as I left it. Lucienne tried to tell me that. So did you. But now I’m listening. Or trying to. New Dreams. New Nightmares. A new age.


 

Mazikeen: Your Majesty. Shall I ring for your attendants to help you dress? There are several demon battles scheduled for your entertainment.
Lucifer: I can think of nothing I’d enjoy less.
Mazikeen: In which case Lord Azazel would like a word.
Lucifer: Except that.


 

Azazel: I come at the bidding of the assembled Lords of Hell.
Lucifer: You’ve stopped fighting each other long enough to assemble?


 

Mazikeen: What are you going to do?
Lucifer: Something that I have never done before. Something that will make God absolutely livid, and bring Morpheus to his knees.

 

11A. Dream of a Thousand Cats

'Cats walk their own paths.' - The Prophet (The Sandman) Share on X

 

The Tabby Kitten: [referring to The Prophet] What will she be like?
The Grey Cat: Who knows? Not this cat.


 

The Black Cat: Well met, fellow night-threaders.
The Tabby Kitten: [referring to The Prophet] Hello. We’re going to see her.
The Black Cat: Me too. Although, I can’t see much point to it.
The Grey Cat: Then why are you here?
The Black Cat: Curiosity, perhaps.

 

'Justice is a delusion. And wisdom has no place here either. But revelation, that is the province of Dream, if your heart is strong, and you are not afraid.' - Crow (The Sandman) Share on X

 

The Prophet: Some of you have traveled far to hear my message today. Left your warm, comfortable places, and I hope when I have finished, you will all share my dream. I was not always as you see me today. Once, like many of you, I lived in their world. And, like you, I fooled myself. Oh, they fed me and gave me comfort. They served me. All they asked in return was my affection. No price at all, really.

 

'If enough of us dream it, it will happen. Dreams shape the world.' - Golden Haired Man (The Sandman) Share on X

 

The Prophet: He was strong, and fast. His claws and teeth were sharp as winter. He was my choice of lover. I never saw him again. But I did not forget him. I didn’t remember my own mother, but I vowed I would be different. I would teach them how to wash, how to stalk silently, how to hunt.


 

The Prophet: [as we see Paul drowning her kittens] I felt them, from afar, in the dark, as the cold water took them. Felt them thrash and claw sightlessly. Felt them call to me in their fear. And then, they were gone.

 

'I'd like to see anyone, prophet, God or king, persuade a thousand cats to do anything at the same time.' - The Grey Cat (The Sandman) Share on X

 

The Prophet: I knew then that I had lied to myself. That we were subordinate. While we lived with humanity, we could not call ourselves free. And so, I prayed. I prayed to the darkness, to the night. I prayed to the King of Cats, he who walks amongst us, and we do not know him. And I dreamed.


 

The Prophet: I have come for justice. For revelation. For wisdom.
Crow: Justice is a delusion. And wisdom has no place here either. But revelation, that is the province of Dream, if your heart is strong, and you are not afraid.
The Prophet: I am afraid of nothing.


 

Crow: A little cat could come to much harm, if she strays from the path.
The Prophet: Cats walk their own paths.


 

The Prophet: I walked through the Wood of Ghosts, where the dead and lost whispered to me. I heard my children calling me. But I walked forward. I walked through the Cold Places, where every step was pain, every movement torment. I walked through the Wetness that numbed my paws, drenched my fur. But still, I walked forward.


 

The Prophet: I walked through the Darkness, through the void, where everything was sucked from me. Everything that makes me what I am. And even when I no longer knew why, I walked forward. After a time, myself returned to me, and I found myself at the mountain.


 

The Prophet: I’ve come too far to be turned away. I will state my business to the one I came to see, and only to him. I am a cat. I keep my own counsel.
Wyvern: Enter then, proud cat. But be warned. Dreams have a price.


 

The Prophet: I am here.
Dream: And who are you?
The Prophet: A cat. A walker in the night places.


 

The Prophet: I want to know why could they take my children from me? Why do we live as we do? I don’t understand.
Dream: The cat may look at a king. Or so they say. Look into my eyes then, little sister. Look into my eyes.
The Prophet: And in his eyes, I saw everything. I saw the truth. Our truth. And it transcended anything I had imagined.


 

The Prophet: Many, many seasons ago, cats truly ruled this world. We were larger then. Everything made for us. Humans were tiny creatures. No larger than we are now. They would groom us, feed us. When the moon shone full, we would hunt them. For they were more delightful to catch than even birds. Oh, the joy of those days I saw in his eyes, the game of cat and man.


 

Golden Haired Man: [to the other humans] Dreams shape the world. Dreams create the world anew, every night. Do not dream the world the way it is now. Dream of a new world. A world where we are no longer hunted, no longer prey. A world we rule. If enough of us dream it, it will happen. Dreams shape the world.


 

The Prophet: [referring to humans] They dreamed. And the next day, things changed. We were prey to them, to dogs, their metal machines. We were tiny, and they were huge.


 

The Prophet: [referring to humans] So, they changed the world? Made it like it is now?
Dream: Not exactly. They dreamed the world, so it was always the way it is now. There was never a world where cats reigned. They changed it from beginning of all things to the end of time. It was ever thus.


 

Dream: Then you know what your task must be. The burden you must bear. Are you strong enough?
The Prophet: Yes. I hope so.
Dream: Then wake, child. With my blessing.


 

The Prophet: You see, I had seen the soft underbelly of what he had shown me. I left that night to spread the good news. And now I travel from place to place. I have preached to feral cats in empty places, shouting my message to the stars. I have whispered it to cats in alleyways. And wherever I have gone, my message is the same. Dream it. If enough of us dream, a bare thousand, we can dream a world where no cat suffers, where no kittens die, cold and alone. Where all cats are queens and kings of creation. That is my message. And I shall keep moving, repeating it until I die, or until a thousand cats hear my words and believe them and dream. And we come again to paradise.


 

The Tabby Kitten: Mistress? I believe.
The Prophet: Then there is hope, child.


 

The Tabby Kitten: Do you think it will happen, like she said?
The Grey Cat: I’d like to see anyone, prophet, God or king, persuade a thousand cats to do anything at the same time.


 

Don: [referring to the Tabby Kitten] I think she’s dreaming.
Laura: I wonder what cats dream about.
Don: The way she’s twitching, she’s probably hunting something. Oh, look at her. Isn’t that cute?
Laura: It is. It’s really cute.

 

11B. Calliope'Without forgiveness, wounds will never heal.' - Calliope (The Sandman) Share on X

 

Richard Madoc: You can’t force a character to do something just because it’s easier for you as a writer. The character has to come first. Everything else follows. Every plot twist, every line of dialogue. Every fraught, meaningful silence.


 

Richard Madoc: I haven’t written a single word in a year. Nothing I haven’t thrown away.
Erasmus Fry: Then I suggest you sit down, have a drink, and show me my present. Not necessarily in that order.

 

'An old writer with no one to talk to grows fond of the sound of his own voice.' - Erasmus Fry (The Sandman) Share on X

 

Calliope: What would you with me now, Erasmus? Am I to perform for your amusement? Is this man to be our audience?
Erasmus Fry: This is Richard Madoc. He’s a novelist. Or at least, he’s written one extremely successful first novel. But now he finds himself quite unable to write anything else. Richard, this is Calliope, the youngest of the nine sisters. She was Homer’s muse. So she ought to be good enough for you.

 

'Writers are liars.' - Erasmus Fry (The Sandman) Share on X

 

Erasmus Fry: Calliope, I’m giving you to Richard. You are his now.
Calliope: But you said that you would free me before you died.
Erasmus Fry: “Put not your trust in princes,” my dear. Nor in an aging author who has never been what you might call a shining example when it came to keeping his word.
Calliope: But you promised.
Erasmus Fry: Writers are liars, my dear. Surely you’ve realized that by now.


 

Erasmus Fry: [to Richard, referring to Calliope] They say one ought to woo her kind. But I must say, I found force most efficacious. Oh, don’t be fooled. She’s not human. She’s thousands of years old. She was created for this. This is her purpose, to inspire men like us. After all, she gave me fame, glory, novels, poems, plays. You’ll see.

 

'Ideas don't come from anywhere. They're all around us, all the time.' - Richard Madoc (The Sandman) Share on X

 

Richard Madoc: I just need time to think about what to do.
Calliope: What is there to think about? I’m a goddess. A daughter of Zeus. I am not a possession to be kept, and used, and traded. You must set me free. You have only to say the words.


 

Richard Madoc: Do you think you could help me first? Inspire me? Just for one book, and then I will let you go. I swear I will.
Calliope: “Writers are liars.”
Richard Madoc: Not all of us.

'I will not forgive what he has done, but I must forgive the man. Not for him. For me.' - Calliope (The Sandman) Share on X

Calliope: An artist prays to the Muses. He offers vows of service and devotion to the goddesses in exchange for divine inspiration. An artist does not hold a Muse against her will.
Richard Madoc: You gave Erasmus Fry what he wanted.
Calliope: I did not. He took it from me.


 

Richard Madoc: I’m drowning, Calliope. Please. I am begging you.
Calliope: Ask me again, when I am free.


 

Calliope: Is there nothing you can do? No one who can intercede on my behalf?
Fate Maiden: There are few of the old powers who are willing, or able to meddle in mortal affairs in these days, Calliope.
Fate Mother: Many gods have died, my daughter. Only The Endless never fade.
Fate Crone: And even they have been having a difficult time of late. Still, every little bit helps, as the old woman said when she pi**ed in the sea.


 

Calliope: The Dream King will never help me. Not after what I did to him. He hates me for that, and I despise him. I would not accept his help.
Fate Mother: Foolish child.


 

Fate Crone: Oneiros is in no position to help you even if he wished it, which is unlikely.
Fate Maiden: Like you, your former husband has been ensnared by mortals. He’s immured beneath the ground.
Fate Mother: Leaving this realm gripped by sleeping sickness.
Fate Crone: And a plague of Dreams and Nightmares wreaking havoc.


 

Emanuela: [referring to Richard’s new book] It’s a gorgeous book. Quite remarkable. I mean, the sheer richness of the material.
Lara: Yes. But why has he gone and changed this name?
Emanuela: How do you mean?
Lara: From Richard to Ric, without the K?
Emanuela: I think it probably speaks to the novel’s theme of reinvention.
Lara: I think it probably speaks to the author’s pretension.


 

Richard Madoc: Can you not allow yourself to enjoy our success? Even for a second? We are telling stories that move and inspire people. Isn’t that what Muses were made for?
Calliope: My sister goddesses and I were born. We were not made.


 

Calliope: I call to you, Oneiros, that you may hear me, and come to my aid when I say your name out loud.
Richard Madoc: [interrupts her and takes her letter] Morpheus? What does it mean?
Calliope: It is the name of the God of Dreams.
Richard Madoc: You’re writing him a letter?
Calliope: Something like that.


 

Richard Madoc: [to Calliope] You’re mine. By law. The God of Dreams can’t save you.


 

Calliope: You came.
Dream: You called.
Calliope: They told me you had been imprisoned, just like me.
Dream: Not like you. My suffering was nothing compared to yours.
Calliope: Don’t say that. Comparing our suffering only compounds it. It pained me to hear of your misfortune.


 

Calliope: I know that you cannot free me. Only he can do that. But perhaps you might inspire him? To let me go?
Dream: I will do all that, and more.


 

Dream: He must be punished.
Calliope: How? What punishment could be enough? Even his death would not bring back what he has taken from me. He’s nothing. He’s just a man.


 

Dream: I cannot allow him to go free.
Calliope: Why? Because I was once yours?
Dream: Because he hurt you.


 

Dream: The last time I saw you, you said you would never speak to me again.
Calliope: I’m sorry. I did not know where else to turn.
Dream: You misunderstand me. When I heard you call to me, even after all this time… Let me help you. Please. I owe you that much.


 

Dream: You’re keeping a woman here against her will. I’ve come to request that you set her free.
Richard Madoc: Are you out of your mind? There’s no woman here. I’m calling the police. Do you know who I am?
Dream: I know precisely who and what you are, Richard Madoc.


 

Dream: [to Richard] She has been held captive for more than sixty years. Demeaned, abused, defiled. And you will not set her free because you need ideas? Well, if it’s ideas you want, then you shall have them, in abundance.


 

Richard Madoc: What did you do to me? Are you giving me nightmares now? Tell me!
Calliope: I have done nothing to you, Richard Madoc. You have met Morpheus, who the Romans called The Shaper of Form. He was once my husband. And the father of my son.
Richard Madoc: I didn’t know you had a son.
Calliope: You know nothing about me. But it is too late to let any of that concern you now.


 

Sofia: Your work spans so many genres, so many worlds, so many different kinds of characters. May I just ask, where does all that come from?
Richard Madoc: For me, ideas don’t come from anywhere. They’re all around us, all the time.


 

Nora: What’s happened to your hands?
Richard Madoc: Oh, my God. I’m just having so many ideas. I didn’t have a pen, or any paper, so I just used my hands. I said I needed the ideas, but they’re coming too fast.


 

Calliope: It is over. Thank you.
Dream: I merely answered your call.


 

Dream: What will you do now?
Calliope: I think what I must do is to try to make sure that this never happens to anyone else ever again.
Dream: How?
Calliope: I do not know. By inspiring humanity to want better for themselves and each other.


 

Calliope: You have changed, Oneiros. In the old days, you would’ve left me here to rot without turning a hair. Do you still hate me for leaving you? For blaming you for what happened?
Dream: No. I’ve learned much in recent times, and… No matter. I do not hate you.


 

Calliope: I think you should release the mortal now. He has set me free, and without forgiveness, wounds will never heal.
Dream: You would forgive him for what he has done?
Calliope: I will not forgive what he has done, but I must forgive the man. Not for him. For me. Will you free him?
Dream: If that is what you wish, it shall be done.


 

Richard Madoc: [referring to Calliope] She’s gone. And it’s all gone with her. The ideas, the stories. They were all hers.
Nora: Whose? Who are you talking about?
Richard Madoc: I have no idea. No idea.


 

Calliope: May I visit you in the Dream Realm sometime, so that we may finally talk about our son, and grieve him properly?
Dream: One day, perhaps, but…
Calliope: I understand. Thank you, Oneiros. I will not forget this. Fare you well. Fortune be with you.
Dream: Goodbye, Calliope.

 

Trailer:

Filed Under: Comic Book, Television

The Essex Serpent Best Quotes (TV Series)

April 26, 2022 by MovieQuotesandMore.com

Our list of the best quotes from Apple TV+ period romantic drama TV series, The Essex Serpent (2022), based on the novel of the same name by Sarah Perry. Set in Victorian England, the story follows London widow Cora Seaborne (Claire Danes), who moves to a small village in Essex to investigate reports of a mythical serpent. She forms a surprising bond of science and skepticism with the local pastor, Will Ransome (Tom Hiddleston), but when tragedy strikes, locals accuse her of attracting the creature.

1. The Blackwater

'It's when we're most lost that the source of light is closest.' - Will Ransome (The Essex Serpent) Share on X

 

Michael Seaborne: I intend to leave the world as I entered it. Unscarred.


 

Cora Seaborne: Frankie. Your father’s died.
Frankie Seaborne: Are you sad?
Frankie Seaborne: [as Cora nods] But you’re not crying.
Cora Seaborne: I’m so sorry, Frankie.


 

Cora Seaborne: You know, we’re following the course of the river. It’s right beneath our feet. The eels used to swim upstream all the way from Sargasso Sea. They’d come here to breed. Now instead of mud and reeds, all they find is iron and concrete.
Luke Garrett: Nothing wrong with iron and concrete.


 

Cora Seaborne: How does it feel to cut into a living body? No, I’m curious, that’s all.
Luke Garrett: It’s exciting. Terrifying. Every operation, a leap of faith. It’s a high-wire act, Mrs. Seaborne.
Cora Seaborne: It sounds fascinating. I’d love to learn more about it.


 

Cora Seaborne: So what edge do you hope to cut into next, Luke?
Luke Garrett: The heart.
Cora Seaborne: How?
Luke Garrett: Well, the main challenge is keeping the patient alive once I open the chest cavity. Just need the right patient.
Martha: You’re an animal.
Luke Garrett: The hospital board agree with you. No idea why.


 

George Spencer: We can all be skeptical about new ideas.
Martha: Oh, no. I’m all for progress.
Cora Seaborne: Martha’s a socialist.
Luke Garrett: A socialist and a naturalist?
Cora Seaborne: And what of it?
Luke Garrett: Nothing. It’s delightful.
Cora Seaborne: It’s delightful?


 

Cora Seaborne: Is your heart surgery delightful?
Luke Garrett: More of a vocation.
Cora Seaborne: Well, if we were welcomed into the professions, we might have vocations too.
Luke Garrett: Well, perhaps we were not welcomed either.
Cora Seaborne: We must all follow our passions.
Luke Garrett: I couldn’t agree more.


 

Luke Garrett: I brought you something.
Cora Seaborne: Wow, it’s beautiful. What is it?
Luke Garrett: A slice of human heart.
Cora Seaborne: From the operating theater?
Luke Garrett: No. No. I got it from the mortuary. Research cadaver.
Cora Seaborne: It’s the oddest present I’ve ever received. Thank you.


 

Cora Seaborne: [referring to Essex] A sea creature’s been spotted.
Luke Garrett: I read about that.
Cora Seaborne: I’ve done some research.
Luke Garrett: Into a mythical beast?
Cora Seaborne: Not mythical. Real. I think this serpent could be some sort of plesiosaur. As Darwin says in The Origin, there may well be species that have been insulated from the usual competitive pressures.


 

Luke Garrett: Essex. Don’t go.
Cora Seaborne: I thought I should follow my passions.
Luke Garrett: Yes, of course. But from a medical point of view, you’re grieving. Cora…
Cora Seaborne: I can do what I want now he’s dead.


 

Will Ransome: Where are you headed?
Cora Seaborne: Aldwinter.
Will Ransome: You’ve heard the stories. You want to go and have a look. There’s nothing to see. Go home.


 

Henry Banks: [referring to Naomi] She’s been listening to the rumors about the serpent.
Will Ransome: Now you know as well as I do, it’s a myth.


 

Cora Seaborne: Charles. What are you doing here?
Charles Ambrose: I heard you’d left London. I was worried about you.
Cora Seaborne: I’m here to research the sea dragon.
Charles Ambrose: Couldn’t you have found a hobby in town? Helped Martha with her campaigns? I promised Michael I’d look after you.
Cora Seaborne: Well, Martha looks after me.


 

Charles Ambrose: Will Ransome. We offered him a safe seat. Lost him to God. He’s got a parish near the coast. He could keep an eye on you.
Cora Seaborne: What, a vicar?


 

Luke Garrett: [reading Cora’s letter] “I have been digging down by the estuary, but no evidence of the plesiosaur yet.”
George Spencer: Very romantic.
Luke Garrett: “However, the countryside is beautiful, and the pub is charming. I still have your heart. Yours sincerely, Cora.” Spencer. What does that mean?
George Spencer: She still has your present?
Luke Garrett: No, I think she likes me. She does, doesn’t she?


 

Cora Seaborne: So, what are you really doing here?
Luke Garrett: I lost a patient on the table.
Cora Seaborne: I’m sorry.
Luke Garrett: Ah, it happens when trying a new procedure. What about you? Any sign of the beast?
Cora Seaborne: Not yet. But I’m going to Aldwinter to find out more.
Luke Garrett: Who from?
Cora Seaborne: God knows. Some boring vicar.
Luke Garrett: Oh. How awful.
Cora Seaborne: I know.
Luke Garrett: He’ll make you say grace.
Cora Seaborne: I’ll refuse, and it’ll be painful.


 

Jo Ransome: Who’s coming to dinner?
Stella Ransome: A friend of Charles. A widow and her son, all the way from London.
Will Ransome: She’ll be old and wrinkled. And she’ll bore us all with the latest talk from society drawing rooms.
Stella Ransome: And her son?
Will Ransome: What do you think, Jo? A young student? Down from Oxford?
Jo Ransome: Yes. He’ll fall in love with me, and then propose. And I will refuse, and break his heart.


 

Naomi Banks: Can I ask you a question about the Scriptures, Father?
Will Ransome: Of course.
Naomi Banks: Why does the serpent tempt Eve?
Will Ransome: Well, it’s an allegory. The serpent is really the devil.
Naomi Banks: That’s what I thought.
Will Ransome: There is no serpent in Essex. I promise you, Naomi. There’s nothing here.


 

Stella Ransome: You’re too young to be a widow. And so beautiful.
Cora Seaborne: Well, I feel a little overdressed. I expected dinner at the vicarage to be more formal.


 

Cora Seaborne: You’re the vicar?
Will Ransome: Pleased to meet you, Mrs. Seaborne.


 

Will Ransome: John, do you remember the day I cut my face?
John Ransome: She’s the strange lady from the marshes.
Will Ransome: I’m sorry. I was rude. I don’t know what I would have done without you.
Cora Seaborne: You were a monster.
Will Ransome: I’m sure I was.


 

Stella Ransome: So you’re here to look for fossils?
Martha: Cora is obsessed with the serpent.
Will Ransome: Well, the only serpent here is on a pew in church. It’s been there for two hundred years.
Jo Ransome: And now it’s come back to life.


 

Will Ransome: The serpent is not real.
Cora Seaborne: But what if it is?


 

Cora Seaborne: [referring to Charles Lyell] He wrote about animals that escaped evolution. Perhaps your serpent’s one of them.
Will Ransome: No. No, the serpent is an invention. It’s a symptom of the times we live in.
Cora Seaborne: Well, exciting times.
Will Ransome: Of great change that bring real fears with them.
Cora Seaborne: So you’re against progress?
Will Ransome: You’re determined to see me in a very narrow light.
Cora Seaborne: Well, maybe I fear your judgment.


 

Cora Seaborne: Perhaps I’m an outcast. At least in the eyes of your church.
Will Ransome: Jesus was an outcast.
Cora Seaborne: Once upon a time. But these days, he’s very establishment.
Will Ransome: True.
Cora Seaborne: I’d rather believe in a creature people have actually seen than an invisible god. Is that blasphemy?
Stella Ransome: You won’t get Will to judge you. No matter how hard you try.
Will Ransome: But speak to my curate. He’d happily condemn you to hellfire.


 

Cora Seaborne: Well, none of you are as I expected.
Jo Ransome: Likewise.


 

Cora Seaborne: The Essex serpent here in the heart of your church.
Will Ransome: A myth carved in oak.
Cora Seaborne: I saw a bloodied sheep’s head on the marshes this morning. Killed by the creature?
Will Ransome: Carrion for an eel trap. One of the fishermen must have dropped it.
Cora Seaborne: How can you be so sure?
Will Ransome: If I were to let in any doubt, how would I look after my flock?


 

Will Ransome: Every one of us lives with doubt and fear. Even me. That is where God lives. In our uncertainty and in love. And now is the time for us to come together. For my part, I will listen to your fears, and try my hardest to understand them. Don’t be scared. It’s when we’re most lost that the source of light is closest.


 

Matthew Evansford: [as Gracie’s dead body is washed ashore from the river] The devil. The devil has come.
Will Ransome: Not now. Please, Matthew.

 

2. Matters of the Heart'Sometimes you have to make trouble to get change.' - Martha (The Essex Serpent) Share on X

 

Martha: [as Cora wakes from a nightmare] It’s alright. Michael can’t hurt you anymore.


 

Martha: Cora, you saw a girl washed up in her sister’s arms. Why would you want to go back?
Cora Seaborne: I have to know what’s out there. And you want to stay in Essex, don’t you?
Frankie Seaborne: No, I hate fresh air.

 

'Science requires dreams just like your theology. To make a leap in the dark, from ignorance to understanding.' - Cora Seaborne (The Essex Serpent) Share on X

 

Luke Garrett: Just come back to London.
Cora Seaborne: I’m really sorry, Luke. I can’t.
Luke Garrett: You’re in shock. Once we are back in London, you will start to feel yourself again.
Cora Seaborne: I’m myself now.
Luke Garrett: No. No. Trust me, I’ve seen this before.
Cora Seaborne: This?
Luke Garrett: Yes. Anxiety in a female. This compulsion to return to the scene of the trauma.


 

Cora Seaborne: I’m returning to help.
Luke Garrett: What do you mean?
Cora Seaborne: I can talk to people. Offer them a rational explanation.
Luke Garrett: You want to tell them your plesiosaur theory? Now? Cora, a young girl has died. I really think that…
Cora Seaborne: What? I should give up on my ideas? I don’t see you doing that.
Luke Garrett: I’m a qualified doctor.
Cora Seaborne: And I’m not your patient.


 

George Spencer: How did you become so radical?
Martha: I was born in Bethnal Green. When everything around you is broken, you look for new ideas.
Luke Garrett: So how does Cora cope with a raging socialist in her home?
Martha: We’re not so different, she and I.
Luke Garrett: In her grand town house.
Martha: That came with her husband.
Luke Garrett: Along with her jewels?
Martha: She’s given them all away.


 

George Spencer: Do you think she’ll stay in Essex long?
Martha: I don’t know. Cora does what Cora wants from now on.
Luke Garrett: Does she now?
Martha: As you do, I’m sure, Dr. Garrett.


 

Henry Banks: Have you heard what they’re saying?
Will Ransome: No.
Henry Banks: Gracie was taken for her sins.
Will Ransome: No, Henry. No. No, she drowned. Alright? It was an accident. A tragic accident. God will look after her now.


 

Will Ransome: Stella and I, we didn’t think you’d come back.
Cora Seaborne: Well, I thought I could help. Be a voice of reason.
Will Ransome: How?
Cora Seaborne: Well, I could explain things.
Will Ransome: No, you came for your serpent.


 

Cora Seaborne: I’m not here to make trouble, Will.
Will Ransome: But you want to look into things, ask questions.
Cora Seaborne: I’d like to.
Will Ransome: People are scared, you need to be careful.
Cora Seaborne: Yes, of course.


 

Cora Seaborne: I hope you don’t disapprove of my coming.
Will Ransome: Well, you’re trying to understand. Trying to find the truth. I approve of that.


 

Cora Seaborne: I’m sorry if I intruded yesterday. I just wanted to offer my condolences. I’ve taken the cottage next door, so if there’s anything I could do to help. I’m so sorry for your loss. My own husband died recently, but to lose a daughter…
Henry Banks: You’re right. It’s not natural.


 

Cora Seaborne: Do you think there’s something out there?
Henry Banks: I think you should go.


 

Cracknell: Ah. The serpent-loving newcomers. And that’s my chicken.
Cora Seaborne: I’m sorry. I hope you didn’t think it had been stolen.
Cracknell: By some beast?
Cora Seaborne: Do you believe there’s something out there?
Cracknell: It’s not a question of belief for me.


 

Cracknell: If you don’t believe in God, you can’t believe in the devil either.
Cora Seaborne: So what do you think happened to Gracie Banks?
Cracknell: Someone dies on the marshes every year. Gets caught out by the tide.
Cora Seaborne: Have you ever seen anything out of the ordinary? A sea creature?
Cracknell: Not yet. Eels, seals. But no monster.


 

Naomi Banks: Can I tell you something, Father?
Will Ransome: Of course you can.
Naomi Banks: I saw the serpent.
Will Ransome: Are you sure?
Naomi Banks: Now I see it at night too. In the shadows like it’s waiting for me.
Will Ransome: No, Naomi.
Naomi Banks: I do. I can feel it.
Will Ransome: It’s just at night that we let our fears take hold.


 

Cora Seaborne: What are you doing?
John Ransome: Science. It’s so dull.
Jo Ransome: At least you get to do it.
Cora Seaborne: Girls don’t do science? We all need science to help us understand the world.
Jo Ransome: Could you give us a lesson? Tell everyone why you’re here?
Cora Seaborne: I’d be very happy to. I could bring my fossils. If you think it’s a good idea?
Stella Ransome: I don’t see why not.


 

Cora Seaborne: I never thought a country vicar would be so well-read.
Will Ransome: Oh. What a shocking lack of imagination.


 

Cora Seaborne: What are you doing here, Will?
Will Ransome: What do you mean?
Cora Seaborne: Well, a man like you out here on the marshes.
Will Ransome: I might ask the same of you.


 

Will Ransome: [referring to the fossil] Look what I found on my morning walk.
Cora Seaborne: I didn’t have you down as a collector.
Will Ransome: Well, you inspired me to look down as well as up.


 

George Spencer: [referring to Nev] You’d think he’d be a bit more cheerful at the thought of going home.
Martha: When you give him a long list of medicine and insist he take a month off work?
George Spencer: Minimum.
Martha: So how will they pay their rent?
George Spencer: You think they’ll be evicted?
Martha: Of course not. He’ll be packing gunpowder again first thing Monday morning.
George Spencer: No. No, Martha. That’ll endanger his recovery. He needs to be told.
Martha: What? That he can’t win? Shall I tell him or will you?


 

Will Ransome: [to Cora] I suppose if I played my cards right, I could be sitting in a backbench, debating some minor point of law. But really, I’d rather spend my time guiding Cracknell back to the God who never left him. Or what I really wanted was purpose, not achievement. You see the difference? And besides, I have an equal in Stella.


 

Will Ransome: What are you hoping to find?
Cora Seaborne: A tangible link to our past. To the creatures that came before us.
Will Ransome: To what you think is out there.
Cora Seaborne: Maybe.
Will Ransome: But how can a dead fossil prove the existence of a living one?
Cora Seaborne: It can’t. But it might give us hints. Clues.
Will Ransome: You really believe that?
Cora Seaborne: I think I believe. I’m never sure of the difference between thinking and believing. Perhaps one day you can teach me.
Will Ransome: I thought you favored hard evidence over supposition.
Cora Seaborne: Science requires dreams just like your theology. To make a leap in the dark, from ignorance to understanding.
Will Ransome: Faith.


 

Frankie Seaborne: Do you believe in the serpent?
Stella Ransome: I don’t know, Frankie. I’m not sure we have all the answers yet. But don’t tell my husband.
Frankie Seaborne: I can keep secrets.
Stella Ransome: So can I.


 

Will Ransome: I thought you were a city girl.
Cora Seaborne: No, I lived on the coast until I was sixteen. My father brought me to London to meet my husband.
Will Ransome: I’m sorry. You must miss him.
Cora Seaborne: The first thing you’d see if you came to my house is a Japanese kintsugi vase. It’s pottery that’s been broken and put back together with gold. It’s beautiful. Michael gave it to me when we met. He told me he wanted to break me and mend me with gold.
Will Ransome: Did he hurt you?


 

Martha: Sometimes you have to make trouble to get change.


 

Cora Seaborne: The wonders of science.
Will Ransome: And yet, it bothers me.
Cora Seaborne: Why?
Will Ransome: I don’t know. You and I, we think we see a boat sailing in the sky. And Naomi thinks she sees a serpent in the water. I don’t know.


 

Will Ransome: Cora, do you think there’s something strange going on here?
Cora Seaborne: Of course not.


 

Will Ransome: What would you like me to do?
Matthew Evansford: Convene the parish council.
Will Ransome: Absolutely not. A meeting will only entrench people’s fears.
Matthew Evansford: Then do it your way. And let the devil in.


 

Will Ransome: “I sought the Lord, and he answered me and delivered me from all my fears.”
Stella Ransome: What are you afraid of?
Will Ransome: Nothing.


 

Cora Seaborne: Buried in the mud, all around us, are the remnants of ancient creatures.
Matthew Evansford: Creatures that God put on this earth thousands of years ago.
Cora Seaborne: Well, creatures, I believe, evolved over time.
Boy: Does that mean in thousands of years, people will find the remnants of the serpent?
Matthew Evansford: Stupid question. Be quiet.
Cora Seaborne: No, it’s a good question.
Girl: You mean it might be real?
Cora Seaborne: Yes. If it’s a living fossil.


 

Naomi Banks: Is there a serpent or not? Just tell me the truth.
Cora Seaborne: Well, that’s what I’m here to find out. The truth is I honestly don’t know.
Boy: The serpent’s coming for us. The serpent’s coming for us.
Cora Seaborne: No, that’s not what I mean.
[then the children start accusing Naomi as she suffers a seizure]

 

3. Falling

'You won't find the truth without a struggle.' - Luke Garrett (The Essex Serpent) Share on X

 

Cora Seaborne: I shouldn’t have gone in.
Martha: You were showing them fossils.
Cora Seaborne: I didn’t think they’d get so…
Martha: One of their classmates has died. Of course they’re upset.
Cora Seaborne: It was more than just upset. They were terrified. And it was my fault.


 

John Ransome: Jo, say something.
Stella Ransome: It’s alright, Jo. You’ll speak when you’re ready.
John Ransome: The serpent took her voice.

 

'Our inner thoughts and fears. We can't control them, but they can influence us and our behavior.' - Luke Garrett (The Essex Serpent) Share on X

 

Cora Seaborne: It was like a contagion. As if they were all possessed by a devil.
Luke Garrett: Except you don’t believe in the supernatural, Cora.
Cora Seaborne: Something happened. It wasn’t just children playing.


 

Luke Garrett: Perhaps there’s a rational explanation, eh?
Cora Seaborne: Such as?
Luke Garrett: We now think the girls in the Salem witch trials ate a poison that altered the chemistry of their brains. Claviceps purpurea. It’s a mold. It grows on rye and other cereals.
Cora Seaborne: Could this poison lead to hallucinations and convulsions?
Luke Garrett: Yes, absolutely. Although, it isn’t at all common in England.
Cora Seaborne: There’s nothing common about what happened here.


 

Matthew Evansford: [to Cora] All I can tell you is my class was fine until you came here with your heretical ideas.

'A man's conversations with God are no one's business but his own. But we should confide in each other. It can help.' - Will Ransome (The Essex Serpent) Share on X


 

Cora Seaborne: I’ve been so stupid.
Luke Garrett: No.
Cora Seaborne: I thought it would calm them down. So they could see that their serpent might have a rational explanation.
Luke Garrett: You really believe there’s a creature out there?
Cora Seaborne: Yes, I think so.


 

Cora Seaborne: You think it’s all in my mind?
Luke Garrett: I think you’re grieving.
Cora Seaborne: These are the theories of pioneers such as Darwin and Lyell. And the creature’s been seen by local people for over two hundred years.
Luke Garrett: Good. Yes! There it is!
Cora Seaborne: What?
Luke Garrett: Your passion.
Cora Seaborne: So you do believe me?
Luke Garrett: It doesn’t matter what I think. I do know you won’t find the truth without a struggle. You need to have faith in yourself and get back to work.


 

Cora Seaborne: Of course you want to understand what happened.
Will Ransome: It’s not that I’m trying to suggest…
Cora Seaborne: No, it was my mistake. I scared them.
Will Ransome: You didn’t start all this.
Cora Seaborne: I was up all night thinking I did.
Will Ransome: Sometimes the middle of the night lies to us.
Cora Seaborne: Yes.


 

Cora Seaborne: I might not be able to do it.
Luke Garrett: Well, that’s the beauty of hypnosis. You don’t have to try.


 

Cora Seaborne: There’ll be things here that haven’t seen the light of day in thousands, maybe millions of years.
Luke Garrett: You know, if it hasn’t got blood pumping around it, my interest wavers slightly.
Cora Seaborne: I used to have fossils sent to me in the post. Put them in a display case with a pretty label.
Luke Garrett: You certainly look different from the woman I met in that grand house.


 

Fisherman: My little girl’s been having nightmares since you came into her classroom.
Luke Garrett: Mrs. Seaborne was only tryn to help.
Cora Seaborne: Oh, I’m sorry if I scared them.
Fisherman: Scared them? What did you do to them?
Luke Garrett: We should go.
Aldwinter Woman: We don’t know why you’re here, and we don’t care. But if you’re doing something, whatever it is, please, stop it.


 

Fisherman: It’s the serpent. Doing the devil’s work. Pray for our souls, Father.
Matthew Evansford: We must do more than pray.


 

Luke Garrett: Have you heard of the unconscious?
Stella Ransome: No.
Luke Garrett: It’s our inner thoughts and fears. We can’t control them, but they can influence us and our behavior. It sounds alarming. It’s just the way the brain works, I assure you.


 

Martha: [referring to Luke wanting to hypnotizing Jo] Don’t you think we should wait for Will? If Jo was my daughter…
Cora Seaborne: You want to wait for a man’s permission?


 

Will Ransome: A man’s conversations with God are no one’s business but his own. But we should confide in each other. It can help.
Matthew Evansford: You’re so good at this.
Will Ransome: At what?
Matthew Evansford: This. The easy way you talk, making people feel like what they say is important, that you’ll take it seriously.


 

Matthew Evansford: I know what you think when I talk. You see someone who’s taken in by tall tales.
Will Ransome: No. No, that’s not what I think.
Matthew Evansford: You don’t understand. You’re not out on the water risking your life. Your children aren’t crying in their beds because they can feel something coming.


 

Matthew Evansford: [to Will] Go on. Explain it away to me again. Explain the scratches on Gracie Banks’s body. Explain the attack on the boats. Your daughter struck dumb! I can see it in your face that you feel it too. You’re supposed to show people how to stay in God’s protection. You’re supposed to keep people safe.


 

Will Ransome: “Therefore we will not fear, though the waters roar, and we troubled.”


 

Jo Ransome: It was supposed to be a secret.
Luke Garrett: What was a secret, Jo?
Jo Ransome: The spell. The spell we made.


 

Jo Ransome: It’s too late. Naomi let it in. I let it in. It’s in us.


 

Martha: What happened?
Cora Seaborne: Will came home and wasn’t pleased. Let’s put it that way.
Luke Garrett: He attacked me.
Martha: What?
Cora Seaborne: No one attacked anyone. He came in, saw Luke leaning over Jo, and overreacted.
Martha: He must’ve been scared for her. Did you explain it to him? Did you apologize?
Cora Seaborne: Well, Stella and I were right there.
Martha: I’ve seen people be mesmerized. It looks odd. It is odd.
Cora Seaborne: It was hypnosis. And it worked.


 

Luke Garrett: No good ever came from leaving London, Cora.


 

Cora Seaborne: Are you cross with me too?
Martha: Would you care if I was?
Cora Seaborne: You know I would.


 

Cora Seaborne: It’s so frustrating. I’m not trying to upset people.
Martha: You should apologize to Will.
Cora Seaborne: I can’t be expected to apologize every time I do something without the express permission of a man.
Martha: You only have to apologize when you do something wrong.
Cora Seaborne: If only that were true.
Martha: If you’re sure you’ve done nothing wrong, why are you so bothered?


 

Cora Seaborne: Martha told me I needed to apologize.
Will Ransome: And did you?
Cora Seaborne: No. I can’t apologize when I don’t think I did anything wrong.
Will Ransome: Well, I can’t wait to read it.
Cora Seaborne: Are you mocking me?
Will Ransome: No, it’s just entirely in keeping with what I would expect from you.


 

Cora Seaborne: You asked me to help.
Will Ransome: Not by experimenting on her.
Cora Seaborne: Stella gave her consent.
Will Ransome: What? To bring it all back and terrify her?
Cora Seaborne: You know nothing about it!
Will Ransome: I know enough.


 

Cora Seaborne: You’re furious because I didn’t ask your permission, defer to your judgment.
Will Ransome: Why would you when you’re with Dr. Garrett? You don’t struggle with deference to him.
Cora Seaborne: I don’t think you have a right to be this angry with me.
Will Ransome: That’s probably true.
Cora Seaborne: Then why are you?
[he pulls Cora close to him, Stella notices their intamcy as she watches them from the house]

 

4. Everything Is Blue

Stella Ransome: [after they arrive for Cora’s birthday party] Will. Say something. Doesn’t Cora look lovely?
Will Ransome: You certainly look clean.


 

Will Ransome: Dr. Garrett, I owe you an apology. I was rude when we met, and I’m sorry. You helped my daughter. I shouldn’t have lost my temper.
Luke Garrett: Don’t mention it. Cora and I, we didn’t see any harm, did we? I’d put her under hypnosis just the night before. She invited me to, of course.
Cora Seaborne: I did.
Will Ransome: I can’t imagine you doing anything you didn’t want to.


 

Luke Garrett: Tell me, have you any interest in medical science?
Will Ransome: Human beings gutted like hens.
Luke Garrett: It’s the future.
Will Ransome: Dr. Garrett, while I consider my faith an enlightened one…
Luke Garrett: You privilege belief over evidence.
Will Ransome: It’s not that simple.
Luke Garrett: Oh, no? I think the Essex Serpent has sunk its claws into you too. Imagine it, even now, crawling up onto the marsh.


 

Charles Ambrose: [referring to Martha] You know this woman’s a raving communist?
George Spencer: I wouldn’t say that.
Luke Garrett: I would. But a rather charming one.


 

Naomi Banks: Did the serpent take Gracie for her sins?
Henry Banks: She’s gone. And there’s nothing we can do now.
Naomi Banks: What if I’m a sinner too?
Henry Banks: Talk to Will. Ask for forgiveness.


 

Matthew Evansford: What have you done?
Naomi Banks: Nothing. I just need to talk to Will.
Matthew Evansford: Well, you can talk to me.
Naomi Banks: Where is he?
Matthew Evansford: Dancing with the devil, for all I know. If you’ve sinned, the serpent will take you.


 

Stella Ransome: Aquamarine is named for seawater. A stone to calm the waves and keep sailors safe. I feel I’m more blue than any other color.


 

Luke Garrett: [to Stella] Life’s for the living.


 

Charles Ambrose: You don’t see that in London. It’s called the night shining.
Jo Ransome: What causes it?
Charles Ambrose: Some say moisture. Some say it’s ash from Krakatoa.
Stella Ransome: It’s like the whole world is blue.


 

Luke Garrett: [referring to when Cora and Will danced during the party] Did you see Stella’s face? Well, it isn’t like I didn’t see it coming. I mean, every day his name comes up. Every bloody day.
Martha: Twice on Sundays.
Luke Garrett: A vicar. For God’s sake, Martha.
Martha: Stuck out in the marshes.
Luke Garrett: Terrified by change. Paralyzed by possibility.
Martha: And he’s no dancer.
Luke Garrett: Thank you.


 

Luke Garrett: [referring to Cora and Will] So what could she possibly see in him? What future can there be?
Martha: She’s collecting him. She wants to put him in a little glass jar, and then label his parts in Latin.
Luke Garrett: His parts? Very small jar, I suspect. Microscope. Oh. God, I’m beginning to think I don’t understand women at all.


 

Martha: [mockingly] Of course, I’m Cora Seaborne. I can have whoever I want. What’s so hard to understand about that?
Luke Garrett: Nothing.


 

Martha: [as she’s undressing him] Do you know how women work?
Luke Garrett: Of course, I’m a doctor.


 

Luke Garrett: [as they’re kissing] What?
Martha: You’re thinking of her, aren’t you?
Luke Garrett: No.
Martha: Don’t worry. So am I.


 

Frankie Seaborne: What are you doing? Why are you there, on the ground?
Cracknell: Am I? It smells like death. It’s out there. Crushing me. My heart. The water’s black.
Frankie Seaborne: But look, the sky is blue.
Cracknell: The whole universe. Alive. And me, a part of it.
[he then takes his last breath and dies]


 

Martha: I feel half dead.
Luke Garrett: You’ll want eggs with salt, and a glass of cold beer.
Martha: Is that your advice as a doctor?
Luke Garrett: As a drinker.


 

Luke Garrett: [referring to them spending the night together] I’ve misread a lot of things recently, but I think we understand each other.
Martha: Whatever I said last night, Cora’s my friend.
Luke Garrett: And Spencer, mine.


 

Cora Seaborne: You mustn’t go out at night by yourself. What if you got hurt?
Frankie Seaborne: I wasn’t by myself. Cracknell was there.
Cora Seaborne: And what happened?
Frankie Seaborne: Nothing. We were looking at the sky. The tide was coming in, and then he died.
Cora Seaborne: What did you say?
Frankie Seaborne: He died.
Cora Seaborne: How can you say that’s nothing?
Frankie Seaborne: After a while, it got cold, so I came home to bed. Was that wrong?
Cora Seaborne: For heaven’s sake, Frankie. Why didn’t you tell me?
Frankie Seaborne: How could I? You weren’t there.


 

Will Ransome: [referring to Cracknell] A friend of ours has died.
Matthew Evansford: Friend? Whose friend? Not mine. And what about the serpent?!
Will Ransome: There is no serpent!
Matthew Evansford: But it’s been here, right here, where you’re standing now. It’s attracted by our sin. It’s feeding off it.
Will Ransome: Matthew.
Matthew Evansford: First Gracie, now this godless man. Judgment is upon us. We must open up our eyes to the depths of our sins and repent.


 

Matthew Evansford: We must look to our scriptures. It was woman that was tempted by the serpent. It was woman that ate the fruit, tasted evil.
Will Ransome: No. No.
Matthew Evansford: Are you denying the Lord’s word, Father?
Will Ransome: I won’t use them for my own ends.


 

Matthew Evansford: You brought the serpent here. And you put a spell on him!
Will Ransome: Stop it. Enough!
Matthew Evansford: You did! You and that half-wit child!
Cora Seaborne: Shame on you!
Will Ransome: Cora. Cora, leave now.
Cora Seaborne: No! I won’t!


 

Cora Seaborne: You have no right to order me away!
Will Ransome: They were out of control. They’re frightened.
Cora Seaborne: You let them accuse me. You said nothing.
Will Ransome: I’m their pastor.
Cora Seaborne: So you can’t be my friend, and a man of God?
Will Ransome: I can’t think clearly when I’m around you. I lose my bearings.
Cora Seaborne: No. I won’t be blamed for their ignorance or your weakness.
Will Ransome: Love is not a weakness.
[they then start kissing make love on the marshes]


 

Martha: What are you doing?
Matthew Evansford: Protecting the village from sin. From your sin.
Martha: She’s done nothing wrong. If anybody’s sinned, it’s you. Scaring people, threatening them!
Cora Seaborne: Please, just take Frankie. We’re leaving. Isn’t that enough for you?
Matthew Evansford: May God’s judgment pass over you!

 

5. I Break Things

'You need to decide what you want. Stop dwelling on what you can't have.' - Martha (The Essex Serpent) Share on X

 

Will Ransome: [referring to Naomi] She will come home, Henry. I’m sure of it.
Henry Banks: You said the same thing about Gracie.


 

Stella Ransome: [after revealing she wants to go to London to see Luke] I’m weak. And I’m getting weaker. I’m trying to hide it.
Will Ransome: Stella, why? Why? I would have…
Stella Ransome: It’s alright.
Will Ransome: No, Stella.
Stella Ransome: I trust Dr. Garrett.
Will Ransome: Right. You want to see Dr. Garrett? In London?
Stella Ransome: We can take the children. Make an adventure of it.
Will Ransome: An adventure?
Stella Ransome: Why not? We could see Cora.
Will Ransome: No.


 

Cora Seaborne: [referring to Royal Geographical Society] They want to meet me. See my find, the plesiosaur.
Martha: You better get up then.
Cora Seaborne: But how did they…
Martha: I won’t see you broken by a village consumed by superstition.


 

Frankie Seaborne: [as they arrive at the Royal Geographical Society] Are there any serpents here?
Cora Seaborne: Not yet. Maybe one day, if I’ve found the remains of one.


 

Professor Marchand: [referring to her finding of a plesiosaur] And you just stumbled across it?
Cora Seaborne: No, I was digging on the Essex coast for some time.
Professor Marchand: I’m impressed. Do you have more?
Cora Seaborne: No, this is it at present.
Professor Marchand: That’s a shame. I can’t do anything with just this piece. You know what you’re doing. You should return and look for more.
Cora Seaborne: Thank you for your time.
Professor Marchand: Go back to Essex, Mrs. Seaborne.
Frankie Seaborne: We want to find the serpent.
Professor Marchand: Someone’s keen.


 

Cora Seaborne: The find is worthless.
Martha: What?
Cora Seaborne: Unless I go back to find more.
Martha: You can’t. No, definitely not.


 

Martha: You need to forget about Essex.
Cora Seaborne: You shouldn’t have sent me to meet the professor.
Martha: I was trying to help.
Cora Seaborne: Why?
Martha: I want you to come back.
Cora Seaborne: And I’m trying.
Martha: Are you? Lying in bed all day, refusing to eat? Brokenhearted over a married man?


 

Martha: We need to get back to normal. We need to make a proper home for Frankie.
Cora Seaborne: Do we?
Martha: Yes! We have to open up the house, and then we need to start thinking about his education. We have to try and…
Cora Seaborne: “We, we.” You speak about us like we’re a couple. What I mean is…
Martha: I’m merely your servant.
Cora Seaborne: No! My friend.
Martha: You can’t pay for friendship!


 

Martha: [referring to her argument with Cora] I’ll have to pretend I didn’t mean it. Make up with her.
George Spencer: Why?
Martha: I don’t have a choice.
George Spencer: There’s always a choice.


 

Martha: You wouldn’t understand, how it feels to have no power of your own.
George Spencer: I think you’re immensely powerful. She’s agreed to come with us. She must respect you.
Martha: But we used to spend every day together. Talking, sharing. I thought she felt the same.
George Spencer: Sounds like you’re in love with her.
Martha: Everyone else is.


 

John Ransome: There’s blood on the boats! Who did it?
Will Ransome: Evansford.
Jo Ransome: Why?
Will Ransome: He thinks it’ll protect us.
John Ransome: So are we in danger?
Will Ransome: No.


 

Luke Garrett: [referring to Stella] Unfortunately, it’s tuberculosis.
Will Ransome: No.
Luke Garrett: I’m so sorry.
Will Ransome: The doctor in Aldwinter said…
Luke Garrett: The doctor in Aldwinter is a fool.


 

Luke Garrett: I would operate to collapse the infected lung in order to give it the best chance of healing.
George Spencer: It’s never been done successfully before.
Will Ransome: Then, no. Absolutely not.
Luke Garrett: Don’t sacrifice her to your fears.
Will Ransome: You think I’d let you chop her up like a piece of offal in a butcher shop?


 

Will Ransome: She’s not one of your cadavers, Dr. Garrett. She’s my wife.
Stella Ransome: Stop! This is my disease. And I don’t want to be treated.
Luke Garrett: Then you must know what’s ahead, Mrs. Ransome. Some good days, but bad ones too. Weakness. Delirium.


 

Will Ransome: Is this my judgment? I keep thinking it must be.
Stella Ransome: For what?
Will Ransome: We’ve never had any secrets from each other, have we?
Stella Ransome: Never.
Will Ransome: There’s something I haven’t told you. There’s someone I…
Stella Ransome: Hush. You’re a good man, Will Ransome.


 

Cora Seaborne: Should we just forget about our row? I am trying.
Martha: You need to decide what you want. Stop dwelling on what you can’t have.


 

Luke Garrett: I thought you were still in Essex.
Cora Seaborne: No, I left some time ago.
Luke Garrett: Oh. Why didn’t you write?
Cora Seaborne: Why didn’t you?
Luke Garrett: I’m totally unreliable. I have an excuse.


 

Luke Garrett: So what happened?
Cora Seaborne: They all turned against me. Decided I was the devil.
Luke Garrett: What? Even the dear reverend?
Cora Seaborne: No, he…. No.


 

Luke Garrett: [referring to George and the night they spent together in Essex] You haven’t told him, have you? About…
Martha: Of course I haven’t.
Luke Garrett: Good. Because anyone can see how keen he is on you. By the way, I’ve been meaning to ask. Did I, I mean, was I any good?
Martha: Forgotten about it already.
Luke Garrett: You women really know how to destroy a man.


 

Martha: I hope you’re not still pining for Cora. Luke, don’t waste your love on her. She won’t know what to do with it.


 

Martha: We need a social housing bill.
Charles Ambrose: The communist emerges.
Martha: People are dying, Ambrose! The only thing that survives here is disease!
Charles Ambrose: You survived.


 

Luke Garrett: [to Charles] Do you have any idea what it’s like to actually die from cholera? A pathogen is swilling in the sewers right under our feet. So, first, you lose control of your bowels, you vomit night and day, your eyes sink to the back of your skull, and your skin turns blue. It is a frightening, lonely death.
Martha: Clean water is a basic human right. If we’re not agreed on that, then you should be on your way.
Charles Ambrose: I’ll talk to colleagues. See if I can raise a bill.


 

Cora Seaborne: You were brilliant, Martha. You’re wasted here.
Martha: I do want to do more.
Cora Seaborne: You must.
Martha: I suppose you and Frankie won’t need me forever, will you?


 

Cora Seaborne: I needed this. Thank you.
Luke Garrett: Always available for wanton drinking.


 

Luke Garrett: What is this, Cora? What are we doing?
Cora Seaborne: Being quite badly behaved at your party.
Luke Garrett: I’m tired of being so coy and so polite.
Cora Seaborne: What are you talking about?
Luke Garrett: Let’s get married. I’m serious. Marry me. Be my wife.
Cora Seaborne: Luke, I can’t. I mean, you know I can’t.
Luke Garrett: Why not?
Cora Seaborne: Well, my husband’s only been dead a matter of months.
Luke Garrett: Bugger your husband. You didn’t love him.


 

Luke Garrett: I love you. I’ve loved you from the moment I saw you.
Cora Seaborne: Before you knew me?
Luke Garrett: I liked what I saw.
Cora Seaborne: And you wanted to put your mark on it?
Luke Garrett: What happened to carefree Cora?
Cora Seaborne: I’m sorry. I…
Luke Garrett: Just think about it. We laugh. We argue. We’re like a married couple already.
Cora Seaborne: Can’t friendship be enough?
Luke Garrett: Crumbs, you mean.


 

Luke Garrett: What about him? Is he your friend too?
Cora Seaborne: Who?
Luke Garrett: You do realize he’s married? Although, perhaps not for much longer given the state of his wife’s lungs. Is that what you’re holding out for? I didn’t think even you were that cold, Cora.
Cora Seaborne: What are you talking about?
Luke Garrett: TB. I diagnosed her last week.
Cora Seaborne: You’re lying.
Luke Garrett: Ask Spencer if you don’t believe me. Don’t worry. She’ll be dead in a few months, and you can have him all to yourself.


 

Cora Seaborne: Leave me alone!
Luke Garrett: You’re drunk.
Cora Seaborne: You’re drunker!
Luke Garrett: Run away then, coward.
Cora Seaborne: You’re the coward!


 

Martha: What’s happened?
Cora Seaborne: Luke proposed.
Martha: What?
Cora Seaborne: I know.
Martha: You idiot.
Cora Seaborne: He’s the idiot.


 

Martha: He’s in love with you! Do you have any idea how painful it is to love you?
Cora Seaborne: I didn’t realize.
Martha: No, you never do.


 

Martha: What do you want, Cora?
Cora Seaborne: Want?
Martha: Yes. Because the longer you just blunder about not knowing, the more people are going to get hurt!
Cora Seaborne: It’s just, I’ve been trapped for so long…
Martha: Oh, yes. Go on, blame Michael again! You’re right. I am wasted here!


 

Luke Garrett: [to the thief] Not my hand. Please.
[the thief suddenly stabs him in his hand]


 

Will Ransome: Father. Hear my prayer. I renounce my sins. I renounce evil. Bring her back to me.

 

6. Surfacing

'Love is not finite. It's not confined to marriage. There are so many ways to love.' - Cora Seaborne (The Essex Serpent) Share on X

 

Cora Seaborne: Dear Stella, I’ve only just heard the terrible news from Luke. I’m so sorry. For once in my life, I’m at a loss for words. I came to Aldwinter to look for the serpent, and I didn’t expect to find friendship. Stella, what I really want is to see you, but I fear that coming back would just upset the village. You are my friend and I never meant…


 

Stella Ransome: He’s waiting for me. Don’t be sad. I’m ready. Help me.
Will Ransome: Anything.
Stella Ransome: I want to see Cora and Frankie. I want them to come back.


 

Will Ransome: Dear Cora, Shortly before we met in London, Stella received a diagnosis of tuberculosis. Perhaps that may explain my behavior at the museum. Tragically, her health is now fading fast. She’s been begging me for some days to write to you and ask you to visit. But I have to say, I don’t think it’s a good idea, for her, me, any of us. The truth is, I scarcely know how to get through the days. I am broken.

 

'People fear what they don't understand. Jump to the wrong conclusions.' - Cora Seaborne (The Essex Serpent) Share on X

 

Luke Garrett: I need to practice manipulating my fingers. I have to get back to work, Spencer.
George Spencer: One day at a time. Don’t think about operating yet.
Luke Garrett: You think that’s possible? I can just relax? Give up my work? Don’t you know me at all?
George Spencer: I’m sorry. There must be something I can do.
Luke Garrett: Leave me.


 

George Spencer: [after he’s told Cora about the injurt to Luke’s hand] I don’t think he’ll operate again.
Cora Seaborne: Oh, Luke!
George Spencer: If I could change things, change places…
Cora Seaborne: What can I do? Anything.
George Spencer: Visit him. Cheer him up.
Cora Seaborne: He asked for me?
George Spencer: He doesn’t know I’m here.


 

Cora Seaborne: Well, I’m here now. Whatever’s next, we can deal with it together.
Luke Garrett: Together?
Cora Seaborne: Just forget our stupid row. I’m going to look after you.
Luke Garrett: How?
Cora Seaborne: Come and live with me.
Luke Garrett: You sound like Spencer trying to nurse me through all of this.
Cora Seaborne: No. No. I mean move in with me. Forever.
Luke Garrett: What?
Cora Seaborne: As my friend and companion.


 

Luke Garrett: The parson’s retreated. The servants vanished.
Cora Seaborne: No, Luke.
Luke Garrett: I’m the last man standing.


 

Luke Garrett: It’s ridiculous. And you can’t even see it. But this mangled bloody mess has finally opened my eyes.
Cora Seaborne: I care about you, Luke.
Luke Garrett: You called me when you needed me. A doctor. A shoulder to cry on. A drinking partner.
Cora Seaborne: That’s not true. You’re my friend.
Luke Garrett: Well, as your friend, I have to be honest with you, Cora. I don’t want to live with you.
Cora Seaborne: Why not?
Luke Garrett: Because I’m in love with you, and you’re in love with somebody else.


 

Cora Seaborne: I’m sorry, Martha.
Martha: For what?
Cora Seaborne: How I’ve treated you. Luke. For not looking after the people I love.


 

Cora Seaborne: [referring to Stella] She’s asked to see me, but I’m not sure I can go back. I’m…
Martha: Scared?
Cora Seaborne: Not of the villagers.
Martha: Of seeing Will?
Cora Seaborne: You know me. I break things.
Martha: You can fix them too. If you need to, you should. You’re not a coward, Cora Seaborne.


 

George Spencer: I have a proposal.
Martha: No. I’m sorry, I’m not the kind of woman who just strings a man along…
George Spencer: No, of course not.
Martha: Marriage, it enslaves women. Socially, financially.
George Spencer: What? No.
Martha: Yes, it’s one of the biggest obstacles to revolution.
George Spencer: It’s really not that kind of a proposal. I’ve decided to use my trust to set up a campaign for social housing, and I need someone to run it. I want us to work together. I’m offering you a job.


 

Stella Ransome: I was worried you wouldn’t come. I had to see you once more.
Cora Seaborne: How are you feeling?
Stella Ransome: I’m ready.
Cora Seaborne: No, don’t say that.
Stella Ransome: But I am.


 

Stella Ransome: Would you go and see Will?
Cora Seaborne: What? No.
Stella Ransome: He needs someone to talk to.
Cora Seaborne: But I’m here to see you.
Stella Ransome: He’ll be in the church.
Cora Seaborne: Well, then I shouldn’t disturb him.
Stella Ransome: I’m asking you, Cora. It’s what I want.


 

Will Ransome: I told you not to come.
Cora Seaborne: I had to see Stella. She asked me to come and find you. I’ll leave if you want me to.
Will Ransome: Shall we walk?


 

Cora Seaborne: Stella thinks you need somebody to talk to. Talk to me.
Will Ransome: She’s so brave. She’s faced it far better than I have.
Cora Seaborne: Well, perhaps she’s known for some time.
Will Ransome: Yes, she’s accepted it. At times, her mind roams. And then, she returns to me, my Stella. But even when she drifts away, I couldn’t love her more. I’ll always love her, Cora.
Cora Seaborne: I know. I know you will.


 

Cora Seaborne: I’m sorry, Will, if I’ve made things worse for you.
Will Ransome: No, Cora. I let you in, when I had everything I could ask for.
Cora Seaborne: It’s not that simple.
Will Ransome: Isn’t it?
Cora Seaborne: Love is not finite. It’s not confined to marriage. There are so many ways to love.
Will Ransome: You’ve never known a happy marriage.
Cora Seaborne: And yet I know how it feels to love someone.
Will Ransome: And to be loved in return.


 

Stella Ransome: [as Frankie is setting her afloat on the boat] I’m ready to meet him now.
Frankie Seaborne: The serpent?
Stella Ransome: My god and king.


 

Stella Ransome: [after Will rescues her from being drowned] We saw the serpent, Cora. We saw it.


 

Frankie Seaborne: Where is Stella going?
Cora Seaborne: Back home, with Will.
Frankie Seaborne: But before, she said she was ready to go.
Cora Seaborne: Stella isn’t very well.
Frankie Seaborne: Is she going to die?
Cora Seaborne: Well, we all die one day.
Frankie Seaborne: But before her time, like Father?
Cora Seaborne: Yes, I’m afraid she may.


 

Frankie Seaborne: I don’t want you to die.
Cora Seaborne: I have no intention of it. I’ve got far too much to do.
Frankie Seaborne: That’s good.


 

Naomi Banks: [to Henry, after she returns] It’s going to be alright, Father. I’ve seen the serpent. I think it’s dead. It’s over.


 

Frankie Seaborne: [referring to the giant dead creature] Why did it come here?
Cora Seaborne: Maybe its patterns were upset by the earthquake.
Frankie Seaborne: Why did everyone think it was a serpent?
Cora Seaborne: People fear what they don’t understand. Jump to the wrong conclusions.
Frankie Seaborne: I didn’t want it to die.


 

Luke Garrett: [six months after Stella’s death, Cora reads Luke’s letter] Cora, how are you? Deep in a trench, I imagine? I miss you. Although, obviously not as much as you miss me. I finally found people who appreciate me. I’ve been made head of the medical school. They want me to teach them the secrets of the heart. Talking of which, how is yours? You must have heard from Will by now?


 

Cora Seaborne: Dear Will, I still think of you every day, of what we shared, and what it means. I am torn, and I am mended. I love you, and I am content without you. Even so, please write back.


 

Cora Seaborne: You never wrote back.
Will Ransome: I had too much to say.
Cora Seaborne: [they embrace and kiss each other] Shall we walk?
[they walk off holding hands]

 

Trailer:

Filed Under: Television

The Time Traveler’s Wife Best Quotes (TV Series)

March 16, 2022 by MovieQuotesandMore.com

Our list of the best quotes from HBO’s fantasy romantic drama TV series, The Time Traveler’s Wife, based on the novel of the same name by Audrey Niffenegger. The story follows the marriage of Clare and Henry (Rose Leslie and Theo James), which is complicated by time travel.

1. Episode One

'You have two things to do with your time on this Earth. One, find the love of your life. Two, die as slowly as possible.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: Why is love intensified by absence?


 

Henry DeTamble: How does it feel? How does it feel? Normal. You know. Like nothing. Like your attention wandered for a moment, and suddenly the book you’re reading is gone, your coffee’s gone, the room is gone, and you’re ankle-deep in a ditch. Or in the middle of a highway. Or in a field full of cows. And of course, you’re naked. Back in time, and naked.

 

'Two people trying to be the person the other one already thinks they are. Love, basically.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: The bedsheets will go slack. Or the shower will keep running. Or the bacon will keep frying. Or you’ll hear a coffee cup smash on the floor, and you realize, he’s gone. It’s happened again. He’s just a pile of clothes. And then it starts. The waiting.


 

Henry DeTamble: Time travel. It’s not a super power. It’s a disability. It’s what’s wrong with me. I can’t keep hold of the current moment. I just slide off. And I fall back in time.

 

'The future is the scariest thing in the world. Because suddenly, you are all in. No choice. Anyone can stand any kind of torture, except hope.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: When he’s gone, I wait, and I worry. I wonder where he is, when he is. If he’s in danger.


 

Henry DeTamble: Sometimes you ping straight back to where you were. You know, to your book, to your coffee, and it’s fine. It’s nothing. Five minutes, a nap. Sometimes it’s days, weeks, months, and you have to survive. Now, three things I got good at. Running, fighting, and stealing. You have to be good at those, when wherever you go, you’re naked.


 

Henry DeTamble: When did we first meet? First meet? Define “first”.


 

Clare Abshire: I married a time traveler. It’s complicated.


 

Clare Abshire: If you’re not a time traveler, the past is what you’re stuck with. If you’re an artist, or think you might be, the future is what you’re going to make. Sometimes, you can see the future in a bowl of slop. Other times, you remember that the future is just what shows up when you’re looking for something else.


 

Henry DeTamble: People think libraries are quiet places. To me a library is a crowd. If you’re a time traveler, the past is alive. It’s still happening, still dangerous. All those books on all those shelves are like the bars on a cage, and the beast inside is pacing. For everybody else, the past is over. For me, well, I’m still trying to survive it.


 

Matt: Henry. I’ve been meaning to ask you. Why do you leave piles of clothes all over the place?
Henry DeTamble: Doesn’t everyone?
Matt: No.
Henry DeTamble: It’s complicated.
Matt: Okay. I’m listening.
Henry DeTamble: It’s a long story.
Matt: Time isn’t a problem for me.
Henry DeTamble: Lucky you.


 

Clare Abshire: I wasn’t expecting to meet you today. I mean, definitely not in a library. You’re a librarian?
Henry DeTamble: Well, yeah.
Clare Abshire: A librarian.


 

Henry DeTamble: So, we’ve met then?
Clare Abshire: Yes. Well, no. I’ve met you. I saw that birthmark fourteen years ago. I’ve known you for fourteen years, and now you’re standing there looking like you’ve never seen me before.
Henry DeTamble: I haven’t.
Clare Abshire: I know.


 

Clare Abshire: You’re so young. You’re younger than I’ve ever seen you.
Henry DeTamble: Okay, do you understand why I don’t recognize you?
Clare Abshire: Yes.
Henry DeTamble: So, you know about my, you know.
Clare Abshire: Problem? Yes.
Henry DeTamble: Who told you?
Clare Abshire: You told me.


 

Henry DeTamble: Okay, we can’t talk here. We should get a coffee.
Clare Abshire: Or a drink.
Henry DeTamble: Okay, a drink.
Clare Abshire: Dinner!
Henry DeTamble: That escalated quickly.
Clare Abshire: Fourteen years.


 

Clare Abshire: So, has this never happened to you before? Like meeting someone in the wrong order?
Henry DeTamble: No.
Clare Abshire: Didn’t he warn you about this kind of thing?
Henry DeTamble: Didn’t who warn me?
Clare Abshire: The guy who trained you.


 

Henry DeTamble: In the future, in my future, I’m going to start showing up in your past.
Clare Abshire: Yes.
Henry DeTamble: For fourteen years.
Clare Abshire: One hundred and fifty-two times.
Henry DeTamble: How old was I back then?
Clare Abshire: I mean, oldest I’ve seen you is like forty something. And youngest, maybe about thirty. How old are you now?
Henry DeTamble: I’m twenty-eight.
Clare Abshire: You look so different. It’s like you’ve been all, tightened, you know. Renovated.


 

Henry DeTamble: Why you? Why would I go see you so many times?
Clare Abshire: We’re going to have to come back to that one.
Henry DeTamble: But there is a reason?
Clare Abshire: There’s a reason. Yeah.


 

Henry DeTamble: Any hobbies? Any favorite books? Any unusual sexual proclivities I should be aware of?
Clare Abshire: One.
Henry DeTamble: What’s that?
Clare Abshire: I’m going to marry you. I was going to build up to that. But there it is. I’m your future wife.


 

Henry DeTamble: You’re my wife?
Clare Abshire: Your future wife. Yes.
Henry DeTamble: I met you four hours ago, we haven’t even ordered yet.
Clare Abshire: I know. I know. I do. I mean, I get it. I get it. It’s like fourteen years for me. Just earlier today for you, it’s a lot.


 

Clare Abshire: Please, don’t do that.
Henry DeTamble: Do what?
Clare Abshire: Swallow, when I say the word “couple”.
Henry DeTamble: Did I just swallow?
Clare Abshire: Yeah, audibly. The next table looked over.


 

Young Clare Abshire: [after she meets Henry for the first time] Nell, you know what an imaginary friend is.
Nell: Sure.
Young Clare Abshire: I found one in the woods, and I’m going to dress him up, because he’s naked.


 

Young Clare Abshire: You’re bleeding.
Henry DeTamble: Well, you threw a shoe at me.
Young Clare Abshire: I’m not saying sorry.
Henry DeTamble: Why should you?


 

Young Clare Abshire: What’s that mark?
Henry DeTamble: Oh, that? That’s just a birthmark. Don’t worry, it doesn’t hurt.
Young Clare Abshire: It looks like you stood on a strawberry and squished it.
Henry DeTamble: Someone else said that. No.
Young Clare Abshire: What’s wrong?
Henry DeTamble: Well, it wasn’t someone else.


 

Young Clare Abshire: Have you seen dinosaurs?
Henry DeTamble: I tickled a dinosaur’s tummy once. Twice actually, but it was in the Natural History Museum.
Young Clare Abshire: Real ones.
Henry DeTamble: Well, I travel in time, but not that far back. I tend to stay in the same time since I was born.
Young Clare Abshire: Is that not dinosaurs?
Henry DeTamble: No, Clare. That is not dinosaurs.


 

Young Clare Abshire: [referring to his wife] What’s her name?
Henry DeTamble: Well, funnily enough, her name’s Clare.
Young Clare Abshire: Like me.
Henry DeTamble: Yeah. Like you.
Young Clare Abshire: Was it love at first sight?
Henry DeTamble: God, I hope not.


 

Young Henry DeTamble: How do I get back home?
Henry DeTamble: It’ll just happen. Sometimes you don’t go straight back. You go to another time first. Once I went to three different times in a row, but mostly you ping straight back home.
Young Henry DeTamble: Can I go to the future too?
Henry DeTamble: Yeah. Sometimes. Not so often, but it happens.


 

Young Henry DeTamble: What do we do?
Henry DeTamble: What do you mean, “What do we do?”
Young Henry DeTamble: We’re time travelers. Do we solve crimes?
Henry DeTamble: No, Henry. Sorry. We don’t solve crimes, we commit them. We run, we steal, we fight. Wherever we show up in time, we’re naked, and we’re sick. We don’t get a choice.
Young Henry DeTamble: Are we the bad guys?
Henry DeTamble: Survivors are always the bad guys. That’s why it’s my job, to teach you how to be the baddest guy out there.


 

Young Henry DeTamble: So, I’m going to see you again?
Henry DeTamble: Yeah, lots of times.
Young Henry DeTamble: Do you promise?
Henry DeTamble: Yeah, I promise. In fact, when I was your age, exactly your age, there was a guy who came back in time and he trained me. So now, it’s my turn to train you.
Young Henry DeTamble: So, there’s lots of us?
Henry DeTamble: Yeah. There’s lots of us time travelers.


 

Henry DeTamble: How does that all sound, Henry? Me training you.
Young Henry DeTamble: Scary.
Henry DeTamble: Well, the world’s a scary place. So, you know what you got to be? You got to be scarier.


 

Henry DeTamble: [after he knocks out her date] What’s going to happen now is I’m going to take your boyfriend’s clothes and just go. If you like, you can put him in the recovery position and call the cops. Give them my description by all means, but I’m naked, you’ll find details surprisingly difficult to remember. Did he give you those flowers?
Donna: Yeah.
Henry DeTamble: Oh, that’s nice. He doesn’t seem like the type. Seeing as he’s kind of an a**hole, and this is a s**tty date anyway. Mind if I take them? I’m late for someone.


 

Clare Abshire: You know it’s funny, I’ve known you almost all my life, and you’re not what I was expecting.
Henry DeTamble: Am I a disappointment?
Clare Abshire: No. No. Oh, you’re just, well, you’re different.
Henry DeTamble: Well, different good or bad?
Clare Abshire: Just different.


 

Henry DeTamble: [as she starts to take off his clothes] Always been me who makes that move.
Clare Abshire: Yeah, it never will be again.


 

Henry DeTamble: If it’s something I’m not supposed to know yet, it’s probably best I don’t.
Clare Abshire: That’s what you said the last time.
Henry DeTamble: Good old me.


 

Clare Abshire: Why aren’t you permanently terrified?
Henry DeTamble: There’s always going to be days that you bleed, right? That’s true for everyone, not just me. All you can do is be happy it’s not today.
Clare Abshire: Henry.
Henry DeTamble: Yeah.
Clare Abshire: It’s not today.


 

Henry DeTamble: [as they’re kissing] Do you always get what you want?
Clare Abshire: Oh, always. I mean, I am horrible. It’s okay, you’re horrible too.
Henry DeTamble: I’m horrible?
Clare Abshire: Yeah.


 

Henry DeTamble: I’ve never seen you before in my life, and now you’re telling me you’re my wife. Doesn’t that sound a tiny bit scary mad to you?
Clare Abshire: Well, if I’m a scary mad person, why did you have sex with me?
Henry DeTamble: Well, to be honest I’d never need that good a reason.


 

Clare Abshire: So, you’re happy to f*** crazy women?
Henry DeTamble: Well, it would seriously limit my options if I wasn’t, wouldn’t it!


 

Henry DeTamble: Well, I didn’t mean any of those things I said.
Clare Abshire: Yeah, you did.
Henry DeTamble: So, I ran all the way here to tell you that, but then being stupid, I just stood outside and watched you at the window for about ten minutes.
Clare Abshire: Ten minutes? I only just sat down.


 

Clare Abshire: I’ve missed you.
Henry DeTamble: Well, you just slept with me.
Clare Abshire: No. No, I didn’t.
Henry DeTamble: Hey, come on. You just got yourself a new young man. What kind of guy do you think I am?
Clare Abshire: As it turns out, an a**hole. Was that the big secret you were keeping from me all these years? You’re a secret a**hole?
Henry DeTamble: It’s kind of every man’s secret.


 

Clare Abshire: I grew up waiting for you. Longing for you.
Henry DeTamble: I know.
Clare Abshire: No, you don’t. I formed myself around you. The idea of you. And you’re an a**hole.
Henry DeTamble: Well here’s the thing. The man you formed yourself around, shock twist, formed himself around you.
Clare Abshire: That’s f***ed up.
Henry DeTamble: Yep. So f***ed up, it has a name. Marriage.


 

Henry DeTamble: Two people trying to be the person the other one already thinks they are. Love, basically.
Clare Abshire: You didn’t hear what he just said.
Henry DeTamble: Clare, I said what he just said. You want to know why I said it? Because time travel is awful. It is s**t scary. It is waiting for the next storm to hit. Wondering if this time it’s going to kill you. That boy out there, time travel has never done one nice thing for him. Until today. Today he gets the winning lottery ticket.


 

Henry DeTamble: You know what’s even worse, than being terrified all the time? The future. The future is the scariest thing in the world. Because suddenly, you are all in. No choice. Anyone can stand any kind of torture, except hope.
Clare Abshire: Why didn’t he just say all that?
Henry DeTamble: He did. It just took me a while.


 

Clare Abshire: That’s a s**t jacket.
Henry DeTamble: Well, muggers can’t be choosers.


 

Clare Abshire: Older me gets you. And I get younger you, who’s a d**k. It’s not fair.
Henry DeTamble: No, he’s not a d**k. And you know that.
Clare Abshire: He’s not you. Seriously, how does he get to be you? What happens to him? Does he get hit by a f***ing meteorite?
Henry DeTamble: Yeah, going by the name of Clare.
Clare Abshire: Is that a compliment?
Henry DeTamble: I just called you a meteorite. Take it any way you like.


 

Henry DeTamble: Look on the bright side. He is way hotter than me.
Clare Abshire: No, he’s not.
Henry DeTamble: [as he waves to his younger self] Sure, he is. It’s okay. I don’t mind. In fact, I agree with you. I’ve f***ed him too.


 

Henry DeTamble: A boring old man told me something a very long time ago. He said you have two things to do with your time on this Earth. One, find the love of your life. Two, die as slowly as possible. You did part one tonight. Part two starts now. Play time is over.
Henry DeTamble (28): Do you ever get bored of hearing yourself talk?
Henry DeTamble: I don’t know. You tell me. No more time to waste, junior. You’ve seen the blood, you know something’s coming.
Henry DeTamble (28): Yeah. But not today.


 

Clare Abshire: I’m sorry I threw my shoe at you.
Henry DeTamble: Well, it’s about time.


 

Clare Abshire: Long ago, men went to sea and women waited for them. Standing on the edge of the water, scanning the horizon for the tiny ship. Now, I wait for Henry.


 

Henry DeTamble: I hate to be where she is not. And yet I’m always going and she can’t follow.


 

Clare Abshire: Why does he always go where I cannot follow?

 

2. Episode Two'Happy people, are all the same, but sad people are all different.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: He can go anywhere in time. The past, the future, usually within his life span. Usually, but not always.


 

Henry DeTamble: I can’t help it. I can’t control it. You know, time travel just happens to me.
Clare Abshire: It’s dangerous, of course.
Henry DeTamble: Sometimes it’s fine, you know? You cope. Sometimes it’s hard.
Clare Abshire: But the danger isn’t the worst.
Henry DeTamble: Christmas is the worst.


 

Clare Abshire: There are times and days he keeps going back to. I mean, he doesn’t mean to, he can’t help it. One day in particular. When he comes back from there, I always know. As soon as I see him, by his face.

 

'It is better to be happy for a little while, just a brief time, even if you know you're going to lose it, than to be just “okay” for your whole life.' - Annette DeTamble (The Time Traveler's Wife) Share on X

 

Henry DeTamble: It’s like gravity. It works like that. You know, the larger something is, the more gravitational pull it exerts. And it pulls smaller things to it, and they orbit around, and around, and around.


 

Henry DeTamble: I’ve had big days in my life, like most people. Pivotal moments. The difference for me is, I keep going back.


 

Henry DeTamble: Well, my dad plays the violin, and my mom was a singer.
Young Clare Abshire: Why did she stop?
Henry DeTamble: Who said she stopped?
Young Clare Abshire: You said “was”.
Henry DeTamble: Is. I meant is.


 

Henry DeTamble: You know what’s good about being sad?
Young Clare Abshire: Nothing.
Henry DeTamble: Happy people, are all the same, but sad people are all different. Now, if you want to have a good time with someone, sure, you make them happy. But if you want to know them, well, you find out why they’re sad.


 

Young Clare Abshire: Why are you sad? Is it because your mom stopped singing?
Henry DeTamble: I’ll explain one day, but not today.
Young Clare Abshire: When?
Henry DeTamble: When a green man gives you banana coffee on the shores of Lake Como.
Young Clare Abshire: Don’t be silly!
Henry DeTamble: Honest to God. Green man, banana coffee, Lake Como. That’s when I’ll tell you.
Young Clare Abshire: You’re just saying stupid things!
Henry DeTamble: I swear, I’m not!


 

Henry DeTamble: Second date. Lunch.
Clare Abshire: Why lunch?
Henry DeTamble: Because the first date, we got drunk and had sex. I’m hoping lunch will provide an interval of conversation before we get drunk and have sex again. It’s how relationships work, I looked it up.
Clare Abshire: Well, who says this is a relationship?
Henry DeTamble: Well, if the future says so, you don’t get a choice.


 

Clare Abshire: See, I’m not like you, okay? I don’t run on tracks. I don’t go where I’m told. Especially if you’re the destination, because here’s my problem. I have been waiting for you since I was six years-old, and it turns out, after all that time, after all that waiting, I don’t like you.
Henry DeTamble: Why not?
Clare Abshire: You’re seeing somebody else!


 

Henry DeTamble: Oh, you don’t like me, but you want me all to yourself?
Clare Abshire: No, I don’t want you at all.
Henry DeTamble: Well, you slept with me.
Clare Abshire: Yeah, and what a fairy tale that was!
Henry DeTamble: I didn’t hear any complaints.


 

Clare Abshire: I kissed a frog, and he stayed a frog.
Henry DeTamble: Well, you sure as hell stayed a princess.
Clare Abshire: What is that even supposed to mean?
Henry DeTamble: I don’t know, it just felt kind of clever in the moment.
Lady on the Train: I thought it was clever.
Henry DeTamble: Thanks!


 

Henry DeTamble: Why did you get off the train?
Clare Abshire: Because I decided to, because it was my choice, and to hell with what the future says. I mean, what is the matter with you? Why don’t you fight back?
Henry DeTamble: Because it’s impossible! Because look at where you are right now. Look at where you’re standing. This is our stop! I’m not following you, we were always going to get off here anyway. That’s how it works. Exactly like that. Whatever you decide to do is what you were always going to do anyway.
Clare Abshire: No.
Henry DeTamble: Yes! I have tried to change it, trust me. You can’t.


 

Clare Abshire: You see that cafe? I’m going to that cafe.
Henry DeTamble: What? Why?
Clare Abshire: Because, Henry, one way or another, I am getting off the train. Watch me! This is me changing the future!


 

Waiter: Banana latte?
Clare Abshire: [referring to the painted wall] I didn’t order a banana latt. Is that Lake Como?
Waiter: I believe so.
Clare Abshire: Never mind then.
Henry DeTamble: If it’s not a personal question, why are you green?
Waiter: I drank the coffee.
Henry DeTamble: Really?
Waiter: No. I was being hilarious. I’m a children’s entertainer.
Henry DeTamble: Right now?
Waiter: Four o’clock today. I’m in a state of readiness.


 

Clare Abshire: You didn’t order a banana latte.
Henry DeTamble: Doesn’t matter, it’s inevitable.


 

Clare Abshire: Why are you even still here? Just because time travel tells you so?
Henry DeTamble: Most of what time travel tells me is terrifying. I know that really bad stuff is coming, Clare. I know I’m going to be frightened, and bleeding, and I know that one day I’m not going to survive it. About the only thing that time travel ever taught me that wasn’t terrifying is that one day, somehow, in the future, I am going to be married to a phenomenal redhead.
Clare Abshire: Oof. So glad to be identified as a hair-type. How special I feel.
Henry DeTamble: Who, it must be said, currently hates me.


 

Clare Abshire: I don’t hate you. No, I do hate you. But, well, it’s the good kind of hate.
Henry DeTamble: Oh, yeah? What’s the good kind?
Clare Abshire: That kind where I want to have you right now on this table just to shut your stupid mouth.


 

Clare Abshire: I can’t help myself. My libido formed around you. I grew up fantasizing about you. You are literally a younger, hotter version of the man of my dreams. You’re the living personification of everything I want. Of everything you personally conditioned me to want. There is only one thing, exactly one small detail wrong with you.
Henry DeTamble: And what’s that?
Clare Abshire: You’re not somebody else.


 

Henry DeTamble: Well, who would you like me to be? Oh, him. The guy who hung around your childhood, and turned you into you. Well, I can’t be him, Clare. Because he’s the guy that you’re going to turn me into, which is frankly too f***ing complicated. So I think we should just go back to plan A.
Clare Abshire: What’s plan A?
Henry DeTamble: Get drunk and have sex.


 

Henry DeTamble: [referring to his mother, Annette] She’s dead.
Clare Abshire: It was a car accident. Her son. She was with her son. You. She was…
Henry DeTamble: I think the word you’re currently avoiding is decapitated. Oh, I see. I got tragedy now, so, suddenly you like me.


 

Henry DeTamble: Well, she died when I was eight, but I’m a time traveler.
Clare Abshire: So?
Henry DeTamble: So, I get to see her all the time.
Clare Abshire: You still see your mom?
Henry DeTamble: Yeah. There are plenty of s**tty things about time travel, but I get to see my dead mom.


 

Clare Abshire: About the time traveling, did your mom and dad know?
Henry DeTamble: Well, they knew there was something. I kept on disappearing from school, and leaving my clothes behind. My school reports were mainly about cutting classes and nudity. My dad found out what was really going on when I was sixteen.
Clare Abshire: How?
Henry DeTamble: Badly.


 

Clare Abshire: [to Henry] You went gay for yourself?


 

Clare Abshire: [referring to telling Annette about time traveling] Why didn’t you tell her?
Henry DeTamble: I don’t know. I mean, It’s complicated.
Clare Abshire: It’s never that complicated if you start at the beginning.


 

Henry DeTamble: [referring to seeing his parents meeting for the first time] Lust is someone knocking at the door to be born. I guess I heard my own knock.


 

Clare Abshire: So, it isn’t random? Where you go in time?
Henry DeTamble: It’s mostly random. At least I think it is. But the people who matter to me, I see them more often. I don’t know why.


 

Clare Abshire: Do you ever talk to the other ones? The other yous?
Henry DeTamble: Sure. We talk all the time.
Clare Abshire: So, it’s not just sex then?
Henry DeTamble: I was sixteen.
Clare Abshire: Isn’t that, I don’t know, isn’t that weird? The talking, not the sex part. I mean, the sex part is definitely weird.
Henry DeTamble: Well, I don’t know, you kind of get used to having yourself around.


 

Young Henry DeTamble: What’s your name?
Henry DeTamble: Why do you need to know?
Young Henry DeTamble: You never tell me your name. And we’re friends.
Henry DeTamble: We’re not friends. Who told you we’re friends? I’m training you.


 

Clare Abshire: You trained yourself?
Henry DeTamble: I led myself astray. There wasn’t anyone else. I’m the only time traveler.


 

Henry DeTamble: [to young Henry] Whenever you time travel, you’re going to be naked, penniless, and running! You need to steal.


 

Young Henry DeTamble: Are all the other time travelers like you?
Henry DeTamble: Like what?
Young Henry DeTamble: A**holes!
Henry DeTamble: Is there something about my face that attracts that word?
Young Henry DeTamble: Yes!
Henry DeTamble: Good. I was starting to worry it was my personality.


 

Young Henry DeTamble: Why aren’t you listening to me?
Henry DeTamble: Because I know everything you’re going to say, and none of it matters a s**t. But what I’m trying to tell you, you’ve never heard before, so you need to listen to all of it! That means all the listening, all the time, happens in this direction!
Young Henry DeTamble: Why are you angry with me?


 

Henry DeTamble: But here’s the thing, when you’re a time traveler, no one is continuously dead.
Young Henry DeTamble: What does that mean?
Henry DeTamble: It means, as far as you’re concerned, from now on, life and death are on auto-shuffle.
Henry DeTamble: You, Henry. You are auto-shuffle.


 

Henry DeTamble: You can’t change anything. And you can’t save anyone.


 

Henry DeTamble: [referring to when his younger self encounters Annette] As far as she was concerned, I was skipping school yet again, and she’d caught me in the act. She didn’t know she was dead, and I was trying to bring her back.


 

Henry DeTamble: [as they walk through the library] Sometimes, I wonder if I’m in here somewhere.
Clare Abshire: You’re in here every day.
Henry DeTamble: No, in the books. I wonder if I’m in any of the books. You know, some future version of myself gets stuck in the past. Someone writes about it. Puts me in a book. A piece of my future could be here somewhere, gathering dust on a shelf. Things I haven’t done yet. Words I haven’t spoken. Decisions I’m yet to make, already written, printed, and bound. If only I knew where to look.


 

Henry DeTamble: I can’t afford to let myself fixate on the past, or I wind up back there.
Clare Abshire: Well, you get to see your mom again. It’s not all bad.
Henry DeTamble: Depends what you see.


 

Clare Abshire: Tragedy usually brings people together.
Henry DeTamble: If that were even half-true, the whole world would be friends.


 

Clare Abshire: [as they listen to a recording of Anette singing] It must be a comfort, hearing her sing.
Henry DeTamble: No, it’s beautiful. Beauty’s not comfort.


 

Henry DeTamble: You see, sometimes, when I’m stressed, I time travel, and if I’m thinking about my mom, and it gets to me, sometimes I have to go and watch her die again.
Clare Abshire: Is that going to happen now?
Henry DeTamble: Maybe. I’m trying to hold on.
Clare Abshire: Okay, hold on.


 

Henry DeTamble: [to Clare] I’m not really an a**hole. It’s just the opposite of being an a**hole is caring, and caring opens a hole at my feet, and sometimes, I fall in. And if I make the mistake of loving someone, I don’t know how many times I’m going to have to lose them.


 

Annette DeTamble: [over tape] I’m going to try and answer Clare’s question tonight.
Clare Abshire: How is this possible?
Annette DeTamble: [over tape] And her question was this. How the hell does any couple ever get together?
Clare Abshire: How did she hear me?
Henry DeTamble: No, she didn’t hear you. But I can hear you. And I just decided that whenever I get to speak to my mom next, whenever that is, at the right moment, that I’ll pass your question on. And on the night this recording was made, she’ll answer it. So, the answer to the question that you only just thought of asking has been on this tape since before you were born.


 

Annette DeTamble: I don’t know why he asked me. I’m a singer. I just sing. But I have just been singing Madame Butterfly, which is all about doomed love, and I guess that got me thinking this. Isn’t all love doomed? I don’t mean to be a party pooper. You know, but it always ends, doesn’t it? So, Clare, if you’re listening, and you’re worried, my answer, and Puccini’s, is this. Couples don’t get together. What they do, is they get together for a while. It’s just a while, just a little time. That’s okay. Because it is better to be happy for a little while, just a brief time, even if you know you’re going to lose it, than to be just “okay” for your whole life. And for what it’s worth, my advice is this. It’s always later than you think, and this is the only time you ever get. So, good luck, Clare. And you know what? Just get the hell on with it!

 

3. Episode Three

'Your life, whatever it is, is entirely built from the choices that you make. The future, fixed or not, is what you choose. You are what makes it fixed.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: Being old is like being very young. Boring.


 

Clare Abshire: They say it’s a magical time, childhood. But people’s memories are so selective. It’s mainly just waiting. When you’re little, everything is waiting.

 

'There's only one thing worse than not knowing what you're waiting for, and that's knowing.' - Clare Abshire (The Time Traveler's Wife) Share on X

 

Young Clare Abshire: Can I play with you?
Young Mark Abshire: No.
Young Clare Abshire: Why not?
Young Mark Abshire: It’s because of your personality.
Young Clare Abshire: Mom, Mark says I’ve got a personality!
Lucille Abshire: Everyone’s got a personality, Clare.


 

Clare Abshire: There’s only one thing worse than not knowing what you’re waiting for, and that’s knowing. Because I’ll tell you something. No one should meet their soul mate when they’re six years-old.

 

'All futures end in a brick wall. That's why you don't want to know what's coming. Because what's coming is a brick wall.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: I’ve told you some of this story before, but what you have to understand is that this is not a story about a time traveler. It’s the story of the time traveler’s wife.


 

Clare Abshire: I remember him so clearly. How he looked, how he talked. This impossible man who said he came from the future. I wanted to know everything. What you don’t understand when someone so bright comes into your life, is that something else comes with them. Absence. Their absence, like a shadow on your days.

'There are very few things in this world more harmful than the lies of decent men.' - Clare Abshire (The Time Traveler's Wife) Share on X


 

Clare Abshire: At first, it seemed like there were lots of Henrys. There was the one with the dark hair. He was the funniest. There was older Henry with the graying hair. He was like a dad. Always made me do my homework. And there’s the sad one. The sad Henry. Of course, it didn’t matter because really they were all the same Henry, just shuffled.


 

Young Clare Abshire: Do you believe in God?
Henry DeTamble: Definitely not.
Young Clare Abshire: Why not?
Henry DeTamble: Don’t like his work.
Young Clare Abshire: That doesn’t make any sense.
Henry DeTamble: Neither does your French.


 

Henry DeTamble: You see, I’m a time traveler. I’m all mixed up too.


 

Clare Abshire: There’s not a game until you’ve shuffled the deck, but once you’ve shuffled, you can never know what’s coming next.


 

Philip Abshire: Clare what’s wrong, darling?
Clare Abshire (13): You shot someone. You shot a man!
Philip Abshire: Well, where is he?
Clare Abshire (13): Look at the blood!
Philip Abshire: What blood?
Clare Abshire (13): There was blood.


 

Clare Abshire (13): You could be out there somewhere, dying.
Henry DeTamble: Well, I’m not. I’m sitting here, talking to you.
Clare Abshire (13): Somewhere in time.
Henry DeTamble: Everybody’s dying somewhere in time.
Clare Abshire (13): You know what I mean.
Henry DeTamble: All futures end in a brick wall, Clare. That’s why you don’t want to know what’s coming. Because what’s coming is a brick wall.


 

Clare Abshire (13): I have a stupid idea sometimes.
Henry DeTamble: What kind of stupid?
Clare Abshire (13): About who you’re married to.
Henry DeTamble: Married stupid is extra stupid.
Clare Abshire (13): I think you’re married to me.


 

Clare Abshire: What does a decent man say? I didn’t pity him then, but I do now. His future wife, at thirteen years of age. The woman he has already bedded and wedded, now facing him as a child, demanding to know who she is to him? What does a decent man say? What does he tell the child who will become the woman he loves of their future together?


 

Clare Abshire: A decent man lies, of course. There are very few things in this world more harmful than the lies of decent men. Oh, at the time, of course, I didn’t think about that. I had an invisible friend, and I lived in a fairy tale. Grown-ups think of fairy tales as sweet little nothings, but they forget what all children know. Into every fairy tale a witch must come.


 

Henry DeTamble: Clare, I’m naked.
Clare Abshire (16): I’ve seen you naked lots of times.
Henry DeTamble: Yeah, but this is different.
Clare Abshire (16): Okay. How’s it different?
Henry DeTamble: Well, you’re older now. There are rules. Basically, you’re not allowed to see someone naked the moment you start enjoying it.


 

Clare Abshire (16): Why is there no point in telling me where younger you is living? I want to meet junior. Maybe we’ll hit it off. Got to be closer in age.
Henry DeTamble: You’re not allowed to meet me yet.
Clare Abshire (16): Says who?
Henry DeTamble: Says history.
Clare Abshire (16): Well, it’s not history for me yet.
Henry DeTamble: Well, it is for me, and you can’t change it!


 

Henry DeTamble: What the hell is the matter with you?
Clare Abshire (16): It’s about time you f***ing asked!


 

Henry DeTamble: Your life, whatever it is, is entirely built from the choices that you make. The future, fixed or not, is what you choose. You are what makes it fixed. You’re not running on tracks, everything is still your decision. I just set a new record. I mansplained the rest of your life.
Clare Abshire (16): What’s “mansplained”?
Henry DeTamble: Well, there’s every chance you’re going to find out, Clare.
Clare Abshire (16): When? What? In the future? When you know me, and all my family, and you’re married to a woman with my name?
Henry DeTamble: We’re not together in the future, Clare.
Clare Abshire (16): Fine!


 

Clare Abshire (16): There’s a boy. Named Jason. Jason Everleigh. At my school, a jock.
Henry DeTamble: Okay? What about Jason?
Clare Abshire (16): I need you to kill him.
Henry DeTamble: Why?


 

Henry DeTamble: [over phone] I just need you not to be alone tonight.
Henry DeTamble (24): You need what?
Henry DeTamble: I need you to have an alibi between eight and ten o’clock tonight.
Henry DeTamble (24): Why? Are you going to kill someone?
Henry DeTamble: Between eight and ten, you got that?
Henry DeTamble (24): You are going to kill someone.
Henry DeTamble: Hanging up now.
Henry DeTamble (24): F*** you.
Henry DeTamble: F*** you too.


 

Clare Abshire: How do you know it’s him? Actually him. It’s not hearts and flowers. It’s not music in the air. It’s when he’s ready to kill for you.


 

Henry DeTamble: [referring to Jason] What the hell did he do to you?
Clare Abshire (16): He’s an a**hole.
Henry DeTamble: Yeah, well, I used to be an a**hole myself.


 

Henry DeTamble: [to Jason] Jesus Christ, you’re splashing me! What kind of a person pees on someone at gunpoint? What the hell is wrong with you?


 

Henry DeTamble: [referring to Jason] He peed on me.
Clare Abshire (16): Okay.
Henry DeTamble: Worst murder ever.


 

Clare Abshire (16): We’re not going to kill him.
Henry DeTamble: Okay.
Clare Abshire (16): You’re going to hurt him, and I’m going to watch. But we’re not going to kill him. What are you laughing at?
Henry DeTamble: I mean, kill him? We just got him his inhaler. I’m starting to think we might need to throw pillow back there.


 

Henry DeTamble: [referring to Jason] Did he rape you?
Clare Abshire (16): No. No. He just hurt me.


 

Clare Abshire: Of course he raped me. Of course he did. I was in his car, there was no one to see. Why wouldn’t he rape me? I never told Henry the truth. If I had told him the truth, it would make it even more true, and I did not want it to be.


 

Clare Abshire: You don’t admit that a monster was the first man inside you when you’re talking to the man it should have been. Henry never knew the truth. So when I was with Henry, it stopped being true. I could make it not true when he was there. Of course, he’s been dead such a long time now.


 

Jason: Are you going to kill me?
Henry DeTamble: Kill you? You’re an asthmatic who smokes, who needs to kill you?


 

Jason: She loves it. It’s what she wants.
Henry DeTamble: It is not what she wants!
Jason: She likes it rough.
Henry DeTamble: No, she doesn’t, and she never has!
Jason: How the f*** would you know?
Henry DeTamble: Because I’m her f***ing husband!


 

Henry DeTamble: S**t, I think I’m going.
Clare Abshire (16): No, not now!
Henry DeTamble: [referring to the blue marker pen] I don’t know why, but I think you’re going to need this. I love you.


 

Clare Abshire: I didn’t want Jason to die of an asthma attack while tied up and half naked. Well, I did, in fact, but not on my watch. But equally, I didn’t want to be alone with him. So I called my friends. I called every girl I knew and asked them to come over.


 

Clare Abshire: I made one rule. You could only come if a boy had hurt you. While I waited for them to arrive, I wrote the whole story of what happened with Jason that night on Jason. I invited them all to add any stories of their own. We were there a long time. He became my first sculpture. I learnt that night that art isn’t something hanging on a wall, or standing on a plinth. Sometimes, it’s revenge.


 

Henry DeTamble: [referring to the blue marker pen] I always wondered why you kept this old pen.
Clare Abshire: You gave it to me.
Henry DeTamble: What did you do with it?


 

Clare Abshire: I only saw Henry one more time in our clearing. But that’s another story. Two years after that, after I had known the love of my life for fourteen years, I met him for the first time. He was younger than I’d ever seen him, didn’t have a clue who I was, and was quite the most beautiful man I had ever met. Here he was at last. My soulmate since I was six years-old. And he was an a**hole.

 

4. Episode Four'When it comes to falling in love, nobody has any agency. That's why they call it falling.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: I didn’t choose Henry, and Henry didn’t choose me. We just happened to each other, in the wrong order.


 

Henry DeTamble: People talk about agency. All the time, everybody’s got to have agency. Well, let me tell you something. When it comes to falling in love, nobody has any agency. That’s why they call it falling.

 

'You don't take decisions, decisions take you. Hold tight and call it a plan.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: Are you in love? I hope so. But ask yourself this. When it happened, did you choose who? When? How?
Henry DeTamble: Is this person that now owns a huge part of your life anything like you thought they’d be? Did they arrive when they were supposed to?
Clare Abshire: Is any of it anything like you planned?


 

Henry DeTamble: You don’t take decisions, decisions take you. Hold tight and call it a plan.

 

'Time happens once. You don't get a second go. You can't change anything.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire: I mean, it’s not that I can’t cook. It’s that I choose not to.


 

Clare Abshire: The only difference with Henry and me is that it’s all mixed up. And that means, now and then, we know what’s coming.
Henry DeTamble: Bits and pieces, not everything. A few bends in the river.

'Knowing is not a right. Knowing is hell. Love over time is death or loss. Those are your only two exits.' - Henry DeTamble (The Time Traveler's Wife) Share on X


 

Henry DeTamble: Now and then, of course, you meet someone who hates you already, and you have no idea why. Yet.


 

Gomez: [referring to Clare] Oh, so you haven’t been to her apartment.
Henry DeTamble (28): Why would you be so happy about that?
Gomez: Who says I’m happy?
Henry DeTamble (28): The giant smile on your enormous face almost took my eye out.


 

Gomez: I have brought you a new toy. It answers to the name of Henry, but you can call it Library Boy. And it makes many jokes.
Henry DeTamble (28): Please, just call me Henry. I’m only Library Boy when I’m fighting crime.
Charisse: Oh, what are your superpowers?
Henry DeTamble (28): Ah, the Dewey Decimal system and speed shelving. Doesn’t always have the desired effect in a bank robbery, but I live in hope.
Gomez: See? Funny, funny. Made four jokes already.
Henry DeTamble (28): Who’s counting? Five.


 

Charisse: I’m Charisse, Clare’s roommate.
Gomez: Yeah! She’s with me. That’s why I’ve been to this apartment so many times.
Charisse: Yeah, I need him for lifting heavy objects.
Gomez: And the sex. Don’t forget the sex.
Henry DeTamble (28): Oh, I bet she tries to.


 

Clare Abshire: Is it bad for chicken to be this pink?
Henry DeTamble (28): Depends. Are we going to eat it or revive it?


 

Clare Abshire: Foreknowledge can be helpful sometimes.
Henry DeTamble: Knowing a bit of what’s coming can be strange, it can be useful, and sometimes it can be tragedy.
Clare Abshire: Sometimes it can be farce.
Henry DeTamble: And sometimes it can be both.


 

Clare Abshire: It’s the door. It’s for you.
Henry DeTamble (28): Who is it?
Clare Abshire: It’s you.
Henry DeTamble (28): Okay. But who is it?
Clare Abshire: You.
Henry DeTamble (28): What? Me?
Clare Abshire: Yeah.


 

Henry DeTamble (28): [over intercom] I just met her friends, and they hate me already. This is really not a good moment for there to be two of me.
Henry DeTamble (41): Yeah, well, guess who’s coming to dinner.


 

Henry DeTamble: How do you think the woman I left alone in bed, my wife, is going to feel about me slipping back in time, and, you know, basically sitting on a blanket with the eighteen year-old version of herself?
Clare Abshire: Nostalgic?
Henry DeTamble: I think she’d be hurt.
Clare Abshire: I don’t.
Henry DeTamble: I do.
Clare Abshire: This is me we’re talking about. Are you correcting me on what I’m going to think? Wow, we are definitely married.


 

Clare Abshire: [after he tells her she’ll meet his youngerself in two years] What am I supposed to do for two years?
Henry DeTamble: It’s your life. Alright? Get on with it. Don’t think about what’s coming, because it’ll come anyway. Do whatever you like. Meet people. Be with people.
Clare Abshire: Be with them?


 

Henry DeTamble: Look, Clare, I’m out there somewhere, twenty-six year-old me, and I’m not saving myself for you, because I don’t even know you exist. So please don’t save yourself for me.
Clare Abshire: Save myself. I wanted you to be my first.
Henry DeTamble: Well, I don’t want to be yours. I want to be your last, Clare.


 

Clare Abshire: You’ve never kissed me, you know.
Henry DeTamble: Oh, I’ve kissed you a million times.
Clare Abshire: Well, then I expect you’re incredibly good at it.
[she kisses him]


 

Gomez: [after they’ve had sex] You know, I thought you were a lesbian.
Clare Abshire: In the circumstances, that’s going to be hard to take as a compliment.
Gomez: No, I only thought lesbian, because you’re always alone.
Clare Abshire: You realize lesbians aren’t alone. There is a thing they haven’t been telling you.


 

Clare Abshire: [after Gomez has told her he loves her] I don’t love you. I love Henry. I love Henry much more than I could ever love you, or anyone else.
Gomez: So then, where is he? Where’s Henry? And why have we never met him?
Clare Abshire: He’ll be back in about a year.
Gomez: Must be a hell of a guy if he can walk away from a woman like you and expect you to wait around for him.
Clare Abshire: Maybe I’m a hell of a woman because I’m willing to wait for him, but let’s walk right past that possibility.
Gomez: Yeah, but you didn’t wait for him. You slept with me! And that kind of got out of my mouth before I fully thought it through.


 

Gomez: Hey, Clare. If you haven’t listened to my last two messages, please don’t. I was very emotional during the first one, and during the second one when I was apologizing for being emotional, I unfortunately became emotional again.


 

Henry DeTamble: Clare, you’re not married to me yet.
Clare Abshire: What difference does marriage make? What is your problem? Are you incapable of sex unless there’s been a proposal?
Henry DeTamble: No, that’s not the point. I never even proposed to you. It’s this place, Clare. This clearing, where I watched you grow up. Where I was teaching you French verbs and checkers one week ago. Where I imprinted you like a duckling. It’s grooming, Clare. That’s what it is. Alright? I’m sorry, but I can’t. Not here. Not here.


 

Clare Abshire: I’m not going to marry you because time says I do. I’m going to marry you because I want to. And no way am I going to marry you unless you propose. There will never be a better time or place. My eighteenth birthday. Right here. On the very spot where I groomed you. Husband, propose.
Henry DeTamble: [gets down on one knee] Clare Abshire, wife, will you marry me
Clare Abshire: Hmm.
Henry DeTamble: What’s “hmm”?
Clare Abshire: Well, I mean, you wouldn’t buy a car without a test drive, would you?
Henry DeTamble: That’s not going to work.


 

Clare Abshire: [after they’ve had sex for the first time] Why do I always have to wait?
Henry DeTamble: I’m the one who had to wait. You’ve known me all your life. I only met you when I was twenty-eight.
Clare Abshire: Yeah, but you didn’t know that you were waiting. You were busy f***ing all those other women.
Henry DeTamble: Well, you’ve got two years to get your own back.
Clare Abshire: We’re together. There’s going to be no one else from now on.
Henry DeTamble: From two years on.


 

Clare Abshire: Well, you should remember this.
Henry DeTamble (41): Why?
Clare Abshire: Oh, you don’t remember your first visit to my bedroom?
Henry DeTamble (41): Well, don’t blame me. He’s the one who’s not paying attention.
Henry DeTamble (28): Oh, so I’m to blame for your bad memory?
Henry DeTamble (41): Literally.


 

Clare Abshire: Isn’t this weird for you two? How can you even talk to each other?
Henry DeTamble (41): Why shouldn’t we?
Clare Abshire: Well, you must remember everything he’s about to say. Everything I’m going to say, everything you’re going to say. Like you’ve got a script.
Henry DeTamble (41): Do you remember everything you said thirteen years ago? Thirteen days ago? How about yesterday? Try it.
Clare Abshire: Well, I’d remember a conversation like this.
Henry DeTamble (41): Yeah, well, also, he’s been drinking.


 

Henry DeTamble (28): Could you put somethingon? A towel? Anything?
Henry DeTamble (41): Does the sight of your own naked body offend you?
Henry DeTamble (28): It’s depressing me. What went wrong?
Clare Abshire: Oh, I don’t know. Still looking good to me, honey.
Henry DeTamble (41): Thank you, darling.
Henry DeTamble (28): Don’t flirt with him.


 

Henry DeTamble: [to Clare and older Henry] Come on, no touching. Alright? He’s starting to enjoy it. Jesus Christ! Control yourself. Worst date ever. Someone else is having my erection.


 

Henry DeTamble (28): [referring to Gomez] Yeah, well, you know your best friend’s got the hots for your wife, right?
Henry DeTamble (41): Well, I wouldn’t trust any man who didn’t.
Clare Abshire: Henry, you say all the right things.
Henry DeTamble (28): The hell is wrong with you? One smile and it’s whack-a-mole.


 

Clare Abshire: So, you know about the time travel then?
Ingrid: I know all about it. I’ve known a lot longer than you.
Clare Abshire: Well, I’ve known him since I was six, so.
Ingrid: Six? Gross!


 

Henry DeTamble (28): What happens now?
Henry DeTamble (41): Dinner.
Henry DeTamble (28): What happens at dinner?
Henry DeTamble (41): Everybody tells the truth.
Henry DeTamble (28): Even me?
Henry DeTamble (41): Twice.


 

Clare Abshire: [referring to Henry] I mean, he also said that you don’t have much in common.
Ingrid: Well, he’s wrong. We both like the same things. Drinking. And f***ing. And him. I love him.
Clare Abshire: You don’t seem very happy about that
Ingrid: Didn’t know that was an option.


 

Henry DeTamble (41): Hi, everyone.
Gomez: Who the hell are you?
Henry DeTamble (28): Who does he look like?
Charisse: You!
Henry DeTamble (28): Exactly.
Charisse: Is he your dad?
Henry DeTamble (41): Shut up!


 

Clare Abshire: Are we doing this? Are we explaining?
Henry DeTamble (28): Sometimes explaining is the only option.
Henry DeTamble (41): With friends.
Henry DeTamble (28): Are these really our friends?
Henry DeTamble (41): Your best friends.
Henry DeTamble (28): [referring to Gomez] Even that one?
Henry DeTamble (41): Oh, yeah.
Henry DeTamble (28): Jesus Christ.


 

Gomez: You’re clones!
Henry DeTamble (41): What?
Henry DeTamble (28): Clones? Jesus Christ! Spare us the sci-fi. There’s no such thing as clones.
Henry DeTamble (41): We’re time travelers.


 

Henry DeTamble (41): [explaning his defective DNA and time travel] Sometimes, like now, there is two of us.
Henry DeTamble (28): So when Ingrid tells me to go f*** myself, there is an outside chance it could happen.
Clare Abshire: Again.
Henry DeTamble (28): I was sixteen, come on.


 

Clare Abshire: From the day I met him, Henry was never one person. He was a river. He flowed around the people he met. If you were a storm, he was a storm too. It took me
a while to understand, there’s only one way to survive a river. Be a rock.


 

Gomez: Alright, you know in Back to the Future…
Ingrid: Don’t.
Gomez: Don’t what?
Ingrid: Don’t watch it with him. He heckles.
Henry DeTamble (28): It’s very misleading.
Charisse: I love that movie.
Henry DeTamble (28): Yeah, well, just don’t take it seriously.
Charisse: It’s a comedy.
Henry DeTamble (28): Maybe for you. I think it’s in very bad taste.


 

Henry DeTamble (28): Time happens once. You don’t get a second go. You can’t change anything.
Gomez: Yeah, but you can see so much more with your powers.
Henry DeTamble (28): My what?
Henry DeTamble (41): My powers?
Henry DeTamble (28): I see the same things you see, except in the wrong order. That’s not having power, that’s dyslexia.


 

Henry DeTamble (41): Clare and I usually prefer to stick to lottery numbers.
Clare Abshire: We do?
Henry DeTamble (28): We do?
Henry DeTamble (41): That’s how we fund our rock and roll lifestyle.


 

Charisse: You could avert disasters.
Henry DeTamble (28): No, I can’t.
Charisse: Well, you could warn people.
Henry DeTamble (28): Hello, I’m a naked time traveler. Don’t get on that train.


 

Ingrid: He can barely take care of himself. And you, what, think he should be out there just saving everybody else? Like some sort of superhero. Grow up!
Henry DeTamble (28): I think Clare’s well aware that I’m not a superhero.
Ingrid: Oh, I bet she is, dear. I bet she is. And that’s why she doesn’t like you very much.


 

Clare Abshire: I have loved him since I was six years-old.
Ingrid: No. No! You loved him! George Clooney in a blanket. Catalogue man. Your hero. You see, I love the real one.


 

Ingrid: Am I dead? Because the way you keep looking at me, I mean, what is that? Am I dead?
Henry DeTamble (41): Ingrid, you know I don’t talk about the future.
Ingrid: Oh, apart from Netflix? Apart from f***ing stock tips?


 

Ingrid: Just look me in the eye and tell me. Am I dead?
Henry DeTamble (41): Well, you look pretty alive to me.
Ingrid: In the future?
Henry DeTamble (41): Everybody’s dead in the future.


 

Henry DeTamble (41): Ingrid, I’m forty-one years-old. I’ve never seen myself older than forty-two. Now, maybe that means that one day I find a cure for time travel. Or maybe it means that one day I don’t run fast enough. My survival depends on running, and I can’t help noticing that I’m getting a bit slower. I’m sorry. I am sorry for everything, but knowing is not a right. Knowing is hell. Love over time is death or loss. Those are your only two exits.


 

Henry DeTamble (41): [after he’s told Ingrid she doesn’t have very long] I don’t have very long either. Alright? Nobody has very long. Nobody gets out of this alive. But what are you going to do, huh? You going to hide? Junior, what do we do?
Henry DeTamble (28): Live like we’re going to live forever.
Henry DeTamble (41): And you know what? You’ll only be wrong once.


 

Ingrid: I loved you.
Henry DeTamble (41): Then we must have had some good times. You get to keep those. Don’t spoil the memory of good days with the regret that they’re over. It’s all going to be over. And sooner than you think. Take it from a time traveler.


 

Clare Abshire: Where have you been?
Henry DeTamble: Discovering my wife has been lying to me our entire married life.
Clare Abshire: Oh, our first time, in the clearing?
Henry DeTamble: Yeah. For years you’ve told me that never happened.
Clare Abshire: No, I didn’t.
Henry DeTamble: Well, you always said I was the perfect gentleman.
Clare Abshire: Let me show you what I mean by perfect.


 

Clare Abshire: [referring to older Henry] Will I see him again?
Henry DeTamble (28): Well, technically you’re seeing him right now.
Clare Abshire: Yeah, but him.
Henry DeTamble (28): I don’t know. Well, no, I do know. And, yeah, definitely. You just might have to wait a bit. Shall we?
Henry DeTamble (28): [as she hugs him] What’s that?
Clare Abshire: Mercy.

 

5. Episode Five

'You hang on to things from the past, like the past matters any more. You worry about the future, and it's not even here yet, when the only time is now. That's the only time there ever is. Now.' - Henry DeTamble Share on X

 

Henry DeTamble: The thing about living with time travel, it’s never your only problem.
Clare Abshire: You get all the normal problems too.
Henry DeTamble: Like, for instance, her friends.


 

Henry DeTamble (28): You’ve always given me funny looks.
Gomez: You’re a time traveler.
Henry DeTamble (28): I’m aware.
Gomez: You’re the first interesting thing that ever happened to me. I mean, I’m a lawyer. I’d literally get paid to prevent interesting things from happening. And now look at me. I’m friends with a time traveler.
Henry DeTamble (28): Are you though?
Gomez: Am I what?

 

'There's nothing special about old. Old is what happens to new stuff, if you wait around long enough.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Henry DeTamble (28): You and me, are we actually friends?
Gomez: Well, according to you we are.
Henry DeTamble (28): According to me, what does that mean?
Gomez: Well, not you you, you from the future.
Henry DeTamble (28): What does he know?
Gomez: Hell of a lot more than you.


 

Henry DeTamble (28): You know, it just doesn’t seem like we’ve got a lot in common, you know what I’m saying? Yeah. I mean, apart from the obvious.
Gomez: The obvious?
Henry DeTamble (28): Yeah. Apart from the fact we both want to f*** Clare.
Gomez: No! No, no. That is in no way true.

 

'The past is what didn't kill you. The future is what definitely will. And in between is the only thing that matters.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Gomez: [referring to his feelings for Clare] I want you to understand that that is no way true.
Henry DeTamble (28): It’s fine. It’s fine. I get it. Alright. I mean, do anything about it, and I’ll tie a knot in your windpipe. But short of that, I graciously accept the tribute of your debilitating envy.


 

Gomez: You should apologize!
Henry DeTamble (28): You should sit back down on your a** before it starts talking again.

 

'When you're young you see only what you want to see. Nothing gets in the way of the fairy tale. When you grow up, your vision clears, and you see so much less.' - Clare Abshire (The Time Traveler's Wife) Share on X

 

Gomez: I recognized you.
Henry DeTamble (28): Where from?
Gomez: See, if we had been having a pleasant drink, maybe I’d have told you!


 

Henry DeTamble (38): [referring to Clare’s drawing of him] Can I see it?
Clare Abshire: Not yet.
Henry DeTamble (38): I hope you remember I’m wearing clothes.
Clare Abshire: How did you know?
Henry DeTamble (38): Well, I’ve seen the finished picture.
Clare Abshire: That’s cheating.
Henry DeTamble (38): Well, so is drawing me without any clothes.

'Takes way to long to realize that, doesn't it? Your mom and dad are just people.' - Alicia Abshire (The Time Traveler's Wife) Share on X


 

Clare Abshire: Sit back. Relax. What’s wrong with you?
Henry DeTamble (28): I’m in a car.
Clare Abshire: Okay, what’s wrong with cars?
Henry DeTamble (28): Me. I’m what’s wrong. If I time travel now, wherever I arrive, I’ll be doing sixty. Somewhere in history, there’ll be a big splat with a surprised-looking face in the middle.


 

Henry DeTamble (28): I am well known for being a lying a**hole.
Clare Abshire: Well, future you isn’t. Future you is awesome.
Henry DeTamble (28): Could you stop preferring me to my face?
Clare Abshire: Well, he’s you, but awesome. How could I not prefer him?
Henry DeTamble (28): Oh, great. Perfect. There’s exactly one of me in the world, and I’m coming second.


 

Henry DeTamble (28): I mean, is there anything I do better? What about the hair? Is the hair any better?
Clare Abshire: The sex is good. I really like the sex.
Henry DeTamble (28): Oh, well, that’s good. Thank you for the feedback.
Clare Abshire: Well, I mean, I’m basically betraying the love of my life with his hot kid brother, but it’s good.
Henry DeTamble (28): Well, you put it like that, and it does sound good.


 

Gomez: [over phone, as he’s trying to tell Henry where he first saw him] Well, does telling you affect the causality, you know, of time.
Henry DeTamble (28): The causality of time? Do you listen to the words coming out of your mouth, or do you just hang around in the same room as them?
Gomez: You know what, Henry? F*** you, man!


 

Gomez: [referring to Henry] I don’t like him.
Charisse: But he’s going to be your best friend.
Gomez: How? How is that even possible?


 

Henry DeTamble (28): [referring to Clare’s parents home] One family in this place. What do you need all the other rooms for?
Clare Abshire: Our issues.


 

Clare Abshire: The trouble with revisiting your childhood is nothing is quite where you left it. You tell yourself it all looks exactly the same, and then somebody else sees it.


 

Henry DeTamble (28): Smaller than I thought.
Clare Abshire: What is?
Henry DeTamble (28): The meadow. I thought it’d be bigger.
Clare Abshire: It seemed big to me. But then I suppose everything’s bigger when you’re little. Bigger and more important.


 

Clare Abshire: The clearing was our place.
Henry DeTamble (28): As in, our place.
Clare Abshire: Well, yes.
Henry DeTamble (28): As in, I’m him. Clare, I’m the man you met there.
Clare Abshire: Yes, I know.
Henry DeTamble (28): It’s me, Clare. I’m Henry. The same Henry.
Clare Abshire: Someday.


 

Henry DeTamble (28): You don’t like me being here, do you? Like this place belongs to the other me.
Clare Abshire: That’s stupid.
Henry DeTamble (28): Yeah, it is. But is it true? You could always try to be nice to me, you know. It could become a habit. Like a thing we do.


 

Clare Abshire: I am nice.
Henry DeTamble (28): Yeah, but you keep looking disappointed that I’m not him.
Clare Abshire: Well, you keep not being him.
Henry DeTamble (28): Apparently, I’m going to get there.


 

Clare Abshire: Don’t you ever think how amazing it must be to fall in love in the right order?
Henry DeTamble (28): Call me sentimental, but I think it has some pretty amazing qualities right now.


 

Henry DeTamble (28): There’s nothing special about old, Clare. Old is what happens to new stuff, if you wait around long enough.


 

Henry DeTamble (28): [to Clare] Because you don’t get it, do you? You non-time travel people, you don’t ever, ever get it. You hang on to things from the past, like the past matters any more. You worry about the future, and it’s not even here yet, when the only time is now. That’s the only time there ever is. Now.


 

Henry DeTamble (28): [to Clare] The past is what didn’t kill you. The future is what definitely will. And in between is the only thing that matters. You. You and me, right now. You and me, right now.


 

Clare Abshire: Why does sex with you always make me feel like I’m going to hell?
Henry DeTamble (28): I don’t know, but it is the single greatest compliment I’ve ever been paid.


 

Henry DeTamble (28): [to Clare] What, you told her I was a time traveler, and you believed that?
Alicia Abshire: The alternative was that my sister had found a pipeline of naked men under the house. Time travel seemed so disappointing by comparison, I thought it must be true.


 

Clare Abshire: [referring to Henry] What are you doing? Don’t freak him out like that!
Alicia Abshire: I’m supposed to freak out your boyfriends. It’s my sacred duty as your younger sister.


 

Alicia Abshire: [referring to Henry] He’s hot.
Clare Abshire: Yeah, I know he’s hot.
Alicia Abshire: You never said he was hot.
Clare Abshire: Well, I didn’t notice he was hot. I was in love with him.
Alicia Abshire: You want to unpack that one? Because I’m not sure all the pieces will go back together.


 

Clare Abshire: [referring to Henry] I was a kid. Now he’s a kid.
Alicia Abshire: He’s not a kid, Clare.
Clare Abshire: I fell in love with a grown-up. And now he turns up, and he’s all young.
Alicia Abshire: Young and hot.
Clare Abshire: But that’s not the point.


 

Henry DeTamble (28): Why do you say that? “Comrade.”
Gomez: I’m part Polish. Well, my family is. And Poland used to be communist, right, so they all used to call each other comrade.
Henry DeTamble (28): And that’s a reason for us to do it?
Gomez: Well, you’ve never questioned it till now.
Henry DeTamble (28): Now, for me, is 2008. I’ve only just met you.
Gomez: 2008. I forget, do you like me yet?
Henry DeTamble (28): Do I ever like you?


 

Gomez: We’ve got something in common at least.
Henry DeTamble (28): Oh, yeah? What’s that?
Gomez: We’re in love with the same woman.
Henry DeTamble (28): You don’t hide it very well, you know that. Comrade. Way too obvious. I mean, Clare knows, I know. Jesus, Charisse must have noticed something. Does Charisse know?
Gomez: Yes. The answer is yes. I’m afraid you do like me.


 

Gomez: Yeah, well, you’re still around in 2022.
Henry DeTamble (28): Oh, yeah. Waiting till I’m not? So you can swoop in, soon as I’m out of the picture?
Gomez: I have a problem with you being out of the picture, which is complicated, and kind of exhausting.
Henry DeTamble (28): What’s that?
Gomez: It’ll break my heart. We’re best friends, Henry. You’ll learn to live with it.


 

Henry DeTamble (28): I do like you.
Gomez: I know.
Henry DeTamble (28): How can I like someone who’s hot for my future wife?
Gomez: Because things change over time. For instance, these days, I’m hot for your current wife. I’ll tell you what doesn’t change though.
Henry DeTamble (28): What?
Gomez: I know it’s hopeless. I’ve known she was in love with you since before I knew who you were, or even if you were a real person.
Henry DeTamble (28): You’re going to have to explain that one to me.


 

Gomez: I saw the drawing.
Henry DeTamble (28): What drawing?
Gomez: The drawing Clare did of you.
Henry DeTamble (28): What, you could tell from a drawing?
Gomez: Have you seen it yet? Face like yours, drawing like that. I figured she had to be in love.


 

Alicia Abshire: Why do you keep going on about the cello which I sucked?
Lucille Abshire: Because a mother is allowed to be proud of her daughter. The cellist and the artist.
Clare Abshire: I’m an art student, Mom.
Alicia Abshire: That’s not being proud, that’s being disappointed.
Lucille Abshire: It’s not being disappointed to know that a person could do better.
Alicia Abshire: Yes, it is.


 

Clare Abshire: You know what I’ve had enough of? Everything! Mom, your daughter is a hairdresser, and she is perfectly happy about it, and that is totally fine. Your other daughter is an art student, which means she better get good at bank robbery, because sorry, everyone, she’s going to marry a librarian. And your one and only son is a such a total f***ing a**hole, he did the impossible and became a lawyer without getting noticeably worse. These are things you have to deal with. Thank you for the f***ing soup.


 

Clare Abshire: When you’re young you see only what you want to see. Nothing gets in the way of the fairy tale. When you grow up, your vision clears, and you see so much less.


 

Alicia Abshire: [to Henry] They’re alright, really, my mom and dad. Even Mark. They’re just, you know, people. Takes way to long to realize that, doesn’t it? Your mom and dad are just people.


 

Clare Abshire: [referring to the clearing] Guess this place means nothing to you. Don’t you even get deja vu? I was going make a big ceremony of bringing you out here for the first time. Sorry.
Henry DeTamble (28): It doesn’t matter. I’m here now.
Clare Abshire: Yeah.
Henry DeTamble (28): [Clare turns to see Henry with short hair, as she remembers him] I’m here now.


 

Clare Abshire: You asked me a question in this clearing once, or you’re going to. And I never got round to answering.
Henry DeTamble (28): And what was the question?
Clare Abshire: Well, the answer is yes. Yes. Oh, my God. Yes. And I’m sorry.
Henry DeTamble (28): For what?
Clare Abshire: I loved you from the start. From the moment I met you in that stupid library, I was completely in love with you. I was just expecting someone else.
Henry DeTamble (28): Well, that’s okay. I can do that. I can be somebody else.
[they start kissing]

 

6. Episode Six

'We're getting married. Not going on a hot date, or a vacation, or a weekend away somewhere. But, actually, getting married.' - Clare Abshire (The Time Traveler's Wife) Share on X

 

Henry DeTamble: I hate video. Most people love nostalgia. That’s why they love video. But, you know, I’m just thinking maybe you don’t even know what video is. Maybe these are nostalgia for you now. Nostalgia for a time traveler is a bear trap.


 

Richard DeTamble: [referring to the time he found Henry in bed with Henry] Henry, I don’t care if you’re gay! I’m a professional musician, everybody’s gay. There were two of you.

 

'Happiness is suddenly having an opinion about a future. Which is a mistake. - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Richard DeTamble: [after Henry’s told him he’s a time traveler] Why can’t you just tell the truth?
Henry DeTamble (16): You kissed her in the rain. Mom. The very first time. You stood outside of her apartment block. And when she walked inside, you did a little dance. You didn’t think anyone could see you. You were wrong. I could see you. I danced too. I’m a time traveler, and I saw my parents first kiss.


 

Clare Abshire (20): You hate what? What does that even mean, you “hate video”? Everyone has a wedding video.
Henry DeTamble (28): Oh, okay. Let’s be everyone. What an ambition.

 

'Love is what gives meaning to life, and is the single best thing that could happen to a human being.' - Clare Abshire (The Time Traveler's Wife) Share on X

 

Clare Abshire (20): The video. It’ll be nice to look back.
Henry DeTamble (28): I don’t need to look back, Clare. I go back.
Clare Abshire (20): I don’t.


 

Gomez: I’m so bored that I’m growing new parts of my brain to be bored in.

 

'Love is what gives hope to mortals. It's the cruelest thing I know.' - Henry DeTamble (The Time Traveler's Wife) Share on X

 

Clare Abshire (20): We’re having a video. You don’t have to watch it.
Henry DeTamble (28): Do I have to be in it?
Clare Abshire (20): Well, there has to be a groom. I’m increasingly open to suggestions.


 

Henry DeTamble (28): [referring to Richard] When he looks at me, all he sees is his wife not there. And when I look at him, I’m just thinking where the hell Mom is. That’s not the basis for a relationship. It’s the basis for a drinking habit.

 

'It's like setting sail into a storm. And you know for a fact, you both won't make it out the other side. You cling on for as long as you can, because you know, that this is as good as anything ever gets.' - Clare Abshire Share on X

 

Clare Abshire (20): You never thought of seeing a doctor? Getting yourself examined?
Henry DeTamble (28): Christ, no.
Clare Abshire (20): Why not?
Henry DeTamble (28): It’s that word “examined”. It’s a little too close to “dissected”.


 

Henry DeTamble (28): I’m the only time traveler on the planet. They’d never let me go home again.
Clare Abshire (20): Yes, they would.
Henry DeTamble (28): Why?
Clare Abshire (20): Because I’m here now. And because I’m who you come home to, and I’m not ever going to let anyone keep you away from me. Fact. Look at my face. Fact. That was, “I love you,” but in more words.

'Make my happy days happier, make my sad days bearable. And if you forgive me when I hurt you, I'll try to do the same for you.' - Clare Abshire (The Time Traveler's Wife) Share on X


 

Henry DeTamble (28): Look at you. All beautiful, and perfect, and in love with me. Now, I’ve got happiness.
Clare Abshire (20): Oh, you poor thing.
Henry DeTamble (28): Full-blown happiness. Like an alarm bell.
Clare Abshire (20): What? You’re against happiness?
Henry DeTamble (28): Happiness is suddenly having an opinion about a future.
Clare Abshire (20): Yes, it is.
Henry DeTamble (28): Which is a mistake.


 

Clare Abshire (20): Henry, I love you, and you love me. Now, I don’t want to get all “greetings card” about it, but I happen to think, and I’m not exactly alone in this, but I happen to think that love is what gives meaning to life, and is the single best thing that could happen to a human being.
Henry DeTamble (28): Love is what gives hope to mortals. It’s the cruelest thing I know.


 

Richard DeTamble: You seem quite lovely. What on earth is your interest in Henry?
Clare Abshire (20): Well, to be honest, he’s exceptionally good in bed.
Richard DeTamble: Well, I know he thinks so.
Henry DeTamble (28): [as Richard and Clare laugh] It was an opportunity. I think anyone given the same opportunity would’ve, you know.


 

Richard DeTamble: Always remember, Henry, a marriage is about two people, but a wedding is about exactly one woman. And you are marrying her daughter.


 

Henry DeTamble (30): This is the house we are going to live in, in the future. See that tree out there? I have seen that tree at every kind of height.
Clare Abshire (20): What if I feel like deciding for myself?
Henry DeTamble (30): Oh, you should do that. But this is the decision you’re going to make.


 

Clare Abshire (22): Is anything allowed to be spontaneous anymore?
Henry DeTamble (30): You are being spontaneous. I’m just telling you how your spontaneity is going to work out.


 

Clare Abshire (22): Do you have any idea what it’s like being married to you?
Henry DeTamble (30): No. But neither do you. Technically we’re not married.
Clare Abshire (22): Fair point.


 

Henry DeTamble (28): I’m time traveling a lot at the moment. Because I’m stressing. And if I stress at the wedding, I could flip out.
Richard DeTamble: Everybody flips out at their wedding.
Henry DeTamble (28): Yeah, but when I flip out, I end up naked at a hoedown in 1987. Alright? I need drugs. I need something that’s going to calm me down for the whole day and not turn me into a zombie.


 

Richard DeTamble: Go to a doctor.
Henry DeTamble (28): We’ve been through that.
Richard DeTamble: And I keep telling you, there isn’t some secret government agency dissecting American citizens.
Henry DeTamble (28): How do you know?
Richard DeTamble: Because it’s the kind of thing that only happens in movies.
Henry DeTamble (28): So is time travel.


 

Henry DeTamble (28): Bad memories are trapdoors. But now, it’s the future I’m worried about, so that’s where I wind up.


 

Richard DeTamble: [over phone] It’s nice you’ve started calling me.
Henry DeTamble (28): Yeah, well, I’m worried.
Richard DeTamble: It’s nice I’m who you call when you’re worried.
Henry DeTamble (28): Actually, it’s worse than worried. It’s hope. I’m so full of hope.


 

Mark Abshire: If nobody laughs at a joke, did the joke really happen?
Gomez: Yes.
Mark Abshire: Are you sure?
Gomez: I make a lot of jokes like that.
Mark Abshire: Good jokes?
Gomez: Great jokes.
Mark Abshire: How do you know?
Gomez: Comedic instinct.
Mark Abshire: But nobody laughs.
Gomez: Some people don’t have my instinct.
Mark Abshire: A lot of people?
Gomez: So many.


 

Clare Abshire (20): [to Henry] Try to understand. This wedding is a major Broadway production. I mean, my parents are planning a festival of joy that will dwarf the achievements of all their friends, and cripple the social ambition of everyone they love. I mean, they have used the words “shock and awe”. They literally want other peoples weddings canceled in actual despair. Now, we can’t take that from them.


 

Henry DeTamble (28): Aren’t you worried that I might just disappear? That I might time travel during the ceremony and just leave you at the altar.
Clare Abshire (20): I know you won’t.
Henry DeTamble (28): How?
Clare Abshire (20): Because I know we’re married in the future.


 

Ben: What do you want, after all these years of ignoring me?
Henry DeTamble (28): Come on. We’re men. Ignoring each other is the medium of our friendship.


 

Henry DeTamble (28): What’s that?
Ben: Morphine plus.
Henry DeTamble (28): Morphine plus what?
Ben: Morphine plus none of your business.


 

Ben: [to a passed out Henry] You have the most irresponsible attitude to pharmaceuticals of anyone I ever met. I make a suggestion, I show you a pill, a sensible person is not supposed to just swallow it.


 

Ben: Just to be clear, I am not a drug dealer. I supply unauthorized medical care to the genuinely ill.
Gomez: You’re also a drug dealer.
Ben: It’s a matter of emphasis.


 

Henry DeTamble (28): Why did you call me a ghost?
Henry DeTamble (36): You are a ghost. From where I’m sitting.


 

Henry DeTamble (28): Why is your wife crying?
Henry DeTamble (36): No, she isn’t.
Henry DeTamble (28): I just saw her. I just spoke to her.
Henry DeTamble (36): She isn’t my wife. Technically speaking. Sorry, junior. You tried, but you couldn’t stick the landing.


 

Henry DeTamble (36): I make time travel babies, and guess what? Time travel right out of the womb.


 

Henry DeTamble (36): [referring to Clare] Do you have any idea what this has been like? Every time she gets pregnant, every time she thinks this is the one. This time, it’ll happen. She’s so full of hope. She’s so happy, it fills up this whole house. And I always know it won’t work. It won’t ever, ever, work. And do you know how long I’ve known that? Since I was standing on the other side of this desk. Since I was you.


 

Henry DeTamble (28): [referring to having a vasectomy] You didn’t even tell her? You just went ahead and did it?
Henry DeTamble (36): Yeah. That’s what I did.
Henry DeTamble (28): I’m not going to do that.
Henry DeTamble (36): That’s exactly what you’re going to do.


 

Henry DeTamble (36): Oh, what, you’re going to change it? You can’t change it! F***ing doofus, can’t change anything.
Henry DeTamble (28): Yeah, well, I’m changing this.
Henry DeTamble (36): F*** off! You couldn’t even get married.


 

Richard DeTamble: [after Henry at 36 travels to back to his wedding day] Look at him. It’s the wrong Henry.
Henry DeTamble (36): Well now, isn’t this complicated?


 

Clare Abshire (29): [referring to her wedding day] It’s shoe polish day.
Henry DeTamble (28): Shoe polish what?
Clare Abshire (29): It’s shoe polish day.


 

Henry DeTamble (36): Shoe polish. I need shoe polish.
Richard DeTamble: Shoe polish?
Gomez: Why?
Henry DeTamble (36): Well, I’m guessing none of you guys are carrying hair dye.


 

Clare Abshire (29): Why don’t you like watching videos?
Henry DeTamble (28): The past is a hole I keep falling down. Looking at it gives me vertigo.
Clare Abshire (29): Well, this isn’t the past. This is right now.


 

Gomez: How is this ever going to work?
Henry DeTamble (36): I know how this plays out. I handle the wedding, and then I ping back home. Then junior pings back here, and he handles the marriage.
Gomez: He won’t be married.
Henry DeTamble (36): Well, technically, no.


 

Henry DeTamble (36): Was marrying Mom worth losing her? This isn’t about me. It’s about Clare. I’m aging faster than I should, and I’ve seen enough of the future to know that I’m not going to make it all the way. So, for Clare’s sake. Was marrying Mom worth losing her?
Richard DeTamble: That’s a big question.
Henry DeTamble (36): Well, it’s a big day.
Richard DeTamble: Yeah. It wasn’t easy, but it was worth it.
Henry DeTamble (36): Thanks.
Richard DeTamble: Because of you. I don’t say it enough, but it was worth it because of you.


 

Richard DeTamble: Give her a child. If you can’t stay, do that. Give her a child.
Henry DeTamble (36): Well, there might be a problem with that.
Richard DeTamble: Problems can be solved.
Henry DeTamble (36): Not this one, Dad.


 

Henry DeTamble (28): [as he’s watching the wedding video] What the f*** is he doing there?
Clare Abshire (29): He’s getting married.
Henry DeTamble (28): Yeah. To my girlfriend!
Clare Abshire (29): Keep in mind, he remembers watching these videos.
Henry DeTamble (36): [into camera] A**hole.
Henry DeTamble (28): [as he’s watching himself] Oh, nice. Classy. Very classy. In a church!


 

Gomez: Alright, remember, don’t let anyone get a good look at you in case they notice how old and s**tty you are.
Henry DeTamble (36): Oh, thanks, Gomez. Way to calm my nerves.
Gomez: Oh, don’t be nervous, you’ll crinkle.


 

Clare Abshire (20): [referring to 28 year-old Henry] Where is he?
Henry DeTamble (36): You look amazing.
Clare Abshire (20): You smell of shoe polish.


 

Henry DeTamble (28): You must be glad I hit him.
Clare Abshire (29): Why?
Henry DeTamble (28): I saw your face. I saw you fighting. You hated him.
Clare Abshire (29): No, I never hate him. I mean, I could punch his stupid, thoughtless little face in, but I could never hate him.


 

Henry DeTamble (28): I hate what he did to you.
Clare Abshire (29): Oh, he did what he thought he had to. I guess because he thought I couldn’t take it anymore. And, well, because he definitely couldn’t. Thing is, I wanted children. I wanted your children more than anything in the world.
Henry DeTamble (28): And I want that too.
Clare Abshire (29): No. You gave up after five tries. I would never have given up. I would have done anything.


 

Henry DeTamble (28): So how are you going to forgive me?
Clare Abshire (29): I guess I’m going to have to figure that one out.
Henry DeTamble (28): But I’m supposed to make you happy.
Clare Abshire (29): Who told you that?


 

Clare Abshire (29): I’m the older woman. Finally! I like this.


 

Clare Abshire (29): Henry, we’re not supposed to make each other happy. If we do, great, but that’s not the point. We’re getting married. Not going on a hot date, or a vacation, or a weekend away somewhere. But, actually, getting married.


 

Clare Abshire (29): It’s like setting sail into a storm. And you know for a fact, you both won’t make it out the other side. So what do you do? You cling on for as long as you can, because you know, that this is as good as anything ever gets. Make my happy days happier, make my sad days bearable. And if you forgive me when I hurt you, I’ll try to do the same for you. Deal?
Henry DeTamble (28): Okay.


 

Clare Abshire (29): I miss you.
Henry DeTamble (28): Sorry, what?
Clare Abshire (29): I miss you. You young, angry, a**hole you. Did I make you change? Did I chase you away?


 

Clare Abshire (29): Well, if you time travel here, come see me. You’re my husband, I’m entitled.
Henry DeTamble (28): Isn’t that a bit…
Clare Abshire (29): Henry, we’re married.


 

Henry DeTamble (36): [as they’ve just got married] Don’t worry. Junior will be back in a bit.
Clare Abshire (20): I’ve missed you.


 

Henry DeTamble (28): It’s a weird idea, me coming to see you now and then. I mean, I’m just him. I’m just basically the guy who got a vasectomy.
Clare Abshire (29): Not yet you’re not.

 

Trailer:

Filed Under: Television

Ms. Marvel Quotes on Disney+ (TV Series)

March 15, 2022 by MovieQuotesandMore.com

Our list of the best quotes from Disney+ MCU action adventure TV series Ms. Marvel, which follows Kamala Khan (Iman Vellani), a 16 year-old aspiring artist, an avid gamer, and a huge fan of the Avengers, particularly Carol Danvers/Captain Marvel. But Kamala has always struggled to find her place in the world, that is, until she gets super powers like the heroes she’s always looked up to.

1. Generation Why

'Let's be honest, it's not really the brown girls from Jersey City who save the world.' - Kamala Khan (Ms. Marvel) Share on X

 

Kamala Khan: Finally, the moment everyone has been waiting for. The final chapter to my ten part series on Earth’s mightiest hero, Captain Marvel. This week, we’re focusing on the battle of Earth. Now we all know the story. The Avengers were trying to save the world, but if we’re being honest here, they were losing, badly. Alien ships invading, Thanos being a jerk about magical Stones. Our heroes were done for. Until, Captain Marvel blasted in!


 

Kamala Khan: Now who was this glorious, well-coiffed hero? Due to my extensive research, and my diligent studying of Scott Lang’s podcast interviews, who seems like a pretty cool guy. I’ve learned a lot about Captain Marvel, and I know at least three things to be true. One, she blasted through Thanos’s fleet like a flaming angel. And you know what? She looked good doing it. Two, she like punched Thanos right in the face. No offence to any of the other Avengers, but I really don’t think they could’ve done that. And three, sometimes, someone can come out of nowhere and do something amazing.


 

Kamala Khan: I know some of you think, “Well, she abandoned the people of Earth.” But look, it’s not true. Obviously we don’t know exactly what she’s been up to. But maybe she just needed a break, you know? Can a woman just live, hmm?


 

Kamala Khan: Next week, I’m going to kick off a special two-part series on why I think Thor is secretly a gamer. Remember, new episodes drop every Wednesday. Be sure to like, comment, and subscribe at Sloth Baby Productions.


 

Yusuf: Aamir, if you don’t stop praying long enough to put some food in your mouth, one day you will starve to death.
Aamir: May Allah forgive you one day.


 

Yusuf: Oh, Kamala, my Kamala, the road is a long and winding one, so never fully stop at stop signs.
Kamala Khan: Way too early for poetry, Abbu.


 

Muneeba: You set her up to fail, having her drive in the street with all the other cars. I have taught her to drive myself.
Driving Instructor: Ma’am, because of your daughter, I’m walking home.


 

Muneeba: [referring to Kamala failing her driving test] This is my fault. This is all my fault. These are my genetics. I mean, I come from a long line of fantasizing, unrealistic daydreamers. My mother was one.


 

Bruno: Plenty of people fail their driver’s test. Instructors focus on the tiniest things.
Kamala Khan: I crashed my car into his car.
Bruno: Oh. That’s on you.


 

Mr. Wilson: Okay, first off, I just want to say, I get it.
Kamala Khan: You get what?
Mr. Wilson: Well, I hear you’ve had a hectic couple weeks. But your teachers, you know, they’re telling me you’re doodling all day, staring off into space in your little fantasy land. Hey! Oh. Really? We truly started the meeting thirty seconds ago. You got to be with me, girl.
Kamala Khan: Yeah. Sorry, Mr. Wilson.
Mr. Wilson: No. Mr. Wilson was my father. My name is Gabe. His name was also Gabe. So, doesn’t super-work.


 

Kamala Khan: Do I have to figure out my whole future before lunch, or is there, like…
Mr. Wilson: I’m going to give you a task. I want you to go home. Not right now, but after school. Then you’re going to look yourself in the mirror, and ask yourself, “Kamala, who is that girl I see staring straight back at me?”
Kamala Khan: You’re reciting lyrics from Mulan.
Mr. Wilson: I am. I am.
Kamala Khan: You are.


 

Kamala Khan: You know, the plan was perfect. I was going to get my license. Then under the cover of stupid wedding errands, we just have like one pure, beautiful day of freedom at AvengerCon.
Bruno: Guess there’s always next year.
Kamala Khan: No, there’s no next year. This is the first one ever. Right? And then future historians, they’re going to start writing about it, and where does it start? Here. Okay? There’s not going to be another first AvengerCon ever again. Never.


 

Kamala Khan: You’re an idiot.
Bruno: I’m not. I’m actually a genius. So, can we stop acting like your mom is Darth Vader?


 

Kamala Khan: [referring to Muneeba] And just like every single thing I love, she seems to hate. And it’s like she thinks I’m some kind of, you know, weirdo.
Bruno: You are a weirdo. What?
Kamala Khan: If I’m weird, you’re weirder.


 

Kamala Khan: Bruno, I still need to figure out my final flourish for my costume. Any ideas?
Bruno: Okay. How about steam punk Captain Marvel?
Kamala Khan: Steampunk is dead.
Bruno: Okay, fine. How about a mashup? Like Captain Panther, or Iron Marvel?
Kamala Khan: Ooh, Doctor Strange Marvel. I can like wear a cape.
Bruno: Capes are cool.


 

Bruno: Captain Princess Marvel.
Kamala Khan: No princesses. I’m sorry. But you know what’s even better?
Bruno: What?
Kamala Khan: Zombie Captain Marvel. I could be like, “I will eat your brains. But I also have super powers.”
Bruno: Okay. Hey, let’s never do that zombie impersonation again.


 

Muneeba: Hi, Kamala beta. How are you? Hmm? How was school?
Kamala Khan: I mean, apparently I have like four days to figure out my whole future, so that’s…
Muneeba: Oh, don’t be so dramatic, Kamala.


 

Kamala Khan: [referring to the bangle] This is so cool. Is this Nani’s?
Muneeba: That is junk.


 

Najaf: Flying vultures in Armani suits are buying up the whole neighborhood.
Kamala Khan: Then maybe we’ll actually get a Halal Guys this time.
Najaf: They charge you for extra sauce at Halal Guys.


 

Kamala Khan: [after asking if she can go to the AvengerCon] You do trust me, right?
Muneeba: No. I don’t trust you.
Yusuf: Of course she does.
Muneeba: No, I don’t.
Yusuf: She does. We do. It’s just that we don’t trust anyone else. Beta, you’re still young, and there are so many strange people roaming around at night.
Muneeba: Or strange boys. Thinking God knows know what, and drinking God knows what.


 

Kamala Khan: It’s not like I’m asking to go to a party and do cocaine.
Aamir: Not a lot of salaam here, huh?
Kamala Khan: [referring to Aamir] Now, if it was him asking, it’d be like, “Oh, yes, Aamir. Do what you want, Aamir beta. Please, please.” But me, no, because I can’t do a single normal teenage thing in this house, right?
Yusuf: Come on, beta. You’re not normal. I meant you’re special!


 

Aamir: You want me to turn off the lights, or are you still afraid of the djinn?
Kamala Khan: Okay, I’m not twelve.
Aamir: [referring to her soft toy of Flash the sloth] Well, this says you’re twelve.


 

Kamala Khan: [referring to AvengerCon] This is mine and Bruno’s thing, okay?
Yusuf: Come on, bacchi. Can’t you make an exception for Abbu?
Kamala Khan: I can’t wear a salwar kameez to AvengerCon, okay? And you can’t come with me. Not dressed like that, because it is so humiliating. Okay, I didn’t mean it like that.
Muneeba: Bas, Kamala. If you don’t go with your dad, you’re not going at all. I made this for you. You’re not going to dress up like all those other girls in skimpy outfits. That is not you.


 

Kamala Khan: [over phone] So the worst thing that could happen has happened.
Bruno: Is that the code for “I fell into the Hudson for the third time”?
Kamala Khan: No, that’s “Black Sloth Down”. And I fell in once, okay?
Bruno: Twice.
Kamala Khan: It means everything sucks.


 

Kamala Khan: Maybe they’re right. Maybe I spend too much time with fan art, and costumes, and with my head stuck in fantasy land, so.
Bruno: Who is “they”?
Kamala Khan: My mom. My teachers. Mr. Wilson. Everyone.


 

Kamala Khan: Dressing up as Captain Marvel is weird.
Bruno: No, it’s not.
Kamala Khan: It is childish. And I know that, okay? And let’s be honest, it’s not really the brown girls from Jersey City who save the world.
Bruno: Sure they do. You’re Kamala Khan. You want to save the world? Then you’re going to save the world. With the right equipment of course.


 

Kamala Khan: If I can’t leave the house to go to AvengerCon, I’ll go to AvengerCon without leaving the house.
Bruno: How many slushies have you had today? Because all that red dye three, it’s making your brain…
Kamala Khan: Look, it’s illusions, old friend.


 

Kamala Khan: Then I make my way out of the house undetected, but extremely impressive, where you’ll be waiting in your costume, which better be awesome. Please don’t embarrass me.
Bruno: Me embarrass you?
Kamala Khan: Yeah, I said it.


 

Kamala Khan: Finally, you being a genius is coming in handy.
Bruno: What do you mean “finally”?


 

Kamala Khan: Then at 8:00 PM, the real reason we’re here, the reason I learnt to sew, and you learnt to airbrush. The cosplay competition. I win, obviously. We collect my crown and I’m assuming it’s made of real diamonds.
Bruno: It’s definitely not.


 

Bruno: So your plan is take the bus.
Kamala Khan: All this, and that’s your note? Really?


 

Kamala Khan: [referring to her bike] How likely is it I’m going to find it there when I get back?
Bruno: In Jersey City? Oh, I’d say you have a point zero-zero-zero-one percent chance.


 

AvengerCon Announcer: [after Kamala’s wears the bangle at cosplay and it activates its powers] Well, good luck following that, everybody.


 

Zoe: Oh, my God. Are you available to book for parties? You want to take a picture? I’ll tag you. I follow back. Mostly.
Kamala Khan: Move!


 

Bruno: What just happened? I don’t even know what to say.
Kamala Khan: Okay, Bruno. I actually have powers.


 

Bruno: Hey, keep me updated. And text me everything.
Kamala Khan: So weird. Hey. Please don’t tell anyone.
Bruno: Don’t. Stop, okay? I’d never tell anyone.
Kamala Khan: Never ever?
Bruno: Never ever ever.


 

Muneeba: I’m not recognizing you. Who is this rebellious girl sneaking out, lying to Abbu and me?
Kamala Khan: I’m not trying to be rebellious.
Muneeba: And I’m trying to protect you from yourself. I’ve seen what happens when people get obsessed with their fantasies.


 

Muneeba: [to Kamala] It’s time to stop fantasizing. I wish that you would just focus on you. Your grades. Your family. Your story. I mean, who do you want to be in this world, huh? Do you want to be good, like we raised you to be? Or do you want to be some, you know, this cosmic head in the clouds person? You think about that.


 

Kamala Khan: [as she looks at her glowing hand] Cosmic.


 

Agent Deever: [mid-credits lines, at the Department of Damage Control] Check this out. Teenage girl at AvengerCon.
Agent Cleary: AvengerCon? A cosplayer with too much time on their hands.
Agent Deever: Not this one. I’ve never seen powers like that.
Agent Cleary: [as Deever shows him the video footage of Kamala] Yeah, bring her in.

 

2. Crushed'My whole life I've either been too white for some people, or too ethnic for others. And it's been this very uncomfortable, sucky, in-between.' - Nakia (Ms. Marvel) Share on X

 

Gym Teacher: Morning, Camelia.
Kamala Khan: Morning. Actually, I’ve been meaning to tell you for years, my name is pronounced Kamala.
Gym Teacher: Huh.


 

Bruno: The videos you sent were just flashes of pink light and I didn’t see anything.
Kamala Khan: Oh, you didn’t see anything? I tried to shrink, and fly, and talk to ants, and none of it worked.
Bruno: What makes you think you have Ant-Man powers?
Kamala Khan: Because we’re both charming, and we look a lot younger than we are.


 

Kamala Khan: [referring to Zoe] Dude, just imagine how many followers the girl who saved her would get.
Bruno: I feel like secret identities are secret for a reason.
Kamala Khan: Yeah, but a million followers?


 

Nakia: [referring to Zoe] There’s another superhero catastrophe, and she’s sitting there, bragging about being saved by the budget Captain Marvel.
Kamala Khan: Thank you.
Nakia: What?


 

Zoe: But it was all just so life-changing. Which is why I’m going to have a party on Friday. You know, to celebrate the fragility of life. I mean, also the half a million followers thing, but mostly the fragility of life.
Bruno: She’s celebrating the fragility of life.
Kamala Khan: Yeah, we’re so not going to that party.


 

Kamala Khan: [after she sees Kamran accepting the invitiation to Zoe’s party] We should go to that party.


 

Bruno: So I guess super strength is not a part of the equation.
Kamala Khan: Yeah, well, maybe I should’ve tried harder in gym.


 

Kamala Khan: I saved you.
Bruno: Only because you almost killed me first.
Kamala Khan: Okay, maybe I do need to work on my skills.


 

Bruno: So it looks like your power isn’t coming from the bangle. It’s coming from within you. Like the bangle unlocked the superhuman part of you.


 

Kamala Khan: So, what, am I like Asgardian or something? Dude, am I related to Thor?
Bruno: No. No. I didn’t say any of that. Maybe?


 

Bruno: Well, let’s focus on what we know. Light comes out of you and it hardens.
Kamala Khan: Let’s call it Hard Light.
Bruno: Groundbreaking.


 

Auntie Zara: No Snapchatting in the masjid!
Snapchat Girl: It’s Insta!
Auntie Zara: Shh!


 

Kamala Khan: They really got to fix this place.
Nakia: No, you mean they got to fix our section of this place. See, but the men’s section is pristine. We got mold under the carpets, and the walls are literally crumbling. We can’t just stick up a poster for every piece of plaster that falls.
Sheikh Abdullah: Sisters, no talking during the lecture, please.
Kamala Khan: Sorry, Sheikh Abdullah, you know, it’s really hard to concentrate when we can barely see you.


 

Kamala Khan: [referring to Mosque Board election] Oh, my God, Naks, you should totally run.
Nakia: Are you crazy? Do I look like a ninety year-old man to you?
Kamala Khan: Sometimes.
Nakia: No. Stop it.


 

Nakia: Kamala, somebody stole my shoes! My new Versaces.
Girl: And the mosque shoe thief has struck again.


 

Kamala Khan: [referring to Mosque Board election] Rasheed’s got nothing on you, baby, okay? You’re the change. The change is here, and the change is her, everyone.
Nakia: Yeah, you know what? Maybe I will run. You’re going to be my campaign manager.
Kamala Khan: What?


 

Kamala Khan: Wait, is this Swet Shop Boys?
Kamran: Yeah. It’s really cool that you like this kind of stuff as well.
Kamala Khan: Do you like watch, I don’t know, Bollywood movies and stuff?
Kamran: Obviously. But only the greats, like Baazigar, and other stuff like that.
Kamala Khan: I mean, it’s no surprise you like Baazigar. It’s only SRK’s best work. Yeah, I know. Popular opinion says DDLJ.
Kamran: DDLJ. Yeah. Of course.


 

Kamran: It was great meeting you guys. Miguel, Paul, Nakia, Brian. See you later.
Nakia: [as Kamran leaves] Brian.
Bruno: He knows my name’s not Brian.
Nakia: Brian’s mad. Why is Brian mad?
Bruno: He knows my name is not Brian.


 

Nakia: We spend six weeks on ancient Rome and ancient Greece, but six minutes on ancient Persia and Byzantium. History’s written by the oppressors. That’s all I’m going to say.


 

Kamala Khan: Everything’s just changing really fast, Naks. I feel like I can’t keep up. I know it’s dumb, but…
Nakia: Are you kidding? Between the hijab, and the girlies, my parents can barely make eye contact with me anymore.
Kamala Khan: How are you making it look so easy?
Nakia: Easy? It’s definitely not easy. My whole life I’ve either been too white for some people, or too ethnic for others. And it’s been this very uncomfortable, sucky, in-between.


 

Nakia: [referring to her hijab] So, when I first put this on, I was hoping to shut some people up, but I kind of realized I don’t really need to prove anything to anybody. Like when I put this on, I feel like me. Like I have a purpose. It’s probably why I ran for the Mosque Board. And remember, you’re the one who convinced me to do it in the first place.
Kamala Khan: I love you.
Nakia: I love you too.


 

Bruno: [referring to his offer from Caltech] Can I think about it?
Mr. Wilson: Okay. Bruno. Have you ever seen a movie?
Bruno: Yes, I’ve seen a movie.
Mr. Wilson: Yeah. You know that part in the movie where someone comes in to the main character, and they say, “You’re going to be a Jedi?” Or, “You want to answer phones of a demanding but impossibly chic magazine editor?”
Bruno: Yes. Yeah.
Mr. Wilson: Well, that’s this moment. That is happening to you right now. You’re the lead character, I’m Meryl Streep. And you got to do it.
Bruno: But it’s in California.


 

Kamran: Who taught you to drive? Bowser?
Kamala Khan: I think I did pretty good, okay?
Kamran: I think so too. I don’t know if anyone else would agree.


 

Aamir: I think I remember you, man. You were looking at haram things on the Internet. We called you Haram-dot-Kamran. I’m going to call you that from now on.


 

Yusuf: That’s why we moved to America, right? So that our children could be anything that they wanted to be, yeah?
Muneeba: Almost anything.


 

Muneeba: [after Kamala has a vision of a woman and blacks out] Kamala, are you okay, beta?
Aamir: It’s got to be the evil eye.
Muneeba: Did you not eat anything? Or did you eat too much?


 

Yusuf: Trust me, even a cover band of Bon Jovi is going to get people to talk for a long time. Moreover, your mother loves Bon Jovi.
Aamir: Why?
Muneeba: Hey, don’t question my love for the Captain Kidd. If it wasn’t for Slippery When Wet, your father and I may never have met.
Aamir: That was gross. I don’t want to know. I’m done.


 

Muneeba: [referring to her great-grandmother, Aisha] That woman brought shame on our entire family. I had to move halfway around the world to forget it. Kamala. You would do best to do the same.
Kamala Khan: You’re the one who told me to focus on telling my own stories.
Muneeba: Not this one. Please let it go.


 

Muneeba: Hi, Bruno. You look so great.
Bruno: [referring to his top] Hi. It’s not too bright?
Muneeba: I don’t understand the question.
Aamir: It’s pretty bright, yeah.
Muneeba: Don’t listen to him.


 

Nakia: For maximum outreach, we need to divide and conquer. Yeah? Kamala, you’re going to start with the Mosque Bros. Yes?
Kamala Khan: Come on. The Mosque Bros never respect the halal gap.
Nakia: Hey, I mean, at least the Pious Boys are easier. Their life is one giant halal gap.


 

Nakia: Bruno, your group should be relatively easy. It’s the Converts.
Kamala Khan: Technically, the Reverts.
Nakia: But for that you have to make it past the Mini Harami Girls. And last, the ones who know it all, and will not let you forget it, the Illumin-Aunties.


 

Nakia: [to Yusuf] You wouldn’t rob two young women of that future, would you, Uncle? I mean, come on, this is Kamala and me. Your daughter, and basically your other daughter. Women’s suffrage, we fought for this, people died for this. You wouldn’t kill our dreams, would you? Vote for Nakia.


 

Zoe: [referring to AvengerCon] It was so fun. I mean, the costume contest did get cancelled, but everybody said I was a front runner.
Agent Cleary: And then the enhanced individual tried to kill you? Right?
Zoe: She didn’t try to kill me. She saved my life.


 

Agent Cleary: [after Zoe reveals that her superhero is South Asian] Let’s do the tri-state sweep. Search every temple, community center, and mosque. Just be respectful. The FBI is already surveilling them, you know that.
Agent Deever: Copy.


 

Kamala Khan: [as she’s trying to save him] Is that two foods or one food?
Hameed: One. I put ice cream on pizza.
OnLooker: Did someone say ice cream pizza?
Hameed: I like the flavors.
Kamala Khan: That’s really gross. Yeah, we can work with that. Now just think of a nice plate, or a bowl of ice cream pizza.


 

Najma: [after Kamran helps Kamala escape from the DODC agents] Kamala. I’ve been waiting a very long time to meet you.
Kamran: I’d like you to meet my mom.

 

3. Destined

'Good is not a thing you are. It is a thing you do.' - Sheikh Abdullah (Ms. Marvel) Share on X

 

Kamala Khan: [referring to her great-grandmother] So, how did you all say you knew her? Was it, like, did you guys meet in school or something?
Najma: Not exactly. Aisha was from another dimension, and so are we.


 

Kamala Khan: You all look very good for being around in the ’40s.
Fariha: Thank you.
Aadam: [referring to Kamran] Okay. Not all of us. The kid’s seventeen.
Kamala Khan: Oh, good. That’s a relief.
Najma: You’re right. She is adorable.
Kamran: I never said that. Not that I don’t think that. I was trying to keep that to myself.

 

'Have you ever felt like you were up against the world? Like you wanted something so bad, and then it actually happened, but in reality, it's just not as great as you imagined it.' - Kamala Khan (Ms. Marvel) Share on X

 

Kamala Khan: I never got a chance to thank you for saving me, by the way.
Najma: The least we can do is protect Aisha’s family. We didn’t even know she had any until you put on that bangle, and we sensed the presence of Noor.
Kamala Khan: Noor? That means light, right? Noor Girl. No, that’s not it.


 

Najma: [to Kamala] There’s Noor within us as well. It slows down our aging, for one thing. But we can’t access its full potential in this dimension. But maybe because you’re from here, you can.

 

'The man who chooses family is never alone.' - Yusuf (Ms. Marvel) Share on X

 

Kamala Khan: What about Kamran? Wasn’t he born here too?
Najma: That bangle helps you unlock the Noor. Maybe one day something will do the same for him.
Kamala Khan: I don’t know. It seems like a lot of bad things happen because of this bangle.


 

Najma: The bangle and its visions brought you to me, and to all the people that you belong with. Those people out there just see you as a kid playing dress-up. But I know that you’ve inherited greatness.
Kamala Khan: So you want my bangle?
Najma: It was Aisha’s wish to bring us all home. And now you must finish what she started.


 

Najma: In our home dimension, the Noor dimension, we’re known as the Clandestines. As to what we are, we’ve been called Ajnabi. Majnoon. Unseen. The list goes on. But what we’re most commonly known as is Djinn.
Kamala Khan: I’m sorry. Did you say Djinn?


 

Kamala Khan: Dude, I just had the craziest night of my…
Bruno: You can’t just text me, “I’m alive,” and then go get a full eight hours, okay?


 

Kamala Khan: Also, do not forget, we are trying to drop the name Night Light.
Bruno: What are you even talking about?
Kamala Khan: It’s a bad name. It just sounds like it’s for five year-olds.
Bruno: Kamala. Focus.
Kamala Khan: I’m a Djinn.
Bruno: And tonic?


 

Kamala Khan: I found out what I am, and it’s not Asgardian, or alien, or anything cool like that. I’m like the stuff of my childhood nightmares. See, there’s like ghost stories, and then there’s Djinn stories. And the Djinn stories are so much worse because they’re real.
Bruno: Where are you getting all this information?
Kamala Khan: So like a group of Djinn people saved me from all the drone stuff last night. They call themselves the Clandestines. And Kamran’s one of them.
Bruno: Did I not say there was something weird about that kid?


 

Kamala Khan: Also, they need my help, which means I need your help.
Bruno: I figured. Okay. Yeah, sure. I guess. Why not? I don’t really know how I can help a group of ghosts, and their average-looking son. Look, I’m just going to need a lot more information.


 

Agent Deever: Department of Damage Control. We received a report of an unidentified enhanced individual operating out of this mosque.
Sheikh Abdullah: Operating? Out of here? I’m afraid not, ma’am. But if you do know of anyone who can fly, please send them my way. I’ve been looking for someone to clean out the rain gutters.


 

Nakia: Pursuant to US criminal code, law enforcement officers are not permitted to enter a private space without a signed warrant.
Agent Deever: Yeah? You studied the criminal code in homeroom?
Nakia: Law & Order re-runs, but I’m not wrong.


 

Kamala Khan: Damage Control? Why? What did they want?
Nakia: I don’t know. They wanted us to give her up or something. The whole good Muslim versus bad Muslim, let’s self-surveil our people routine.


 

Tyesha: Kamala, are all these people your family?
Kamala Khan: Yeah. We’re Pakistani. We roll pretty deep.


 

Auntie Shirin: Mothers and daughters, it is the eternal struggle. You will be sure not to give your mother any trouble.
Kamala Khan: Me? No. Wouldn’t dream of it.
Muneeba: No trouble. No, no. She’s no trouble.
Auntie Shirin: No. She’s a perfect angel.


 

Kamala Khan: Do you agree with everyone? About our new masked neighbor?
Sheikh Abdullah: Do you?
Kamala Khan: I thought it would be cool to have a superhero who actually fights for us. But I don’t know. Maybe she’s just making things worse.
Sheikh Abdullah: I doubt that boy from the minaret would agree.


 

Kamala Khan: So, how does she convince everyone that she’s good?
Sheikh Abdullah: Good is not a thing you are, Kamala. It is a thing you do.


 

Yusuf: [translating for Bruno] “Supernatural beings of pre-Islamic folklore, the Djinn have had many names across time and cultures. Some call them genies. Others, demons. Legend tells of a group of hidden Djinn, exiled from their home world, and damned to live out their days trapped in our own. They move in shadows, searching for the key that will help them get home. But to unlock such an ancient barrier will require a primordial power.” Interesting. Haven’t heard that one before.


 

Bruno: What’s up with your knee?
Kamala Khan: You know when you like bump into a drone, and then fall off a truck, and you don’t really feel it till later?


 

Kamala Khan: Try again. This time like you have a social life. And go.
Bruno: If you help them go home, some things might go boom.
Kamala Khan: Might?
Bruno: Kamala.
Kamala Khan: Might. There’s a chance.


 

Kamala Khan: I think I have this bangle for a reason. Like, obviously, I can’t be the superhero. I don’t know. Maybe this is something I need to do. Something good.


 

Bruno: [after he’s told her he’s been accepted at Caltech and wants to go] Look, Kamala, if you want to help these people, I will help you help them. I will do the research. I will help you figure things out. But just right now, today, I just don’t see a safe way to do this.
Kamala Khan: Carol Danvers wouldn’t wait. She’d punch a hole in space and time, and she’d help them now.
Bruno: Then Carol Danvers would be reckless. Maybe it’s not such a bad thing that you’re not her.


 

Kamala Khan: Have you ever felt like you were up against the world? Like you wanted something so bad, and then it actually happened, but in reality, it’s just not as great as you imagined it.
Muneeba: Yes, actually. America was my mountain.


 

Muneeba: Kamala, listen to me. Whatever mountain you’re facing, you don’t have to do it alone.


 

Yusuf: [to Aamir] A man has one fundamental choice in life. To live a life in fear or love. The man who chooses love chooses joonoon. Passion. He chooses faith, courage. You wear a shalwar kameez every day on the street. You are about to stand in front of God, and your family, and commit to the love of your life. You are brave, my son. Because you have chosen family. And the man who chooses family is never alone.


 

Kamran: Apparently it might be dangerous if we don’t do it right.
Najma: Of course it’s dangerous. Why wouldn’t it be?
Kamran: Wait. You knew? And you asked Kamala to do it anyway?
Najma: This place will never be our home. We’re going to make her help us. I’m not asking anymore.


 

Brown-Jovi Lead Singer: We are Brown-Jovi. Now, we also do Eid, Diwali, and bar mitzvahs, and Sweet Sixteens, and quinceaneras. Brown-Jovi does it all.


 

Kamran: You’re not safe. None of you are safe.
Kamala Khan: What?
Kamran: Kamala, they’re coming after you.
Kamala Khan: They were so nice to me. I’ll just go talk to them, okay?
Kamran: They’re not here to talk. They’ll kill everyone. You have to get out of here.


 

Kamran: Kamala, everyone will die.
Kamala Khan: I’ll distract them.
Bruno: How? Isn’t that too easy?
Kamala Khan: [as she turns on the fire alarm] Stick to the classics, right?


 

Najma: No use resisting now. That bangle is made for something bigger than you. Don’t be so selfish, Kamala.


 

Kamala Khan: Bruno, hey. Are you okay?
Kamran: Get Brian out of here!
Bruno: I swear he gets my name wrong on purpose.


 

Kamala Khan: Why are you doing this? You said you would protect me.
Najma: Why should I protect those who betray me?


 

Kamala Khan: [as Nakia sees her using her powers] I’m really sorry.
Nakia: It was you? This whole time it was you, and you didn’t say anything?


 

Sana: [over Facetime] Did you see it?
Kamala Khan: See what?
Sana: Did you see the train, beta?
Kamala Khan: How did you know about that?
Sana: Because I saw it too. Which is why you have to come. You have to come to Karachi.
Kamala Khan: Wait. Nani? Nani?

 

4. Seeing Red'What you seek is seeking you.' - Waleed (Ms. Marvel) Share on X

 

Flight Passanger: First time to Pakistan?
Kamala Khan: What makes you say that?
Flight Passanger: You’re gripping that stuffed animal pretty tight.
Kamala Khan: Oh. It’s actually a napping pillow.
Flight Passanger: Right.


 

Kamala Khan: I thought I wasn’t allowed to speak. Unless laws of grounding are no longer applicable in international waters?
Muneeba: After you ruined your brother’s wedding, really? You’ll be serving out your sentence for years.


 

Kamala Khan: Was the house always this massive?
Muneeba: Yes, but it could use a paint job.
Sana: Yes, and paint all over this charm?

 

'If you have lived like I have, lost what I have, you learn to find beauty in the pieces.' - Sana (Ms. Marvel) Share on X

 

Kamala Khan: [referring to the bangle] Nani, why did you send this to me? Am I…
Sana: A Djinn? Of course. At least, that is what my father told me.
Kamala Khan: How are you so casual about this?
Sana: I don’t see what the whole fuss is about. It’s just genetics.


 

Sana: You’re focusing on the wrong things. It is not about how I see the vision, or if you are a Djinn. The important thing is that when the bangle was used the last time, it saved my life.
Kamala Khan: Like the trail of stars? The day you left India.


 

Sana: The bangle is trying to tell you something, beta. I don’t know what, but I do know that you needed to be here with me to figure it out.
Kamala Khan: I don’t know how to figure it out. I feel like I’m trying to piece together a hundred different things, and I’m just breaking more than I can fix.
Sana: That’s quite a puzzle. But then, if you have lived like I have, lost what I have, you learn to find beauty in the pieces.


 

Kamala Khan: Nobody told me about the “no jeans” policy. This outfit plays better in Jersey.
Zainab: Maybe after the heritage walk we can swing by the mall. We’ll find you something less controversial.


 

Muneeba: I hope you don’t mind that we are sitting outside, because Kamala wore jeans.
Rukhsana: Is that why she’s so hot, Kamala?
Kamala Khan: Yeah, it’s not the temperature. It’s the…
Rukhsana: The pani poori.
Kamala Khan: Why did you not warn me this thing was death?


 

Owais: Come on. Is this not exotic enough for the ABCD’s Instagram? You know, American-Born Confused Desi.
Kamala Khan: I know what it means.
Owais: Yeah, I thought so.


 

Red Dagger ‘Kareem’: Found you. I’m not sure what’s worse. Those glasses you tried on, or that mask.
Kamala Khan: Are you following me?
Red Dagger ‘Kareem’: I sensed the Noor.


 

Red Dagger ‘Kareem’: Do all masked Americans have superpowers?
Kamala Khan: Well, how do you know I’m not Canadian?
Red Dagger ‘Kareem’: You’re wearing a shirt that says “New Jersey”. What is this look?
Kamala Khan: No one likes the outfit, huh?


 

Kamala Khan: Where did you learn to jump? Ninja Turtles?
Red Dagger ‘Kareem’: Where did you learn yours? Donkey Kong?


 

Kamala Khan: Who are you?
Red Dagger ‘Kareem’: What are you? You’re not a Clandestine?
Kamala Khan: You know about them?
Red Dagger ‘Kareem’: But you have the bangle. How did you get it from Aisha?
Kamala Khan: Wait. How do you know about Aisha?


 

Red Dagger ‘Kareem’: Come with me if you want to live.
Kamala Khan: What?
Red Dagger ‘Kareem’: Just kidding. I’ve always wanted to say that. But really, we should go. There’s someone you need to meet.


 

Kamala Khan: Are you going to murder me? Because I don’t want to be the subject of a true crime doc right now.
Red Dagger ‘Kareem’: Relax. Sometimes you have to look beyond what’s right in front of you.


 

Red Dagger ‘Kareem’: Welcome to the Red Daggers. Perhaps we can teach you to open your eyes.
Kamala Khan: Red Daggers? What, are you in a Pakistani boy band?
Red Dagger ‘Kareem’: Not quite.


 

Kamala Khan: Why is the hot and sour soup so red?
Red Dagger ‘Kareem’: That’s the color it’s supposed to be. Did you Americans find a way to whitewash the Chinese food too?
Kamala Khan: Tell me, was it difficult finding a scarf long enough to cover that big mouth of yours?


 

Waleed: For hundreds of years, that scarf has protected the identity of warriors willing to take on the mantle of the Red Dagger. Our function is simple. To protect our people from threats of the unseen.
Kamala Khan: Like Djinn?
Waleed: The Clandestines are not like the Djinn you’ve heard about in stories, or in religious texts. I mean, if Thor landed in the Himalayan mountains, he too would have been called a Djinn.


 

Red Dagger ‘Kareem’: Noor is the energy source of that realm. The Veil, the Clandestines. Even your powers are made of it.
Waleed: If the Clandestines use the bangle to tear down the Veil, they’ll unleash their world onto ours. Until there’s nothing left of it. That is why it is important to keep that bangle safe.


 

Waleed: [referring to the bangle’s inscription] It says, “What you seek is seeking you.”


 

Sana: So, you found what you came looking for?
Kamala Khan: It’s a bit of an education.
Sana: Even at my age, I’m still trying to figure out who I am. My passport is Pakistani, my roots are in India. And in between all of this, there is a border. There is a border marked with blood and pain. People are claiming their identity based on an idea some old Englishmen had when they were fleeing the country. How is one to deal with that?
Kamala Khan: Do you think you’re ever going to figure it out?
Sana: But what’s the rush?


 

Kamala Khan: Your name is minced meat?
Red Dagger ‘Kareem’: No. It’s Kimo. Short for Kareem.


 

Red Dagger’s Friend: [referring to her nickname] Sloth baby. Cool name.
Kamala Khan: Thank you. Thank you. At least someone appreciates it.


 

Muneeba: And why are there so many toffee boxes everywhere?
Sana: These toffee boxes? Well, they’re for you. You know, you liked them as a child. So I just kept them around just in case you came back. I may have eaten most of them along the way.


 

Muneeba: I think maybe it is time for you to start considering coming to live with us in America?
Muneeba: [in Hindi, as Sana laughs] What?
Sana: And there I thought you went halfway across the world to get away from me.
Muneeba: I wasn’t trying to get away from you. I just needed a change.


 

Muneeba: And even after Baba left you, you continued to cling to these fantastic theories.
Sana: I just thought I’d share them with you.
Muneeba: I didn’t need your stories, Mommy. I needed my mother.


 

Waleed: [to Kamala] We believe your genetics could be the answer to why it is that you can shape the Noor here. Your humanity links you to the matter of this world. It makes your abilities unique.


 

Waleed: [to Kamala, as he gives her a vest] Though we may not have fancy armor, you should know, there is history in every thread of this fabric, so you always remember where you came from. You’re not alone.


 

Red Dagger ‘Kareem’: [as the Clandestines are chasing them] Hold on tight.
Kamala Khan: Oh, my God. I knew you were going to murder me!
Red Dagger ‘Kareem’: We’re not dead yet!


 

Kamala Khan: Okay, driving on the opposite side of the road on a stick. Bismallah, bismallah.

 

5. Time and Again

'When the soul lies down in that grass, the world is too full to talk about. What you seek is seeking you.' - Hasan (Ms. Marvel) Share on X

 

Hasan: [flashback, 1942, in Urdu] We want freedom peacefully without riot, However, don’t consider our peaceful attitude as being weak.


 

Aisha: [as he wakes her up using his stick] Touch me and I’ll break your leg.
Hasan: What? You mean this one? It’s okay. I don’t use it much anyway.


 

Aisha: What do you want?
Hasan: Well, for one, I’d like you to stop trampling on my poor roses. But from the looks of it, I think you need more help than they do.


 

Hasan: So, do you have a name? Or shall I just call you hungry? Perhaps you can tell me where you’re from then? I see. You’re clearly not British. And you’re not from this village. So, what brings you to my doorstep?
Aisha: I like your roses.
Hasan: Ah, she speaks.


 

Hasan: You know, when I saw you out there, it reminded me of my favorite poem. “When the soul lies down in that grass, the world is too full to talk about. What you seek is seeking you.”
Aisha: Aisha. My name is Aisha.
Hasan: Aisha. “She who lives”. A beautiful name.


 

Aisha: I know that you’re pretty attached to that rotting tree branch, but I thought it might be nice to have a walking stick that actually helped you walk.
Hasan: And to think, when we first met, you threatened to break my leg.
Aisha: Well, I changed my mind.


 

Hasan: [to Aisha, referring to their baby, Sana] She looks at you as though you’re magic. I can’t say that I blame her.


 

Hasan: Peaceful. Could all this bloodshed be called as peaceful?
Aisha: We will get through this.


 

Najma: Don’t you want to go home, Aisha?
Aisha: Of course. Of course I do. But I hid the bangle for safe keeping. Retrieving it will take some time.
Najma: You have until sundown tomorrow. And then, we will all go home. Together.


 

Aisha: We can take our memories with us. So long as we’re together, we can build a home anywhere, Hasan. “What you seek is seeking you.” You taught me that.
Aisha: [to young Sana as she gives her the bangle] I know, beta. New adventures can be scary. That’s why I need you to hold onto this for me. This will keep you safe wherever you go, okay?


 

Aisha: [after she shows Hasan the bangle’s magic] You knew I was running from something. But you never pushed.
Hasan: Because I didn’t care. You chose us, and that’s what mattered.
Aisha: And I’m still choosing you. Whatever happens, make sure Sana gets on the train tonight. Promise me, Hasan.
Hasan: Nothing is going to happen.


 

Najma: [after she finds Aisha trying to board the train with her family] You’ve turned your back on us. Your family. Your people. Where is the bangle, Aisha?
[after which she stabs Aisha in the stomach]


 

Aisha: [after Kamala finds the wounded Aisha by the train] The bangle worked. Sana, it brought you back to me.
Kamala Khan: I’m not Sana.


 

Aisha: They don’t have much time. Get Sana on the train. And protect that bangle. You have everything that you need.
Kamala Khan: No, you have to save her. You’re supposed to save Nani, like the story.
Aisha: [as she dies] It’s okay. She’s okay. Because you’re here.


 

Kamala Khan: [after she finds young Sana lost on the train platform] I can’t do stars, Nani, but I can do circles, okay?
[she uses the bangles power to guide young Sana back to Hasan]


 

Kamala Khan: [realizing she was part of Sana’s story] It was me.


 

Sana: You know, Magnum got lost once, I had him micro chipped.
Muneeba: Okay, Ammi, Magnum is a dog. Kamala is a girl. Okay? Though, trust me, if it was legal, I would do it.


 

Owais: I mean, she has a phone, right?
Muneeba: Yes, of course, beta, she has a phone.
Owais: Well, if Kamala’s phone is on your family plan, you can just log into your account and use the “find my phone” feature to see where she is.
Muneeba: Like spyware for parents?
Owais: Kind of.
Muneeba: Then why am I only just hearing about this?


 

Kamala Khan: [to Najma] All Aisha ever wanted was to be with her family, and you took that from her! Please don’t take that from Kamran too.


 

Muneeba: So you are that Light Girl?
Kamala Khan: Yeah.
Sana: Our family is magical. Munee, I’ve told you so many times over the years.


 

Muneeba: [referring to the photo Aisha gave Kamala before she died] This photograph, and those lights, how did that happen?
Sana: I don’t know, but I’d like to think two people fell in love and created something. Something much bigger than either of them could have created alone.


 

Kamala Khan: You know, I’m pretty sure a Pakistani goodbye is the opposite of an Irish one. Overstay your welcome and then ask if you could take home food.


 

Kamala Khan: Thank you, by the way. For everything.
Red Dagger ‘Kareem’: You know, if you ever need anything, I’m just a call away. Although the US government may or may not have several warrants out for my arrest, so.
Kamala Khan: Wow. Well, I don’t know how much more trouble I can get into after all this.
Red Dagger ‘Kareem’: [as he gives her his red dagger scarf] Just in case. For you.


 

Sana: [to Kamala] She was quite the rebel, you know. She ran away when she was seventeen to follow that star, Bruce Springfield.
Muneeba: Please don’t put all these lies into my daughter’s head, okay? It was Bon Jovi.
Kamala Khan: Huh? Why have I never heard of this?
Muneeba: Well, because you have never asked. Your father and I had a lot of adventures, Kamala. But I will tell you this. None of them have been as thrilling as being your mother. And recently, if I’ve been holding on really tight to you, it’s because I am not ready to let you go.


 

Sana: I didn’t hold you tight enough, Munee.
Muneeba: [in Urdu and English] No, Mummi, that’s not true. I couldn’t see what you needed me to see. Okay? I’m sorry.
Sana: Perhaps this was the journey I was intended to take. One that would bring me back to you.


 

Kamran: Argon. It’s one of my favorite elements. Yeah. So, you’re a car guy as well?
Bruno: Yeah, it’s a wonder we’ve never hung out before.


 

Kamran: Can we just restart? Because this is really weird. It’s nice to meet you. I’m Kamran.
Bruno: Bruno.
Kamran: Oh, my God. I genuinely thought your name was Brian this whole time.
Bruno: Oh, no. I hadn’t noticed the first four times that…
Kamran: Sorry.
Bruno: No.


 

Kamran: I need to stay here so my mom knows where to find me.
Bruno: Dude, she left you behind to fend for yourself. What makes you think she’s coming back?
Kamran: She wouldn’t just leave me behind like some kind of orphan. You don’t get it.
Bruno: My parents aren’t around anymore either.


 

Kamran: I’ve been followed. We have to go.
Bruno: [as Kamran blasts the drone] You have powers too?

 

6. No Normal'Just because someone treats you as their enemy, doesn't give you the right to treat them as yours.' - Sheikh Abdullah (Ms. Marvel) Share on X

 

Agent Deever: This is what happens when the wrong people get powers.
Agent Barrie: What do you mean, the wrong people?
Agent Deever: Kids, Agent Barrie.


 

Bruno: It wasn’t easy when Kamala first got her powers either.
Kamran: What would she do?
Bruno: Well, she’s Kamala, so she stress-ate a gyro.


 

Kamala Khan: I am the Light Girl.
Aamir: You’re what?
Kamala Khan: Night Light.
Aamir: Oh, my God. I had no idea.

 

'There is no normal. There's just us and what we do with what we've been given.' - Kamala Khan (Ms. Marvel) Share on X

 

Kamala Khan: You told them?
Muneeba: But, Kamala, I only told Abbu, really.
Yusuf: What are you implying?
Aamir: In classic Khan gossip train, you tell Ammi, she tells Abbu, and we overhear, because he always has his phone on speaker.
Muneeba: Speaker. Speaker is the problem.


 

Tyesha: [to Kamala] I have been dying to ask you, are your powers limitless, or do you have to recharge?
Aamir: Also, I’ve been dying to ask you, on Eid, did you drop that kid on purpose,
or was that like a game-time decision?


 

Yusuf: I mean, I, for one, am so proud of you. I mean, believe me, we are all in awe of you. But, beta, I just want to be sure that you’re being careful out there. I mean, just because you can do all these amazing things, doesn’t mean that you actually volunteer to go looking for trouble, right? I worry, beta. I just worry too much.
Kamala Khan: Abbu, I don’t think you raised me to sit by and do nothing when I can help people.
Muneeba: And we trust her, right?


 

Muneeba: [as she gives Kamala her superhero suit] This feels a bit more like you. Hmm?


 

Bruno: We need a place to hide from the cops.
Nakia: Are you crazy? You can’t hide in a mosque.
Bruno: Why? Houses of worship are supposed to offer sanctuary.
Nakia: This is a mosque in America. Damage Control, JCPD, hell, Department of Sanitation probably has us under surveillance.


 

Nakia: When the coast is clear, you guys head to the high school, and I’ll call Kamala.
Bruno: Why would we go to the high school?
Nakia: Because it’s the only place guaranteed to be empty on a Saturday.


 

Agent Deever: We are looking for a high-level threat. Presumably male, sixteen to twenty-five, Pakistani or Arab.
Woman in Mosque: But you are describing practically everyone here.
Sheikh Abdullah: See, this could take a while. But lucky for you, Rasheed has brought his famous yummy-yummy chocolate-chip cookies.
Uncle Rasheed: The secret ingredient is nutmeg.


 

Agent Deever: If you’re abetting a potential suspect, no one will be on your side, Sheikh.
Sheikh Abdullah: I don’t need anyone on my side. “I’m not even concerned if God is on my side as long as I am on His side. For God is always right.”
Agent Deever: I don’t have time for Quranic quotes. Excuse me.
Sheikh Abdullah: Actually, that was Abraham Lincoln.


 

Nakia: [to Deever and Barrie] I know. My mom would kill me if she found out I had a boyfriend and that it was that one.
Miguel: Did you hear that? I’m her boyfriend. And you’re both witnesses. Do you have a body cam? I’d love to have this moment on tape.


 

Sheikh Abdullah: And remember, just because someone treats you as their enemy, doesn’t give you the right to treat them as yours.


 

Kamala Khan: [referring to their baseball hats] What are you guys wearing?
Bruno, Kamran: [referring to her suit] What are you wearing?


 

Red Dagger ‘Kareem’: [over phone] Don’t tell me you’re in trouble again so soon.
Kamala Khan: Okay, please don’t make a big deal out of this. I really need help.


 

Kamala Khan: Are you mad at me?
Nakia: Well, I mean, I tell you everything. And this is the biggest thing that ever happened to you, and you didn’t tell me. So, I mean, maybe.
Kamala Khan: Okay, but you like kind of hate superheroes. I didn’t want you to hate me.
Nakia: Kamala, I would never hate…
Kamala Khan: I know you wouldn’t hate me, hate me. I messed up. I’m sorry.


 

Kamala Khan: What are you doing here?
Bruno: How did you get in here?
Aamir: Bathroom window. I went to school here too. Mom sent me to watch out for you.
Kamala Khan: Superheroes don’t need chaperones.
Aamir: Take it up with her.
Kamran: Guys, clock’s ticking.
Kamala Khan: Fine. Just don’t ruin anything.


 

Nakia: So, we’re going to stop Damage Control with softballs?
Kamala Khan: No. We’re going to stall Damage Control with softballs. And the real plan is Zoe.


 

Nakia: So you mean to tell me you knew Kamala had powers, and you didn’t say anything? Because it’s not like you.
Zoe: You know, Kamala saved my life at AvengerCon. I think Kamala should be able to tell the world when she’s ready.


 

Aamir: Not cousin Kamran, huh? What were you even doing with my sister?
Kamran: Driving lessons.
Aamir: Do you even like British Bake Off?


 

Aamir: [to Kamran] I’m only helping you out because my sister’s one of the smartest people I know. And I know she wouldn’t help anybody out that didn’t deserve it.


 

Zoe: Hey. It’s Zo, I’m at Coles High School, where Damage Control has me and my friends totally surrounded. Two of them have superpowers. I know, but they’re being targeted. These people are super scary, and they’re just not backing down. Please, you have to help us. To all my loyal followers, tag this message and share stories.


 

DODC Agent: [over radio] We’re chasing multiple suspects. All identical. I repeat, all identical.
Agent Barrie: What, he can multiply now?


 

Kamala Khan: Still with me?
Kamran: Always was.


 

Kamala Khan: My friend has a contact. He can meet you at the docks.
Kamran: This friend of yours, they’re the Red Daggers, aren’t they? They are, aren’t they? Look, The Red Daggers are as much a threat to me as those cops are out there. They’ve been fighting my family for decades.
Kamala Khan: Pretty sure those guys aren’t cops.


 

Kamala Khan: Hey, guys. Are you okay?
DODC Agent: Yes, Ms. Night Light.
Kamala Khan: Not that name.


 

Kamran: Kamala, look around. They’re never going to accept me, and they’ll never accept you either! My mom was right. This isn’t my home.
Kamala Khan: But she saved it for you! In her last moments, she sent everything she had to protect you. She chose you.


 

Kamran: Look at everything I’ve done, Kamala. What am I supposed to do now? How can I be normal?
Kamala Khan: There is no normal. There’s just us and what we do with what we’ve been given.


 

Auntie Ruby: [referring to Kamala] It’s going to be very difficult for her to find a husband.


 

Sheikh Abdullah: Looks like I am now a hot dog. Let’s hope this hot dog is Halal.


 

Hameed: [referring to Kamala] She’s a freaking action superhero. Mad skills. But I don’t know where those skills went when she dropped me and broke my leg. Guess I was the beta test.


 

Yusuf: So, you are now the great new superhero called… Called what?
Kamala Khan: I’m still figuring it out.
Yusuf: Of course you are. Yeah, we’re all still figuring it out.


 

Yusuf: Do you know why we named you Kamala? Your mother and I tried for years to have a second child. We’d almost lost all hope. And then you came. Beta, you were just so perfect. That’s what kamal means in Arabic. “Perfect”. But in Urdu, it’s more like, what’s the word? “Wonder”. “Marvel”. Kamal means marvel.
Kamala Khan: I share the same name as Carol fricking Danvers?
Yusuf: I don’t know who that is. But you sure are, and always have been, our own little Ms. Marvel.


 

Bruno: [referring to Kamran’s car] We really bonded in that explosion, okay? Plus, I look good driving it. So, I’ll probably take it to Caltech.
Nakia: I, for one, think that it looks much better on the streets of Jersey City without you in it, to be honest with you in it, so.
Kamala Khan: Yes, I for two.
Bruno: No. No. I, for three, disagree.


 

Bruno: Kamala, there’s something different in your genes. Like a mutation.
Kamala Khan: Whatever it is, it’s just going to be another label.


 

Nakia: Get in, losers. We’re getting shawarma.
Kamala Khan: I love you!


 

Kamala Khan: [referring to Kamran’s car] Listen, I’m the only one who’s actually driven this thing. Ten and four, right now.
Nakia: It was some myth. Ten and four.


 

Carol Danvers: [mid-credits lines, after the bangle glows, Kamala and Captain Marvel swap places] Oh, no, no, no.

 

Trailer:

Filed Under: Comic Book, Television

DMZ Best Quotes (TV Series)

March 14, 2022 by MovieQuotesandMore.com

Our list of the best quotes from the HBO Max dystopian action drama limited series DMZ (2022), based on the graphic novel of the same name by Brian Wood and Riccardo Burchielli. Set in a near-future where America is fractured by a Second Civil War, the story centers on DMZ (Demilitarized zone), which is a ravaged Manhattan Island where no one goes in, no one comes out. We follow medic Alma Ortega (Rosario Dawson), who is desperate to find her missing son.

1. Good Luck

'You want to know how to inspire loyalty? You baptize someone with a new bada** name.' - Wilson (DMZ) Share on X

 

Riley: I didn’t know the river was the boundary. I thought western New York was still US territory.
Alma Ortego: Well, the country line used to be further west, but it’s been the Hudson for a few months now. It’s hard to know. Feels like the border keeps changing day by day.


 

Alma Ortego: I’m separated from my family too.
Riley: You know where they are?
Alma Ortego: [points to DMZ on the map] There. I think.
Riley: Oh, s**t. For real?


 

Franklin: I’m hearing the ceasefire’s shaky.
Alma Ortego: They’ve been saying the ceasefire’s going to blow up for years.
Franklin: Right, and if it does, then the fighting will be over the DMZ and we will be stuck in an active war zone.


 

Franklin: You don’t know what you’re in for.
Alma Ortego: [referring to DMZ] I know that my son might be in there, and that I’d rather be stuck in an active war zone than be out here wishing I could look for him. You’re getting me in there tonight.


 

Franklin: [to Alma] You have no idea what you’re walking into. You’re on your own.


 

Franklin: [to Alma] My advice, stay downtown. There’s nothing uptown but looters, shut-ins, and lunatics. It’s people at their worst.


 

Odi Peerlis: [to his guinea pig] I know you’re scared. I used to be scared too till I realized it ain’t worth it anymore. We can die a million ways each day, so what’s the point?


 

Parco Delgado: Now they call this a DMZ, right? So-called demilitarized zone. But this ain’t no neutral territory. This is abandonment. That’s right! They walled us in! They turned their backs on us! Our own people did that to us. To you. And we still taking sides? That’s why I’m running for governor of the DMZ. We keep this unity going, folks, we will be our own state. The people out there will take note. This will be your DMZ!


 

Little Girl: [referring to the crossed out names on the wall] That ain’t just paint on your hand. What did he do?
Skel: He was rude.
Little Girl: Stupid on him. Two years ago, my daddy was rude to you. Stupid on him too.


 

Alma Ortego: Are there any other clinics around?
Rose: Nope. Just us, and with the US Aid drops gone, strapped for meds. In a few days, I’ll just have people s**tting themselves to death on my doorstep.
Alma Ortego: You do make a difference.
Rose: Even when we are stuck between two f***ing warring armies with guns trained on us, people around here they can’t see past killing each other for better standing. Just makes you wonder.


 

Rose: That’s what they mean when they talk about democracy, killers like Skel, and his public hit list. If you’re not crossed out, you’re next. RIP, Michael Bauer.
Alma Ortego: Is that why you carry that gun with you everywhere?
Rose: We’re in a f***ing war zone. I sleep with this gun in my hand.


 

Rose: [to Alma] Just watch your back. People won’t hesitate to kill you in here for whatever you’ve got.


 

Rose: [to Alma] Well, everyone was someone before the war. None of it matters now.


 

Parco Delgado: It’s nice though, you know, people getting together like this. It’s important. Because you know what’ll kill you in this place? Solitude.


 

Parco Delgado: [to Skel] This is when we got to stick together the most, and here’s the truth. I ain’t nothing without you. Okay, kid? You got family, you got me. Remember that. Because solitude will kill you too you keep hanging alone.


 

Rose: [to Alma, referring to Wilson] You can’t get to him. And even if you could, you don’t let a man like that get his hooks in you. You would know that if you were from here. You’ve been living in a kill zone, and you’re only now just looking for your son? You’re from outside.


 

Wilson Lin: You want to know how to inspire loyalty? You baptize someone with a new bada** name.


 

Wilson Lin: People don’t give a s**t about how relatable, or down-to-earth a leader is. They want spectacle, hm? I mean, come on!
Alma Ortego: I’m sorry. It’s just a lot to process. You used to peddle weed and pills from the hospital pharmacy. You’d tell me every day how well I wore my scrubs.
Wilson Lin: Goddamn. You wore those scrubs well.
Alma Ortego: You were a harmless flirt. You were cute.
Wilson Lin: You mean, powerless.
Alma Ortego: Maybe. Yeah.


 

Wilson Lin: You know, I can’t speak with anyone like this now that I’ve become a shrewd ruler. And, Alma, I am shrewd as f***. I mean, I can read a person like a ten cent comic, you know? Like the people here. They just want to be left alone. For the first time ever, people have been able to decide what it is they truly care about. For me, that’s Chinatown. All these other dingdongs jockey to rule the island. Meanwhile, I’ve got money, muscle, leverage, and I focus it on my twelve square blocks. I’ve rebuilt this into my Eden. It’s f***ing Mayberry in here.


 

Alma Ortego: Well, I’m looking for my son. I don’t even know if he’s here. We got separated on day one, and it’s why I came to see you.
Wilson Lin: I remember your kid. He was cute.


 

Odi Peerlis: You got a middle name?
Alma Ortego: You don’t want to know my first name?
Odi Peerlis: I like to know people’s middle names. I can’t remember mine.
Alma Ortego: I don’t really like my middle name.


 

Odi Peerlis: [after Alma tells him her middle name is Zarela] You got to celebrate that. It’s cool. Zarela. Zarela. I think I’m going to call you Zee.


 

Michael Bauer: Skel.
Alma Ortego: But you called him something else.
Michael Bauer: What? Parco’s son? You know, that psycho’s next in line to run the Kings. The bogeyman himself. S**t. This war better be over before that can happen.


 

Alma Ortego: [referring to DMZ] I have to go back.
Franklin: Look. You heard what those people said about that guy. Skel is not the son you remember.
Alma Ortego: That’s for me to decide. I have to get him out.


 

Little Girl: [as Alma is painting over wall with the crossed out names] Stupid on you, lady. Now you’re dead.
Alma Ortego: Not anymore.

 

2. Advent

'The future isn't about kings. It's about partners.' - Alma (DMZ) Share on X

 

Carmen: [to Parco] Look at us. Three years ago, we started with four blocks, and we’d shoot on sight to guard it. Now we got opened up roads, crew affiliations, free trade. That started with you.


 

Alma Ortego: Eight years and a civil war later, and this one’s still all bark.
Carmen: B**ch, I am right here. Say it to my face!
Alma Ortego: You know, you always wanted to be like me. Looks like you’re still trying. But this is impressive.

 

'Even a king kneels to the future.' - Wilson (DMZ) Share on X

 

Parco Delgado: What do you want, woman?
Alma Ortego: I need to see Christian. Tell me where he is, and I’ll leave!
Parco Delgado: For one, he don’t go by that name no more. And he likes his privacy. Unlike you, I respect that.


 

Marcel: We come into this world naked and alone, right? And we leave it naked and alone. You got to get you and yours squared up. To hell with all y’all. You see, in the end it’s just you, and God. That’s it. It’s just you and God. That’s it.
Cedric: The preacher ain’t wrong. You’re looking for home. But home takes time. Making peace with yourself. That’s the first step to finding your place, and that takes real courage, Odi.


 

Susie: Tell me about the book.
Wilson Lin: A man is sent to Cuba to be a spy for the British. He lies about everything to everyone to get promoted, to make more money. Everyone believes his lies anyway. And real consequences play out.
Susie: And?
Wilson Lin: And people start dying. But he doubles down on his lies, and the way others react make his lies come true.
Susie: What does that tell you about truth?
Wilson Lin: That it’s irrelevant.


 

Susie: Now your gold is disappearing, and only three people know where it’s hidden, and one of them is a rat. How to know which one?
Wilson Lin: It doesn’t matter. I can just choose. Either I’ll be right, or I’ll be wrong. In which case, either the truth, will be whatever I say it is, or it’ll emerge on its own. Is that what you’re telling me?


 

Wilson Lin: Even a king kneels to the future.


 

Alma Ortego: [referring to his followers] They adore you.
Wilson Lin: Well, I work hard for it.


 

Wilson Lin: You are the only people who know where my gold is hidden. I entrusted you to secure those caches. And now, another one’s gone missing. One of you is my rat.
Wilson Lin: [after he shoots one of the men in the foot] I’ll return tomorrow with both of your mothers. If I don’t get a full confession from this group, I’ll kill them in front of you.


 

Wilson Lin: Would you ever have thought that I’d be the one fighting for a new republic here with total political freedom?
Alma Ortego: Actually, yeah.


 

Alma Ortego: So that’s what you’re peddling, political freedom?
Wilson Lin: People don’t want to be told what to do. The ecosystem of crews here it’s developed out of truly free choice. My people don’t want what the artist collective wants, and those folks don’t want the same thing as the kings uptown. What we all want is the freedom to self-determine. And I just want to guarantee it.


 

Wilson Lin: I know a lot about Skel.
Alma Ortego: Can you tell me where he lives?
Wilson Lin: You are stepping into stratospheres of consequence that can really hurt you, Alma. You need to stop and ask yourself if this is worth it. Skel’s the crown prince. If I touch him, the DMZ will have its own civil war.
Alma Ortego: Do you know where he lives?
Wilson Lin: Not today. I’m sorry.


 

Wilson Lin: A woman like Oona requires nuance and patience. Two ideas Parco knows nothing about.
Alma Ortego: Maybe.
Wilson Lin: You disagree.
Alma Ortego: I think you engage a woman like Oona with humanity, by going beyond yourself to help others. In time, you’ll help the right people. She’ll see you.


 

Alma Ortego: For the past seven years, elevens, twenty-five days, I’ve been thinking only about that name. About you. I’ve been looking for you. Dreaming about this moment. I lost you, and I’m sorry. I love you. I love you forever, and I swear, I will never leave you again.
Skel: You didn’t lose me. I ran.


 

Skel: You spent my whole life looking right through me. Whatever. The past doesn’t matter.
Alma Ortego: I can hear your father.
Skel: Yeah? Well, he sees it all clearly. He’s not living in some fantasy.
Alma Ortego: Right.
Skel: And he gave me the one thing you always took from me, power. And that’s all that matters now. I’m not your son anymore. And I don’t feel anger, or hate for you right now. I feel nothing. So get the f*** out of my home. Go cry for me somewhere else. And don’t you ever come back here again!


 

Cesar: [referring to the debate with Wilson] You ready for this?
Parco Delgado: Yeah, tú sabes. I’m going to whip this crowd into a fine lather.
Cesar: No, man. I mean governor. Neither army wants to see the DMZ getting strong. I know we got our plan, but there ain’t no going back.
Parco Delgado: Listen, bro, ten, fifteen years from now, this right here is what the kids are going to be talking about in history class, okay? In our schools, right here in Manhattan. Hell, yeah, I’m ready. S**t. How about you?
Cesar: I’m at your six, brother, all day.


 

Skel: Proud of you, pop.
Parco Delgado: And that woman that dropped in on us, esa bruja madre tuya, ain’t going to step on none of that. She changes nothing. I mean, so what, she snuck in here. After eight years? I give her two days before the DMZ eats her alive.


 

Oona: [to Alma] A liar who comes unarmed. Snake in the grass if I ever saw one.


 

Alma Ortego: [to Oona] Look, for the past eight years I’ve been all over the free states, and the united states. And that should matter to you, because while you’ve built your walled garden here, I know that the people in charge out there are just biding their time to come back here, and take this all away from you. But we can change that. if we act now.


 

Oona: Most people were chasing guns and gold, but they forgot about water. The one thing everyone needs to survive. So I took it.
Alma Ortego: To leverage it?
Oona: To keep it equal. And out of the hands of warlords like Parco.
Alma Ortego: Well, that’s why I want to take him down.


 

Oona: Your son is Skel?
Alma Ortego: Skel is the idea that Parco has turned him into. And the only way to break that spell is to break Parco himself.
Oona: And you think that’s through Wilson?
Alma Ortego: I think that’s through you. You have a voice here. This is your home. I’m not going to be sticking around. Parco will rule this place the only way that he knows how. By fear. It’s what he comes from. He’s driven by it. But I’m not.
Oona: Parco, Wilson. It’s all Kabuki theater, sweetheart.


 

Alma Ortego: We’re all looking out for our own. That doesn’t mean that we get to sit on the sidelines. Come to the table.
Oona: There is no table in the DMZ.
Alma Ortego: Then someone should build one.


 

Tenny: I used to do that. Like pretend, and live in daydreams. Then after a while, it started to hurt more than it helped. When I saw you today, just for a second, I felt myself looking forward.
Skel: I’m pretty sure I’m looking forward right now.


 

Odi Peerlis: My grandpa always told me, the best way to go on here is to keep moving. But I’m tired. And it’s not that I’m afraid of the dark. Just the night.


 

Parco Delgado: Let me tell you something that makes me mad. Our name, DMZ. That’s the name that they gave us. It ain’t ours. But I’ll tell you what is, this land is ours.


 

Wilson Lin: He puts on a good show. I’ll give him that. But let’s, let’s get real. Parco’s talking about some grand, unified United State. I’m talking about your freedom. Which is the first thing this guy’s going to take from you.


 

Oona: Parco stands up here offering you protection? Well, I’m hearing him threatening to take it away. This isn’t a powerful man offering power. This is a fearful man stoking fear. I don’t like this. I stay away from all of it, and I can, because I have power these men couldn’t even dream of.


 

Oona: [referring to Alma] I didn’t come here to endorse either one of these men. There is one person that I’m inspired by. Someone who recognizes what is broken, and challenges us to fix it. I came here to throw my support behind Zee. Where she goes, I go.


 

Alma Ortego: The future isn’t about kings. It’s about partners.

 

3. The Good Name

'All men who rule by and for themselves alone will succumb. In the end, the cycle is the cycle.' - Susie (DMZ) Share on X

 

Alma Ortego: [to Odi] You know, that is what friends do. You know, they talk about things with each other. Maybe you should try it.


 

Cesar: There are forces way bigger than you involved here, and they’ve already set the outcome. That’s your warning.
Alma Ortego: You done?
Cesar: You shouldn’t have come back.


 

Alexis: [referring to the clinic] Alma, I inherited a horror show. We’re barely managing. I need help here.
Alma Ortego: So do these people out there.

 

'It's the pores. See, when you can see the pores, that's when you see that even the big bads are just people.' - Wilson Lin (DMZ) Share on X

 

Alexis: You’ve been here all of, what, four days? These are real people, who have lived here through it all, and they believe what you say. Not Wilson, you.
Alma Ortego: Well, that’s good. Wilson protects people’s access to health care. That means a safe clinic. Look. No more lacking meds.
Alexis: Well, I’ve seen enough to know Wilson is no messiah. Just saying. You better know what you’re doing beyond getting that man elected.


 

Alma Ortego: [referring to Wilson] So, you’re the mother of the man who would be king?
Susie: I’m not his mother. I just took care of him. Now he takes care of me.


 

Susie: You’re quite the mover.
Alma Ortego: Is that what Wilson told you?
Susie: It’s what I see with my own eyes.


 

Susie: [referring to Skel] You believe you can win him back.
Alma Ortego: Yes.
Susie: Back to what? Once you have what you’ve come for, you’ll make no further claim on this place for you or your son?
Alma Ortego: Oh, if you’re worried that I’m going to demand something more for my help…
Susie: I’m not worried. I’m curious if you know what you’re sowing.


 

Alma Ortego: You don’t believe one ruler is better than the other.
Susie: I think one ruler is the problem. From up close, they’re different, perhaps. Moment to moment. But that’s just an illusion, like the charade at City Hall. From above, no. All men who rule by and for themselves alone will succumb. In the end, the cycle is the cycle.
Alma Ortego: Then what’s the point, if it’s all the same in the end?


 

Alma Ortego: You want to know what happens after I win my son back? I leave. That’s it. Look, this isn’t my war here.
Susie: Pity.


 

Alma Ortego: My only pursuit here is my son, nothing more.


 

Alma Ortego: What are you doing, flexing?
Wilson Lin: I appreciate your efforts over the last few days proselytizing my name. I’m clear on what I am to you. Means to an end.
Alma Ortego: What do you care? Votes are votes.
Wilson Lin: I care, Alma. If the DMZ’s taught me one thing, it’s that there’s no room for pretending here. No more code switching. That bulls**t’s behind us. I am now ferociously committed to always being me. And I respect you too much to have you
under any illusions about what I am.


 

Tenny: What do you think they’re doing out there right now?
Skel: What would you be doing?
Tenny: I don’t even know.
Skel: Walking the dog? Yoga?
Tenny: Yeah. Right. Well, maybe.
Skel: Putting an amazing dinner on the table as I get home from a long day?
Tenny: Oh, is that what you see?
Skel: Yeah.
Tenny: Because I see you putting dinner on the table for me.


 

Tenny: [referring to Wilson, to Skel] He has this thing, like wants to honor me, exalt me. He tells people that I’m his niece his princess. I’m not even Chinese. But I live in his gilded prison, which is why I don’t feel like rubbing my nose in the kind of freedom I’ll never have. You’re your father’s son, and I’m Wilson’s ward. Outside of whatever this is, it’s all we’re ever allowed to be.


 

Skel: [referring to leaving] If there was a way, would you go with me? Would you?
Tenny: Yes.


 

Alma Ortego: Skel’s going to walk into a trap, Carmen. I have to get to him before sundown, or they’re going to kill him.
Carmen: Who is?
Alma Ortego: Wilson.


 

Alma Ortego: I saw a play to get to Skel. I was very wrong.
Carmen: You think?
Alma Ortego: [referring to Carmen’s pregnancy] And you’ll understand this in about seven months, by my eye.


 

Alma Ortego: I only care about my son. Wilson, Parco, they’re all the same toxic s**t!
Carmen: You think I don’t know that?
Alma Ortego: Then what are you doing?!
Carmen: One of those guys keeps me and mine safe. You take out Parco, where you going to be when Wilson comes to cut my head off? And who you think looked after Skel when you were gone, huh?


 

Alma Ortego: You know, I thought my worst nightmare was losing my son. Turns out my worst nightmare is realizing he turned out just like my ex, and I can thank you in part for that!
Carmen: Me?
Alma Ortego: F***, yes!


 

Alma Ortego: I don’t hate you. I just know that you’re smarter than this! You could be running this whole thing if you wanted, but you’re choosing the easy way.
Carmen: I’m choosing survival. Protection.
Alma Ortego: Now you’ve got someone to protect. And you and I both know more intimately than anyone else what it’s like to love someone so self-serving and dangerous. You hung around this long, that takes power, resolve. But you need to know something. I made a choice! A choice you’re going to have to make soon too. It’s Parco, or it’s your child. That’s it.


 

Cesar: See, that’s your problem. Always has been. You never know when to stay out of people’s faces. Do you understand…
Alma Ortego: [she hits Cesar in the face and takes his gun] You know what your problem is? You always underestimated me.


 

Nico: What about Zee? She like your stepmom now?
Odi Peerlis: Is a stepmom like when you get a new mom if your old one dies?
Nico: I think so. Yeah.


 

Marcel: [to Odi and Nico] It’s called The Starry Night. World’s most famous work of art. We may be in a war zone, but at this moment, we three are the most privileged people in the entire world. Just us, and God, here.


 

Alma Ortego: Christian, I’m not lying to you. I’m not part of this. You think you’re doing good by your father, but you don’t even know the f***ing rules of the game that you’re playing. Parco’s in bed with the US.


 

Alma Ortego: [to Skel, referring to Parcp] He’s lying. Which means everything he’s made you believe you are, what you’re doing right now, was all for a lie. You don’t have to let him use you anymore.


 

Alma Ortego: If you want to kill him, you’re going to have to kill me.
Wilson Lin: Alma, I’d never. This kind of leverage works best in mint condition. Oh, and very clever to pull that information from a dying man. It’s ruthless. My God. Feels like something I’d do.
Alma Ortego: Wilson, just let him go. He’s my son. You don’t need to do this.
Wilson Lin: You’re right. But talk about a feather in my cap, huh?


 

Wilson Lin: [to Skel] Always wanted to see you up close. Yeah, it’s the pores. See, when you can see the pores, that’s when you see that even the big bads are just people.


 

Skel: You look at me and feel sorry, don’t you? I can feel it. But the truth is, you never even knew me. I was good. I got the grades. I smiled. Gave a firm handshake, but you never trusted me.
Alma Ortego: I just didn’t want you growing up like I did.
Skel: You didn’t want that. You.
Alma Ortego: I was doing my best. I know I made mistakes.
Skel: Is that what you tell yourself?


 

Skel: You want to know the one thing I was thinking on Evacuation Day? “What’s going to happen to Dad? He’s locked up.” I was just a kid, but I made a choice. I went to save him because you put him there. We both did.
Alma Ortego: I had no idea, Skel.
Skel: You don’t even know what that name is, do you?
Alma Ortego: Yes, I do. It was your tag.


 

Alma Ortego: [referring to the name Skel] It was a good name. It was your name. Parco knew that. Must have felt good when he’d say it. Is that why you crawled under his wing when he opened it up to you? Why you let him steal that name from you?
Skel: He made me what I needed to be to survive.
Alma Ortego: No, you don’t believe that. I can see it in your eyes.


 

Skel: Stop trying to make yourself feel better!
Alma Ortego: Hey! You don’t talk to me like that. You think I’m here to make myself feel better? I’ve nearly killed myself looking for you! Eight years! No. You know what? Maybe I’m an idiot. Maybe you don’t deserve saving. Maybe you’re just a goddamn fiction in my head.
Skel: For once, you’re right about something. Now please, leave.


 

Alma Ortego: Susie was right.
Wilson Lin: What?
Alma Ortego: The cycle is the cycle.


 

Parco Delgado: [to Wilson] You know, I tried to play it civil. But the truth is, I always wanted to sort this out with blood and bone.


 

Alma Ortego: What we had once upon a time, it was so good. We were family. It’s sad how it shook out. You were always so confident, so cocky in a good way. You at your best. I felt like I didn’t need a single thing. But that was pre-war Parco, and what did I know? I do know that that guy would have never let anyone pull his strings.


 

Parco Delgado: I ain’t no puppet. It’s the US that needs me. There’s a whole wide war out there, and for what? For this land, this symbol of progress, of America, and it’s mine. That’s leverage.
Alma Ortego: No, it’s ignorance.


 

Parco Delgado: [to Alma] What we had was good, and you know you’ll always be family to me. It’s game over. I won. So let me tell you what you’re going to do. You’re going to run away from here as fast as you can, and don’t you ever let me see you again. Because if I do, it’ll be the last, and the only thing you’ll see, as your life leaves you are these eyes staring down on you, just like this.


 

Parco Delgado: I think your mother’s got you twisted up about what’s what. I’m a little unsteady about you, boy. So, time to declare.
Wilson Lin: This is his fight, not yours.
Parco Delgado: Show me who you are.
Wilson Lin: You don’t have to do this, Christian.
Skel: All hail the king.
[he then tosses Wilson out the window, which kills him]

 

4. Home'A leader must discern what she must control and what she must cede to her people.' - Susie (DMZ) Share on X

 

Athena: It’s amazing how a steady supply of toilet paper can turn a man into a god.
Alma Ortego: And in return what? He let you use Chinatown as a weapons depot with a ready militia?
Athena: Our deal with Wilson is irrelevant now. He wasn’t under any of the illusions he preached. He knew that one day war would resume, and on that day he’d have safe passage off the island.


 

Alma Ortego: [to Athena] If you’ve been watching, you know that Wilson was nothing more than a middleman in his neighborhood. I can give you a direct line to Susie. You’re playing for a foothold in the DMZ. I’m offering you real influence.

 

'It's amazing how a steady supply of toilet paper can turn a man into a god.' - Athena (DMZ) Share on X

 

Athena: [referring to Susie] How can you know she’ll be amenable?
Alma Ortego: Her son was just thrown out of a window by the man stealing his landslide. She’ll be amenable.


 

Tenny: I need you to know that your son is gone. Skel will never leave this place. He’s stuck here. We all are.
Alma Ortego: No. He’s in there. I saw him last night when he looked at you.
Tenny: What you saw was shame and betrayal.
Alma Ortego: And guilt. And hurt. And love. Call it what you want, but that was the first moment I saw my son’s eyes. And I can see in your eyes that you know what I mean. So, no, I’m not giving up on him. Not yet.

 

'I can't undo the past. But I can try to repair the broken parts for the future.' - Alma Ortego (DMZ) Share on X

 

Tenny: And always keep it dope.
Alma Ortego: You’re…
Tenny: Welcome to Radio DMZ.


 

Tenny: Last night, I realized I’m surrounded by monsters here. But you’re different, and I’m royalty in Chinatown. And Susie, she calls the shots. I can give you their votes. Chinatown leans your way, other neighborhoods will follow.
Alma Ortego: I didn’t mean I’d run against him.
Tenny: If you want to crush Parco, this is how.


 

Tenny: The people here just need someone to listen to. They’ll listen to you.
Alma Ortego: I can’t.
Tenny: Why not?
Alma Ortego: Because I’m not staying.
Tenny: Whether or not you’re here, what you have to say matters to us. If nothing else, Zee owes us a reason to believe in the process. Parco cannot win.


 

Alma Ortego: [over radio] Your hands are the makers of this world, and they’ve built a movement that has brought us to this special day, your election. Some of us have used our hands to tear one another down. To sow lies, and incite fear.


 

Alma Ortego: [over radio] A few days ago, I told you a vote for Zee was a vote for Wilson. Now a vote in Wilson’s box is a vote for Zee.


 

Alma Ortego: [over radio] Together, we are all more powerful than any one man, more than any one dream. I am asking you to help me build something new here. What are we if we don’t believe in our own voice, if we don’t believe that we can serve one another? We’re just animals killing each other, is what. So be brave with me, and know that this election will reflect your choice, and when you see Parco and Wilson at the voting booth, and you think that your hands are tied, know that you have Zee.


 

Susie: What do you need, Alma?
Alma Ortego: It’s about my son.
Susie: A leader must discern what she must control and what she must cede to her people.


 

Susie: You already know what still needs to be done. That’s why you’re here. That’s why I’m here. You have my block. I see the daughters of Lilith. That’s nearly enough to win, to cut the rot out of your boy. But the question remains. What will you do with these orphans that call the DMZ home?
Alma Ortego: I’m just asking you to come at sunset. Just help cement my boy’s exit.


 

Parco Delgado: So you’re a friend of Zee’s, huh? Me too.
Odi Peerlis: She hates you.
Parco Delgado: No. She don’t hate me. She’s just running against me.


 

Parco Delgado: We are at war, gentlemen! We are soldiers, and whether we like it or not, we must be extraordinary. That’s our burden to carry. That’s our duty. We do not get a choice.


 

Cesar: [referring to Parco] You know he’s going to kill you, right?
Alma Ortego: If he gets his way, he’s going to get us all killed.


 

Alma Ortego: Parco, if you would just take a breath, you would see that you’ve become everything that you hated. And worse, you are doing it to our son! You’re raising him to be exactly like you, another grunt just getting used by the war criminals in power. Kill me, and you know you lose Skel.


 

Parco Delgado: You just couldn’t keep away, could you? This is what you wanted? This is what you get!
Alma Ortego: Parco, stop! The US is lying to you! They just want an excuse to reinvade, and you’re about to give it to them!


 

Alma Ortego: You are about to reignite all-out war!
Parco Delgado: Wake up, Zee! The war never ended!


 

Parco Delgado: [to Skel, as they’re fighting] Oh, that’s how it’s going to be? You want the crown, boy? You better come and take it.


 

Parco Delgado: [as Skel points his gun at him] The only way to grow is to kill your gods. Good for you, kid. Go ahead. I’m ready.
[Skel knocks him out]


 

Cedric: [as Odi imagines his grandfather by him] Come a long way, Odi.
Odi Peerlis: I’m okay now.
Cedric: I know you are. Standing up on your own two feet. You don’t need me anymore, Odi. It’ll get hard again, but when it does, I’ll be right here, always. I’m so proud of you.


 

Alma Ortego: You can’t stay here. You have to know that.
Skel: I deserve what I got coming.
Alma Ortego: I don’t know what we deserve, but what we need is a second chance. Let me help you.
Skel: You don’t want me.
Alma Ortego: That’s not true.
Skel: No. Trust me. You don’t want any part of me. I know you came here for me, and thank you. But you don’t know me.


 

Parco Delgado: [referring to the US] Son, this is the only place I ever known. Don’t send me over there.
Skel: Over there is all you got left.


 

Alma Ortego: This has never been about the election. This is about you. You are why I came. You can reclaim your name, leave all this, the Kings.
Skel: I don’t deserve this.
Alma Ortego: You can’t undo what you’ve done, just like I can’t change everything I missed and did wrong. I wish I could. You are my son, and I will always love you. So of course I want you, damaged and all. But you don’t belong to me. You don’t belong to anyone. You are your own man, and you have a chance to start over on your terms.


 

Skel: You’re not coming?
Alma Ortego: I came here looking for you, and I found my calling. It’s here. And I have to answer that. There’s so much that I wanted to share with you. But I lost that time, and I can’t undo the past. But I can try to repair the broken parts for the future. I came here to save you, and this is how. You have so much life to live, so much art to create, so much love to give. We’ll find each other again.


 

Alma Ortego: [to Skel, after they embrace goodbye] Eyes forward, love.
[Skel then leaves the DMZ with Tenny]


 

Odi Peerlis: Is Parco coming for me now?
Alma Ortego: No. Hey, he’s gone. He’s not coming for anyone anymore. I’m here. I’ve got you, Odi. I’m home.
Odi Peerlis: [as he embraces her] Me too.


 

Alma Ortego: [after she’s won the election] Eight years ago today, I lost my son. My search for him led me back here, but instead of finding that boy, I found all of you brave, displaced people. Some of you had chosen to stay here. Some of you had been left behind. All of you survived. And now you’ve voted as citizens of the DMZ. So today, I invite you all to a new table, our table. One that ensures a fair allotment of resources, easy access to healthcare, and open dialogue and diplomacy. Now I’m not going to be roll calling any crews, but I am calling upon all of you to join me in leading this land to empower each other, and to turn the memory of the last eight years into the guiding hope of what we together will build here.


 

Alma Ortego: The DMZ is not either of two Americas, not anymore. But it is our home, and it is our future! Now we begin.
[they watch the US army leave]

 

Trailer:

Filed Under: Television

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